On November 1, 1995, the song "Aaj Raat Balam Saathe" was released by Tara Rani, Kavita Rani. This song is about six minutes long, preciously at 6:19, making this song fairly long compared to other songs. There are a total of 9 in the song's album "Ras Lihale Sajanwa". In this album, this song's track order is #1. Furthermore, we believe that the track originated from India. The popularity of Aaj Raat Balam Saathe is currently unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Aaj Raat Balam Saathe by Tara Rani, Kavita Rani having a BPM of 174 with a half-time of 87 BPM and a double-time of 348 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
This song has a musical key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Laagta Bhula Gayilu | MANOJ TIWARI | F♯ Minor | 6 | 11A | 156 BPM | ||
| Bol Mat Bol Dekh Ke | Tara Rani | B Major | 6 | 1B | 97 BPM | ||
| Swami Samarth Naamacha | Ajit Kadkade | A Major | 7 | 11B | 116 BPM | ||
| Khelatana Rang Bai Holicha | Sulochana Chavan | A Major | 8 | 11B | 111 BPM | ||
| Marad Ago Chij Haven | Tara Rani | D♭ Major | 6 | 3B | 84 BPM | ||
| Kaal Kukadi | Tapsiram Rathod, Kamla Rathod | D♭ Major | 10 | 3B | 112 BPM | ||
| O Fetewali Tumhi | Anand Shinde, Sulochna Chauhaan | F Minor | 6 | 4A | 99 BPM | ||
| Dahej Deke Kinale Bani | Karina Pandey, Sovita Pandey, Hema Pandey | A♭ Major | 9 | 4B | 94 BPM | ||
| Hum To Chuppe Kaini | Tara Rani | A♭ Major | 10 | 4B | 174 BPM | ||
| Halke Se Mara Ke Bade Se Mara Bundeli Geet | JaiSingh Raja | B Minor | 8 | 10A | 78 BPM | ||
| Gouri Ke Nanda Gajannad -7 | Prakash Mali | D Minor | 8 | 7A | 101 BPM | ||
| Tur Chali Jindriye | Amar Singh Chamkila | D Major | 7 | 10B | 163 BPM | ||
| Ek Aankh Marab Hole | Pawan, Pankaj | G Major | 4 | 9B | 185 BPM | ||
| O Lo Nonodi | Nargis | G Minor | 5 | 6A | 88 BPM | ||
| Shiv Manat Nahin | Sharda Sinha | A♭ Minor | 8 | 1A | 86 BPM | ||
| Dekh Kar Ram Ji Ko | Pawan Singh | B♭ Minor | 8 | 3A | 77 BPM | ||
| Dumka Mein Jhumka | MANOJ TIWARI | D♭ Minor | 5 | 12A | 86 BPM | ||
| Buddhach He Ghar | Milind Shinde | A♭ Major | 4 | 4B | 92 BPM | ||
| Chameli Hi Hi | Umakant Barik, Rabi | E Major | 9 | 12B | 132 BPM | ||
| Natavila Sonyane | Milind Shinde | D♭ Major | 5 | 3B | 98 BPM | ||
| Sadi Vote Na Rahi | Davinder Kohinoor | A♭ Minor | 4 | 1A | 140 BPM | ||
| Kavita Likhein Hazaar Tumaai | Deshraj Patairiya | E♭ Major | 7 | 5B | 159 BPM | ||
| Ramba Ho | UMAKANT BARIK | B Minor | 9 | 10A | 142 BPM | ||
| Dakhancha Raja Jyotiba Maza | Vijay Sartape | C Major | 8 | 8B | 83 BPM | ||
| Larikaiyaan Mein Gawna | MANOJ TIWARI | F♯ Major | 4 | 2B | 116 BPM |