- BPM
- 115
- Key
- B Minor
- Camelot
- 10A
Now Sleeps the Crimson Petal by Ned Rorem, The Prince Consort Song Details
Ned Rorem, The Prince Consort's 'Now Sleeps the Crimson Petal' had a release date set for November 2, 2009. With this song being around four minutes long, at 3:53, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 29 in the song's album "Ned Rorem: On and Echoing Road". In this album, this song's track order is #20. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Now Sleeps the Crimson Petal is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
With Now Sleeps the Crimson Petal by Ned Rorem, The Prince Consort having a BPM of 115 with a half-time of 58 BPM and a double-time of 230 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
Music Key
This song has a musical key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 0%
- Loudness
- -15.911 dB
- Acousticness
- 99%
- Danceability
- 38%
- Energy
- 12%
- Instrumentalness
- 0%
- Liveness
- 11%
- Loudness
- 73%
- Speechiness
- 5%
- Valence
- 33%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Suite francaise d'après Claude Gervaise, Bransle de bourgogne | Francis Poulenc, Alexandre Tharaud | C Major | 1 | 8B | 90 BPM | |
 | The Silver Swan | Ned Rorem, Karen Smith Emerson, Martin Katz | A Minor | 1 | 8A | 91 BPM | |
 | Adam Zero: Approach of Autumn | Arthur Bliss, English Northern Philharmonia, David Lloyd-Jones | D Minor | 0 | 7A | 128 BPM | |
 | Le tombeau de Couperin, M. 68: I. Prélude - Orchestration by Maurice Ravel, M. 68A/1 | Maurice Ravel, Orchestre National De France, Cristian Măcelaru | D♭ Minor | 3 | 12A | 172 BPM | |
 | Liederkreis, Op. 39: No. 7, Auf einer Burg (Arr. Rot for Cello and Orchestra) | Robert Schumann, Kian Soltani, Camerata Salzburg, Gregory Ahss | E♭ Major | 3 | 5B | 140 BPM | |
 | Rorem: The Lordly Hudson | Ned Rorem, Susan Graham, Malcolm Martineau | F Minor | 0 | 4A | 74 BPM | |
 | Neon Waves | Lumi Risto | D Major | 1 | 10B | 130 BPM | |
 | Cello Concerto in B Minor, Op. 104: III. Allegro moderato. Original Ending | Antonín Dvořák, Steven Isserlis, Daniel Harding, Mahler Chamber Orchestra | B Major | 0 | 1B | 77 BPM | |
 | Romanze F Minor: Romanze F Minor | Sergei Rachmaninoff, Reiner Ginzel, Gitti Pirner | F Minor | 0 | 4A | 166 BPM | |
 | Nocturne No. 11, Op. 104 No. 1 | Gabriel Fauré, Louis Lortie | E Minor | 0 | 9A | 62 BPM | |
 | Trois Mélodies: Élegie | Erik Satie, Barbara Hannigan, Reinbert de Leeuw | B Major | 0 | 1B | 88 BPM | |
 | Agnus Dei, "In memoriam Oleg Kagan": I. Agnus Dei (Larghetto) | Tigran Mansurian, Roeland Hendrikx Ensemble | F Major | 1 | 7B | 90 BPM | |
 | Martinů: Film en miniature: No. 3, Berceuse | Bohuslav Martinů, Bertrand Chamayou | A♭ Major | 0 | 4B | 175 BPM | |
 | Light Year: I. Star Gazing | Kenneth Fuchs, Sinfonia Of London, John Wilson | A♭ Minor | 0 | 1A | 80 BPM | |
 | Our Town, Act I: "Why, Hello, George Gibbs" | Ned Rorem, Glorivy Arroyo, Margot Rood, Brendan Buckley, Stefan Barner, Jonas Budris, Jason Connell, Angela Gooch, Matthew DiBattista, Gil Rose | C Major | 3 | 8B | 93 BPM | |
 | Pavane pour une infante défunte, M. 19 (Arr. for Wind Ensemble by Guy du Cheyron) | Maurice Ravel, Ensemble Ouranos | F Major | 1 | 7B | 90 BPM | |
 | Concerto for English Horn and Orchestra: II. Love Letter | Ned Rorem, Thomas Stacy, Michael Palmer, Rochester Philharmonic Orchestra | B♭ Major | 0 | 6B | 108 BPM | |
 | Pelléas et Mélisande Suite, Op. 80: II. Fileuse | Gabriel Fauré, RTÉ National Symphony Orchestra, Jean-Luc Tingaud | G Major | 0 | 9B | 88 BPM | |
 | Chansons pour les oiseaux: No. 1, La colombe poignardée | Louis Beydts, Julie Roset, Susan Manoff | F Major | 1 | 7B | 90 BPM | |
 | 3 Danzas Argentinas, Op. 2: No. 2, Danza de la moza donosa | Alberto Ginastera, Fernando Viani | B Major | 0 | 1B | 72 BPM | |
 | To Lizbie Brown, Op.15, No.7 - Instrumental | Gerald Finzi, Amy Dickson, Aurora Orchestra, Nicholas Collon | C Minor | 1 | 5A | 73 BPM | |
 | 4 piezas españolas: II. Cubana (Moderato) | Manuel de Falla, Javier Perianes | A Major | 0 | 11B | 132 BPM | |
 | Sonate, Op. 71: II. Nocturne – Presque adagio | Charles Koechlin, Julien Hardy, Simon Zaoui | E♭ Major | 0 | 5B | 77 BPM | |
 | Stille Musik: I. Walzer des Augenblicks | Valentin Silvestrov, Munich Chamber Orchestra | A Minor | 0 | 8A | 60 BPM | |
 | Danzas Argentinas, Op. 2: No. 2, Danza de la moza donosa | Alberto Ginastera, Luca Sacher | E Minor | 0 | 9A | 140 BPM |
- ISRC
- GBASH0934220
- Label
- L-M Records/RCA Records