"Appalachian Spring: Very Slowly -" by Aaron Copland, London Symphony Orchestra had its release date on 1963. The duration of This song is about two minutes long, specifically at 2:48. This song does not appear to have any foul language. Appalachian Spring: Very Slowly -'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 2 out of 25 in Copland Conducts Copland - Expanded Edition (Fanfare for the Common Man, Appalachian Spring, Old American Songs (Complete), Rodeo: Four Dance Episodes) by Aaron Copland. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Appalachian Spring: Very Slowly - is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Appalachian Spring: Very Slowly - by Aaron Copland, London Symphony Orchestra is Adagio (slowly with great expression), since this song has a tempo of 67 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Britten: Four Sea Interludes from Peter Grimes, Op. 33a: No. 2, Sunday Morning | Benjamin Britten, André Previn, London Symphony Orchestra | A Major | 2 | 11B | 152 BPM | ||
| Grand Canyon Suite: 5. Cloudburst | Ferde Grofé, Detroit Symphony Orchestra, Antal Doráti | E Major | 3 | 12B | 61 BPM | ||
| Suite bergamasque, L. 75 (Arr. for Orchestra): I. Prélude | Claude Debussy, フランス国立リヨン管弦楽団, 準・メルクル | F Major | 1 | 7B | 90 BPM | ||
| Suite No. 1, P. 109: III. Villanella: Andante Cantabile | Ottorino Respighi, RTÉ National Symphony Orchestra | B Minor | 0 | 10A | 88 BPM | ||
| Appalachian Spring - 1945 Suite: 8. Moderato: Coda | Aaron Copland, Los Angeles Philharmonic, Zubin Mehta | C Major | 0 | 8B | 74 BPM | ||
| Serenade: Allegretto | William Mathias, Royal Ballet Sinfonia, Andrew Penny | E Minor | 0 | 9A | 118 BPM | ||
| The School For Scandal Overture Op. 5 | Samuel Barber, Leonard Slatkin, St. Louis Symphony | F♯ Minor | 3 | 11A | 116 BPM | ||
| By The Sleepy Lagoon | Eric Coates, East of England Orchestra, Malcolm Nabarro | A Minor | 1 | 8A | 73 BPM | ||
| Suite No. 3, P. 172: III. Siciliana: Andantino | Ottorino Respighi, RTÉ National Symphony Orchestra | C Minor | 0 | 5A | 93 BPM | ||
| Symphonie fantastique, Op. 14, H 48: V. Songe d'une nuit de sabbat | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | C Minor | 1 | 5A | 60 BPM | ||
| Symphony No. 5 in D Major: I. Preludio. Moderato | Ralph Vaughan Williams, Antonio Pappano, London Symphony Orchestra | C Major | 1 | 8B | 85 BPM | ||
| Elgar: Variations on an Original Theme, Op. 36 "Enigma": Variation XIII. Romanza. *** | Edward Elgar, London Symphony Orchestra, Sir Adrian Boult | C Minor | 0 | 5A | 62 BPM | ||
| Shaker Loops: Hymning Slews (Version for string orchestra) | John Adams, Bournemouth Symphony Orchestra, Marin Alsop | A Major | 0 | 11B | 81 BPM | ||
| Logan's Journey | Jeremy Soule | A♭ Major | 1 | 4B | 76 BPM | ||
| Void Whisper | Astrid Voix | D Major | 6 | 10B | 98 BPM | ||
| Eine Alpensinfonie: X. Nacht | Richard Strauss, Bernard Haitink, London Symphony Orchestra | B♭ Minor | 0 | 3A | 86 BPM | ||
| Barber: Adagio for Strings, Op. 11 | Samuel Barber, Philadelphia Orchestra, Eugene Ormandy | B♭ Minor | 1 | 3A | 80 BPM | ||
| Suite bergamasque, L. 75: No. 3, Clair de lune (Arr. L. Caillet for Orchestra) | Claude Debussy, Eugene Ormandy, Philadelphia Orchestra, Philharmonia Orchestra | D♭ Major | 0 | 3B | 146 BPM | ||
| Florida Suite: II. By the River | Frederick Delius, English Northern Philharmonia, David Lloyd-Jones | G Major | 0 | 9B | 68 BPM | ||
| Symphony No. 3, "Pastoral Symphony": II. Lento moderato | Ralph Vaughan Williams, Brendan O'Brien, Patricia Rozario, Bournemouth Symphony Orchestra, Kees Bakels | G Minor | 0 | 6A | 88 BPM | ||
| Symphony No. 2, Op. 30 "Romantic": I. Adagio - Allegro moderato | Howard Hanson, Seattle Symphony Orchestra, Gerard Schwarz | E Minor | 0 | 9A | 129 BPM | ||
| Enigma Variations: Variation XIII. Romanza (***) - Moderato | Edward Elgar, Sir Colin Davis, London Symphony Orchestra | A♭ Major | 0 | 4B | 79 BPM | ||
| Battle Cry of Freedom II | Jaqueline Schwab | G Major | 0 | 9B | 122 BPM | ||
| Massman | Philip Glass, Yo-Yo Ma, Philip Glass Ensemble, Michael Riesman | B♭ Major | 1 | 6B | 100 BPM | ||
| Sérénité Nocturne | Etoilee | E Major | 3 | 12B | 178 BPM |