- BPM
- 83
- Key
- G Major
- Camelot
- 9B
Es waren zwei Königskinder by Rudolf Schock Song Details
Rudolf Schock's 'Es waren zwei Königskinder' had a release date set for January 6, 2006. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 22 out of 22 in Fernsehwunschkonzert mit by Rudolf Schock. Es waren zwei Königskinder is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
The tempo marking of Es waren zwei Königskinder by Rudolf Schock is Andante (at a walking pace), since this song has a tempo of 83 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
Music Key
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 9%
- Loudness
- -12.421 dB
- Acousticness
- 95%
- Danceability
- 36%
- Energy
- 23%
- Instrumentalness
- 0%
- Liveness
- 26%
- Loudness
- 79%
- Speechiness
- 5%
- Valence
- 24%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Limburg Mijn Vaderland: Limburg Mijn Vaderland | The Royal Song Association Mastreechter Staar, Chantal Janzen, Bèr Schellings, Roger Moens | B♭ Major | 1 | 6B | 95 BPM | |
 | Cæcilie Vals (1852) | Hans Christian Lumbye, Tivoli Symphony Orchestra | B Major | 1 | 1B | 172 BPM | |
 | Persian March, Op. 289 | Johann Strauss, Bonn Classic Ensemble | A Minor | 2 | 8A | 178 BPM | |
 | Der Freischütz, Op. 77, J. 277: Jägerchor | Carl Maria von Weber, Radio Kamer Filharmonie, Groot Omroepkoor, Michael Schønwandt, Michael Gläser | D♭ Major | 2 | 3B | 123 BPM | |
 | Alle Tage ist kein Sonntag | Carl Clewing, Rudolf Schock, Werner Eisbrenner | C Major | 2 | 8B | 147 BPM | |
 | Toselli-Serenade | Enrico Tosselli, Rudolf Schock, Max Kayer, Unknown Artist | E Major | 2 | 12B | 81 BPM | |
 | Nein, länger trag ich nicht | Berliner Philharmoniker, Chor der Deutschen Oper Berlin | E♭ Major | 1 | 5B | 89 BPM | |
 | The Gypsy Princess (Die Csárdásfürstin): "Ganz ohne Weiber geht die Chose nicht" | Emmerich Kálmán, Willy Hofmann, Renate Holm, Grosses Operetten Orchester, Franz Marszalek | C Major | 5 | 8B | 115 BPM | |
 | Das Land des Lächelns: "Dein ist mein ganzes Herz!" | Franz Lehár, Jonas Kaufmann, Jochen Rieder, Berlin Radio Symphony Orchestra | D♭ Major | 2 | 3B | 85 BPM | |
 | Im weißen Rössl: Im weißen Rössl | Robert Stolz, Herta Talmar, Antonia Fahberg, Franz Fehringer, Willy Hofmann, Bernhard Wilfert, Peter Alexander, Chor, Grosses Operetten Orchester, Franz Marszalek | A♭ Major | 3 | 4B | 121 BPM | |
 | Monte Carmelo: "Habanera" | Federico Romero, Guillermo Fdez. Shaw, Federico Moreno Torroba, Pepita Rollán, Gran Orquest Sinfónica del Teatro Calderón de Madrid | E♭ Major | 4 | 5B | 172 BPM | |
 | Tannhäuser: Beglückt darf nun dich, o Heimat, ich schauen | Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Rafael Frühbeck de Burgos | E♭ Major | 2 | 5B | 83 BPM | |
 | Ach so fromm | Fritz Wunderlich | F Major | 1 | 7B | 86 BPM | |
 | Rossini: Stabat Mater: II. Cujus animam gementem | Gioachino Rossini, Antonio Pappano, Lawrence Brownlee, Orchestra dell'Accademia Nazionale di Santa Cecilia | D Minor | 0 | 7A | 106 BPM | |
 | Die Meistersinger von Nürnberg (1992 Digital Remaster), DRITTER AKT/ACT 3/TROISIEME SCENE, Fünfte Szene/Scene 5/Cinquième Scène: Ihr tanzt? Was werden die Meister sagen? (David/Lehrbuben/Gesellen) | Richard Wagner, Ferdinand Frantz, Gottlob Frick, Horst Wilhelm, Walter Stoll, Benno Kusche, Elisabeth Grümmer, Hanns Pick, Rudolf Schock, Robert Koffmane, Leopold Clam, Anton Metternich, Herold Kraus, Gustav Neidlinger, Marga Höffgen, Gerhard Unger, Manfred Schmidt, Rudolf Kempe, Berliner Philharmoniker | A Minor | 2 | 8A | 88 BPM | |
 | Lili Marleen | Geraldine Olivier | F Major | 6 | 7B | 99 BPM | |
 | Les contes d'Hoffman: Einmal wird ein Wunder gescheh'n | Gaby Albrecht | G Major | 5 | 9B | 78 BPM | |
 | Fur die ganze Welt | Joseph Hellmesberger, Jr., Göttingen Symphony Orchestra, Christian Simonis | G Major | 1 | 9B | 179 BPM | |
 | Wer uns getraut | Rudolf Schock | E♭ Major | 3 | 5B | 87 BPM | |
 | Der Vogelhändler: Schenkt man sich Rosen in Tirol | Carl Zeller, Rudolf Schock, Erika Köth, Frank Fox | B♭ Major | 3 | 6B | 84 BPM | |
 | Si, Mi Chiamano Mimì - La Boheme Atto I | Renata Tebaldi | B♭ Major | 3 | 6B | 134 BPM | |
 | Les Voici! Voici La Quadrille (Carmen) | Georges Bizet, Choir and Orchestra of the Budapest State Opera | F Major | 1 | 7B | 77 BPM | |
 | Kálmán: Gräfin Mariza, Act I: "Auch ich war einst ein feiner Csárdáskavalier" - "Komm Zigány" | Emmerich Kálmán, Rudolf Schock, Frank Fox, Berliner Symphoniker | D Major | 3 | 10B | 83 BPM | |
 | Die Lorelei (Ich weiß nicht, was soll es bedeuten) | Richard Tauber | D Major | 1 | 10B | 129 BPM | |
 | Alle Tage Ist Kein Sonntag | Willy Schneider | A♭ Major | 2 | 4B | 83 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records