Emmerich Kálmán, Rudolf Schock, Frank Fox, Berliner Symphoniker's ' "Kálmán: Gräfin Mariza, Act I: "Auch ich war einst ein feiner Csárdáskavalier" - "Komm Zigány"" was released on its scheduled release date, June 9, 2006. The duration of This song is about 3 minutes long, at 3:22. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Rudolf Schock's "Legenden der Operette: Rudolf Schock" album is number 20 out of 38. Kálmán: Gräfin Mariza, Act I: "Auch ich war einst ein feiner Csárdáskavalier" - "Komm Zigány" is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Kálmán: Gräfin Mariza, Act I: "Auch ich war einst ein feiner Csárdáskavalier" - "Komm Zigány" by Emmerich Kálmán, Rudolf Schock, Frank Fox, Berliner Symphoniker to be Andante (at a walking pace) because the track has a tempo of 83 BPM, a half-time of 42BPM, and a double-time of 166 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Pomp And Circumstance March No. 1 | Edward Elgar, André Rieu | D Major | 2 | 10B | 129 BPM | ||
| Noches de Viena | Orquesta Filarmonica de Rumania | D Major | 3 | 10B | 174 BPM | ||
| The Gypsy Princess (Die Csárdásfürstin): "Ganz ohne Weiber geht die Chose nicht" | Emmerich Kálmán, Willy Hofmann, Renate Holm, Grosses Operetten Orchester, Franz Marszalek | C Major | 5 | 8B | 115 BPM | ||
| Komm Zigan | Rudolf Schock | A Major | 3 | 11B | 106 BPM | ||
| Die Czárdasfürstin: Heller Jubel.. Weisst du es noch? (Princesse Czardas: T'en souvient-il?) | Emmerich Kálmán, Leo Stein, Bela Jenbach, Zuzana Pavlova, Janáček Philharmonic Orchestra, Jirí Malát | C Minor | 2 | 5A | 100 BPM | ||
| Italian Polka | Sergei Rachmaninoff, Jan Valta, Philharmonic Wind Orchestra, Marc Reift | F Minor | 7 | 4A | 154 BPM | ||
| Vienna Forever | Johann Schrammel, André Rieu | D Major | 2 | 10B | 108 BPM | ||
| Grande Valse Viennoise | André Rieu, Frank Steijns, Johann Strauss Orchestra | G Major | 4 | 9B | 85 BPM | ||
| Elizabethan Serenade | Ronald Binge, André Rieu | B♭ Major | 3 | 6B | 109 BPM | ||
| Die Zirkusprinzessin - operetta in 3 Acts: Wenn du mich sitzen läßt | Emmerich Kálmán, Rita Bartos, Reinhold Bartel, Chor, Grosses Operetten Orchester, Franz Marszalek | D Major | 3 | 10B | 147 BPM | ||
| スケーターズ・ワルツ 作品183(ショート・ヴァージョン) | ベルリン交響楽団、ゲルハルト・ベッカー(指揮), ゲルハルト・ベッカー(指揮) | B♭ Major | 2 | 6B | 185 BPM | ||
| Die Csardasfurstin (The Gypsy Princess): Act II: Entr'akt | Emmerich Kálmán, Yvonne Kenny, Michael Roider, Mojca Erdmann, Marko Kathol, Karl-Michael Ebner, Hellmuth Klumpp, Heinz Holecek, Yvonne Kalman, Marian Vach, Slovak Philharmonic Choir, Slovak Radio Symphony Orchestra, Richard Bonynge | F Major | 3 | 7B | 116 BPM | ||
| Annern-Polkaern Polka | Walzer Orchestra | C Major | 3 | 8B | 90 BPM | ||
| Strauss & Co - Live | Johann Strauss II, Franz Lehár, Emmerich Kálmán, André Rieu, Johann Strauss Orchestra | E Minor | 3 | 9A | 62 BPM | ||
| Sangre Vienesa | Orquesta Concierto de Viena | B Major | 3 | 1B | 177 BPM | ||
| Blue Tango | Leroy Anderson, WDR Rundfunkorchester Köln, Pinchas Steinberg | D Major | 2 | 10B | 130 BPM | ||
| En Sommernat På Møns Klint, Fantasi (1843) | Hans Christian Lumbye, Tivoli Symphony Orchestra | E Major | 3 | 12B | 148 BPM | ||
| Suppé: Leichte Kavallerie | Franz von Suppé, Sir Neville Marriner, Academy of St. Martin in the Fields | A Major | 2 | 11B | 138 BPM | ||
| Fatinitza Marsch | Johann Strauss Orchester | G Major | 4 | 9B | 123 BPM | ||
| Serenata | Enrico Toselli, André Rieu, Johann Strauss Orchestra | B♭ Major | 4 | 6B | 99 BPM | ||
| Im Salzkammergut da kann man gut | Wiener Operettenorchester, Chor | C Major | 5 | 8B | 76 BPM | ||
| Blue Tango | Leroy Anderson, André Rieu | D Major | 2 | 10B | 129 BPM | ||
| Ich bin nur ein armer Wandergesell' | Fritz Wunderlich | C Major | 2 | 8B | 129 BPM | ||
| The Comedians, Op. 26: Galop | Dimitri Kabelevsky, Berlin Symphonic Orchestra, Gerhard Becker | C Major | 0 | 8B | 97 BPM | ||
| Adieu, Little Captain of My Heart | Robert Stolz, André Rieu, Johann Strauss Orchestra | C Major | 6 | 8B | 78 BPM |