- BPM
- 138
- Key
- B♭ Minor
- Camelot
- 3A
Mots Justes: No. 5, In accord by George Nicholson, Peter Lawson Song Details
"Mots Justes: No. 5, In accord" by George Nicholson, Peter Lawson had its release date on April 1, 2013. This song appears to be safe for all ages as it is not explicit. There are a total of 20 in the song's album "Nicholson, G.: Letters to the World". In this album, this song's track order is #8. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Mots Justes: No. 5, In accord's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
BPM and Tempo
With Mots Justes: No. 5, In accord by George Nicholson, Peter Lawson having a BPM of 138 with a half-time of 69 BPM and a double-time of 276 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
Music Key
This song is in the music key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 0%
- Loudness
- -30.425 dB
- Acousticness
- 99%
- Danceability
- 43%
- Energy
- 0%
- Instrumentalness
- 90%
- Liveness
- 6%
- Loudness
- 49%
- Speechiness
- 5%
- Valence
- 4%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Rothko Chapel 2 | Morton Feldman | B Minor | 0 | 10A | 141 BPM | |
 | Ligeti: Requiem: III. De die judicii sequentia. Subito. Agitato molto | György Ligeti, Jonathan Nott, Caroline Stein, London Voices, Margriet van Reisen, Berliner Philharmoniker | D♭ Major | 2 | 3B | 81 BPM | |
 | Var. 6, Adagio | Pyotr Ilyich Tchaikovsky, Li-wei Qin, Czech Philharmonic Chamber Orchestra, Michael Halasz | D Minor | 0 | 7A | 80 BPM | |
 | Schoenberg - 4 Pieces from 6 Kleine Klavierstucke, Op. 19: No. 1. Leicht zart | Hans Abrahamsen, Arnold Schoenberg, BIT20 Ensemble, Ilan Volkov | B♭ Minor | 0 | 3A | 90 BPM | |
 | Dove: Figures in the Garden: VII. Nocturne. Figaro and Susanna | Jonathan Dove, Antony Pay, Orchestra of the Age of Enlightenment | D♭ Major | 0 | 3B | 81 BPM | |
 | Lakes, Mists, Bats, Daggers and Fountains: IV. Always light and airy | Laurence Osborn, 12 Ensemble | D Major | 1 | 10B | 161 BPM | |
 | String Quartet No. 3: IV. — | George Nicholson, Bochmann String Quartet | A Minor | 0 | 8A | 81 BPM | |
 | String Quartet No. 4, 2nd Movement, Percussive Dimensions | Béla Bartók, vision string quartet, Bernhard Schimpelsberger | D Major | 1 | 10B | 161 BPM | |
 | Variations on "Canon in D Major, P. 37" | George Rochberg, Concord String Quartet | D Major | 1 | 10B | 171 BPM | |
 | Louange à l'Éternité de Jésus (From "Quartet for the End of Time") | Olivier Messiaen, Yo-Yo Ma, Kathryn Stott | E Major | 0 | 12B | 83 BPM | |
 | Piano Trio in A Minor, M. 67: III. Passacaille. Très large | Maurice Ravel, Smetana Trio | G Major | 2 | 9B | 78 BPM | |
 | Bartók: String Quartet No. 4 in C Major, Sz. 91: I. Allegro | Béla Bartók, Belcea Quartet | B Minor | 0 | 10A | 78 BPM | |
 | String Quartet No. 2, Op. 26: I. Allegro rustico | Alberto Ginastera, Enso String Quartet | E Minor | 1 | 9A | 128 BPM | |
| String Quartet No.1, Sz.40: I. Lento | Béla Bartók, Belcea Quartet | A♭ Major | 0 | 4B | 86 BPM | |
 | Ciudades: VI. Tokyo | Guillermo Lago, Fukio Ensemble | A Minor | 2 | 8A | 112 BPM | |
 | Montage: II. Larghetto espressivo | James Lentini, Harvey Thurmer, Pansy Chang, Siok Lian Tan | D♭ Minor | 2 | 12A | 113 BPM | |
 | Ravel: Berceuse sur le nom de Fauré, M. 74 | Maurice Ravel, Jean-Jacques Kantorow, Jacques Rouvier | D Major | 1 | 10B | 161 BPM | |
 | Sonata für Oboe Solo: I. Langsam – Beschleunigend | Jürg Wyttenbach, Heinz Holliger | B♭ Minor | 0 | 3A | 77 BPM | |
 | Letters to the World: Bee! I'm expecting you! | George Nicholson, Alison Wells, John Turner, Keith Elcombe, Jonathan Price | C Major | 1 | 8B | 82 BPM | |
 | Cold Song’ (What Power Art Thou...) | Henry Purcell, VOCES8, Les Inventions, Dingle Yandell | E Minor | 1 | 9A | 134 BPM | |
 | Quatuor pour la fin du Temps: V. Louange à l'éternité de Jésus | Olivier Messiaen, Lucas Debargue, Torleif Thedéen | E Major | 0 | 12B | 81 BPM | |
 | Violin Concerto in D Major, Op. 35: II. Romanze. Andante | Erich Wolfgang Korngold, Vadim Gluzman, Hague Residentie Orchestra, Neeme Järvi | G Major | 0 | 9B | 86 BPM | |
 | バレエ音楽「中国の不思議な役人」より | 春日部共栄高等学校吹奏楽部 | B♭ Minor | 3 | 3A | 149 BPM | |
 | Chamber Symphony No. 5 in A-Flat Major, Op. 118a: III. Adagio | Dmitri Shostakovich, Yuli Turovsky, I Musici de Montréal | A Minor | 0 | 8A | 86 BPM | |
 | Turangalîla Symphonie: 1. Introduction | Olivier Messiaen, Yvonne Loriod, Jeanne Loriod, Orchestre de l'Opéra Bastille, Myung-Whun Chung | E♭ Minor | 4 | 2A | 143 BPM |
- ISRC
- GBFRP0062008
- Label
- L-M Records/RCA Records