- BPM
- 64
- Key
- A Minor
- Camelot
- 8A
Violin Concerto “Distant light” (1996/7): Cantabile I by Pēteris Vasks, Daniel Rowland, Maja Bogdanovic, Stift Festival Orchestra Song Details
"Violin Concerto “Distant light” (1996/7): Cantabile I" by Pēteris Vasks, Daniel Rowland, Maja Bogdanovic, Stift Festival Orchestra had its release date on September 24, 2020. The duration of This song is about 3 minutes long, at 3:25. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 3 out of 11 in Distant Light by Pēteris Vasks, Daniel Rowland, Maja Bogdanovic, Stift Festival Orchestra. Violin Concerto “Distant light” (1996/7): Cantabile I is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
The tempo marking of Violin Concerto “Distant light” (1996/7): Cantabile I by Pēteris Vasks, Daniel Rowland, Maja Bogdanovic, Stift Festival Orchestra is Larghetto (rather broadly), since this song has a tempo of 64 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
Music Key
This song has a musical key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 8%
- Loudness
- -19.047 dB
- Acousticness
- 96%
- Danceability
- 6%
- Energy
- 11%
- Instrumentalness
- 90%
- Liveness
- 35%
- Loudness
- 68%
- Speechiness
- 5%
- Valence
- 3%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
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 | Kol Nidrei, Op. 47 | Max Bruch, Jan Vogler, Helmut Branny | D Major | 1 | 10B | 136 BPM | |
 | LULLABY TO ETERNITY / Alice Sara Ott: Lullaby To Eternity (on fragments of W.A. Mozart's "Lacrimosa") | Alice Sara Ott | D Minor | 0 | 7A | 82 BPM | |
 | Simple Symphony, Op. 4: III. Sentimental Sarabande | Benjamin Britten, Camerata Nordica, Terje Tonnesen | G Minor | 0 | 6A | 85 BPM | |
 | Reflection No. 2 | Camille Thomas, Julien Brocal | C Minor | 1 | 5A | 141 BPM | |
 | Violin Concerto No. 1: Movement I | Philip Glass, Leonard Bernstein, Dennis Russell Davies, Bruckner Orchester Linz, Renaud Capuçon | D Minor | 2 | 7A | 74 BPM | |
 | Plainscapes: I. | Pēteris Vasks, Merel Vercammen, Maya Fridman, Cappella Amsterdam, Daniel Reuss | B♭ Major | 1 | 6B | 139 BPM | |
 | Violin Sonata in E Minor, P. 85: II. Adagio, ma non tanto (After J.S. Bach's BWV 1023) | Ottorino Respighi, Ilkka Talvi, Seattle Symphony Orchestra, Gerard Schwarz | E Minor | 0 | 9A | 105 BPM | |
 | K’vakarat | Osvaldo Golijov, Arethusa Quartet, Barry Shiffman | C Minor | 1 | 5A | 141 BPM | |
 | The Boxer | Kate Moore, Anna McMichael, Claire Edwardes, Genevieve Lang Huppert, Kirsty McCahon, Rowena MacNeish | G Minor | 1 | 6A | 96 BPM | |
 | Engagement | Lauri Porra, Dalia Stasevska, Lahti Symphony Orchestra, Markus Hohti | A Minor | 2 | 8A | 84 BPM | |
 | And There Was Light | Matthew Coleridge, Rupert Gough, Southern Sinfonia, Maxim Calver | C Major | 0 | 8B | 82 BPM | |
 | Sarabande and Courante from Auf meinen lieben Gott, BuxWV 179 (Arr. Leopold Stokowski) | Dietrich Buxtehude, Matthias Bamert, BBC Philharmonic, Cynthia Millar | E Major | 2 | 12B | 118 BPM | |
 | Sun Triptych: III. Dusk | Dobrinka Tabakova, Roman Mints, Kristine Blaumane, BBC Concert Orchestra | D♭ Minor | 0 | 12A | 86 BPM | |
 | To Be Sung of a Summer Night on the Water, RT IV No. 2: I. — | Frederick Delius, The Carice Singers, George Parris | A Major | 2 | 11B | 130 BPM | |
 | Ochre: I. Siderite | Caroline Shaw, The Crossing, Donald Nally, Dan Schwartz | D Major | 1 | 10B | 128 BPM | |
 | Violin Concerto: III. Romance Without Words | Ned Rorem, Philippe Quint, Royal Liverpool Philharmonic Orchestra, José Serebrier | F♯ Major | 1 | 2B | 62 BPM | |
 | Requiem, Op. 9: IV. Sanctus | Maurice Duruflé, The Choir Of Trinity College, Cambridge, Stephen Layton, Harrison Cole | B♭ Major | 3 | 6B | 68 BPM | |
 | Flow | Anja Lechner, François Couturier | D♭ Minor | 0 | 12A | 118 BPM | |
| Hymne | Anja Lechner, François Couturier | D Minor | 0 | 7A | 75 BPM | |
 | 11 Gates: No. 1, Drifting into D Major | Anders Hillborg, Royal Stockholm Philharmonic Orchestra, Esa-Pekka Salonen | G Major | 1 | 9B | 65 BPM | |
 | Ellis Island | Meredith Monk, Bruce Brubaker, Ursula Oppens | A Minor | 1 | 8A | 134 BPM | |
 | Suite No. 4 in E Minor: Prelude X.XVII | Monsieur de Sainte-Colombe, Christian-Pierre La Marca | E♭ Minor | 1 | 2A | 123 BPM | |
 | The Writings: No. 1, Again (After Ecclesiastes) | David Lang, Cappella Amsterdam, Daniel Reuss | D Minor | 1 | 7A | 134 BPM | |
 | Dido´s Lament | Henry Purcell, David Orlowsky, David Bergmüller | A♭ Minor | 1 | 1A | 79 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records