"Shankar: The Enchanted Dawn, for Flute and Harp" by Ravi Shankar, Jean-Pierre Rampal, Martine Geliot had its release date on January 1, 1976. This song appears to be safe for all ages as it is not explicit. The track order of this song in Yehudi Menuhin, Ravi Shankar, Jean-Pierre Rampal's "Improvisations: West Meets East, Vol. 3" album is number 3 out of 4. Based on our statistics, Shankar: The Enchanted Dawn, for Flute and Harp's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Shankar: The Enchanted Dawn, for Flute and Harp by Ravi Shankar, Jean-Pierre Rampal, Martine Geliot to be Allegro (fast, quick, and bright) because the track has a tempo of 137 BPM, a half-time of 68BPM, and a double-time of 274 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Abhogi | Hariprasad Chaurasia | E Major | 2 | 12B | 96 BPM | ||
| Tala - Tabla Tarang | Ravi Shankar | D♭ Major | 4 | 3B | 159 BPM | ||
| Guruguha Padapankaja | T. M. Krishna | G Major | 6 | 9B | 140 BPM | ||
| Sufis and Gypsies | Chinmaya Dunster | F♯ Minor | 6 | 11A | 154 BPM | ||
| Mahaa Mrityunjaya | Ravi Shankar | G Major | 2 | 9B | 103 BPM | ||
| Desire (Raag Manj Khamaj) - Radio Edit | Niladri Kumar | G Major | 3 | 9B | 82 BPM | ||
| Ganges | Downing And Mayer | D♭ Major | 4 | 3B | 99 BPM | ||
| Raga Malkauns (Alap) - Digitally Remastered | Ravi Shankar | F♯ Major | 1 | 2B | 177 BPM | ||
| Echoes of Jummapur: Theme from Tom Stoppard's Indian Ink | Kuljit Bhamra | C Major | 3 | 8B | 171 BPM | ||
| Maha Ganapathim - Mandolin | U. Srinivas | F Minor | 9 | 4A | 101 BPM | ||
| Freedom At Midnight | Bickram Ghosh | A Major | 7 | 11B | 166 BPM | ||
| Water Girl | Zakir Hussain | A Major | 1 | 11B | 115 BPM | ||
| Athilolamam Minus | Perumbavoor G. Raveendranath, Ravisankar. R | B Minor | 5 | 10A | 116 BPM | ||
| Todi - Instrumental | Ustad Bismillahkhan | E♭ Major | 4 | 5B | 148 BPM | ||
| The Darkest Hour | Bickram Ghosh | D Major | 3 | 10B | 160 BPM | ||
| Raga kirvani : Pallavî | L. Subramaniam | B Major | 6 | 1B | 166 BPM | ||
| Open | Alam Khan | C Major | 1 | 8B | 80 BPM | ||
| Raag Kalavati | Sounds of Optimism, Deepesh Sanmal | B Major | 3 | 1B | 127 BPM | ||
| Tanpura Drone in D (Bordone in RE) | Bagno Armonico | G Major | 0 | 9B | 203 BPM | ||
| Traditional: Raga Puriya Kalyan | Traditional, Ravi Shankar | A♭ Major | 5 | 4B | 146 BPM | ||
| Raga Hameer - Gat In Teentaal | Traditional, Shivkumar Sharma, Zakir Hussain | D Major | 4 | 10B | 180 BPM | ||
| Vathapi: Hamsadhwani - Aadi - Dikshitar | Muthuswami Dikshitar, U. Srinivas | G Major | 6 | 9B | 101 BPM | ||
| Tarana in Adana | Ali Akbar Khan | B♭ Minor | 5 | 3A | 122 BPM | ||
| The Song of the Vajra | Chogyal Namkhai Norbu Rinpoche | E Major | 2 | 12B | 131 BPM | ||
| Nocturne | Mukta | G Major | 4 | 9B | 85 BPM |