Штраус Иоганн-сын, Симфонический оркестр РГМЦ's ' "Антракт, "Летучая Мышь"" was released on its scheduled release date, February 9, 2015. With This song being less than two minutes long, at 1:15, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There is only one song in Классическая Музыка - 100 Лучших Произведений, so we believe that "Антракт, "Летучая Мышь"" is a single. In terms of popularity, Антракт, "Летучая Мышь" is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Антракт, "Летучая Мышь" by Штраус Иоганн-сын, Симфонический оркестр РГМЦ is Moderato (at a moderate speed), since this song has a tempo of 119 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Die Göttin der Vernunft: Overture | Johann Strauss II, Veronika Groiss, Manfred Equiluz, Kirlianit Cortes, Franz Fodinger, Isabella Ma-Zach, Wolfgang Veith, Eva-Maria Kumpfmuller, Andreas Mittermeier, Nicolas Legoux, Vienna Private University Conservatory Students, Slovak Sinfonietta, Zilina, Christian Pollack | D Major | 1 | 10B | 110 BPM | ||
| Pomone, Op. 155 | Émile Waldteufel, Slovak State Philharmonic Orchestra, Alfred Walter | E♭ Major | 2 | 5B | 183 BPM | ||
| Le barbier de Séville Largo al factotum - Instrumental Version | Arthur Fiedler, Boston Pops Orchestra | C Major | 4 | 8B | 77 BPM | ||
| Le Corsaire, Act 1: Boléro | Adolphe Adam, English Chamber Orchestra, Richard Bonynge | D♭ Minor | 3 | 12A | 88 BPM | ||
| Az intezett veszedelem vagy Hazy szeretete (Threatening Danger or Love of the Fatherland): VI. Az el menes [Marching off] | Antal Gyorgy Csermak, Budapest Strings, Karoly Botvay | D Major | 1 | 10B | 149 BPM | ||
| Victoria Galop - 1856 | Hans Christian Lumbye, Tivoli Symphony Orchestra | D Major | 4 | 10B | 144 BPM | ||
| Don Quixote, Act I: Street Dancer | Valery Zhelobinsky, Ludwig Minkus, Sofia National Opera Orchestra, Boris Spassov | D Major | 2 | 10B | 176 BPM | ||
| Masquerade Suite: I. Waltz | Aram Khachaturian, Kirill Kondrashin, RCA Victor Symphony Orchestra, Oscar Shumsky | C Major | 3 | 8B | 181 BPM | ||
| Chopin / Arr. Douglas: Les sylphides: Waltz, Op. 64 No. 2 | Frédéric Chopin, Philharmonia Orchestra, Robert Irving | D♭ Minor | 1 | 12A | 74 BPM | ||
| Le Corsaire: Pas d Esclave - Coda | Prince Pyotr Von Oldenburg, English National Ballet Philharmonic, Gavin Sutherland | E Major | 1 | 12B | 143 BPM | ||
| Delibes: Coppélia, Act 1: No. 1, Valse | Léo Delibes, André Cluytens, Orchestre du théatre national de l'opera | D Major | 2 | 10B | 87 BPM | ||
| Egipetskiye nochi (Egyptian Nights), Op. 50: No. 10: Pas de deux (Tempo di valse) | Anton Arensky, Moscow Symphony Orchestra, Dmitry Yablonsky | C Minor | 0 | 5A | 82 BPM | ||
| La Bayadere, Act I, Scene 1: 12. "Finale" | Evergreen Symphony Orchestra, Kevin Galiè | E Minor | 2 | 9A | 132 BPM | ||
| Ballet Suite No. 3 (arr. L. Atovmyan): Waltz (The Human Comedy) | Lev Atovmyan, Dmitri Shostakovich, Russian Philharmonic Orchestra, Dmitry Yablonsky | A Major | 2 | 11B | 98 BPM | ||
| Dvořák: 8 Slavonic Dances, Op. 46, B. 83: No. 8 in G Minor | Antonín Dvořák, Lorin Maazel, Berliner Philharmoniker | A♭ Major | 0 | 4B | 65 BPM | ||
| Fur die ganze Welt | Joseph Hellmesberger, Jr., Göttingen Symphony Orchestra, Christian Simonis | G Major | 1 | 9B | 179 BPM | ||
| Антракт, "Летучая Мышь" | Штраус Иоганн-сын, Симфонический оркестр РГМЦ | C Major | 5 | 8B | 119 BPM | ||
| Raymonda, Act II: Grand pas Espagnol | Alexander Glazunov, Kivov Orchestra, Viktor Fedotov | E♭ Major | 3 | 5B | 95 BPM | ||
| Hérold & Lanchbery: La fille mal gardée, Act 1: No. 2, Dance du coq et des poules | Ferdinand Hérold, John Lanchbery, Royal Liverpool Philharmonic Orchestra, Barry Wordsworth | D Major | 4 | 10B | 164 BPM | ||
| Khachaturian: Suite No. 1 from Spartacus: III. Variation of Aegina - Bacchanalia | Aram Khachaturian, Alexander Lazarev, The Bolshoi Symphony Orchestra | E♭ Minor | 2 | 2A | 129 BPM | ||
| La Fille Mal Gardee, Pas de, Act II: Allegro moderato: Coda (Arr. March) | Peter Ludwig Hertel, Sofia National Opera Orchestra, Boris Spassov | D Minor | 3 | 7A | 128 BPM | ||
| Kleiner Anzeiger | Joseph Hellmesberger, Jr., Göttingen Symphony Orchestra, Christian Simonis | E♭ Major | 4 | 5B | 146 BPM | ||
| La Bayadere, Act III: 38. "Pas Comique - Fakir with Live Coals" | Evergreen Symphony Orchestra, Kevin Galiè | B♭ Major | 0 | 6B | 133 BPM | ||
| National Anthem of the People's Republic of China (Orchestral Version) [Repeat Once] | Ernie, Xie-yang Chen, Shanghai Symphony Orchestra | D Major | 5 | 10B | 96 BPM | ||
| Il trovatore: Gitanilla | Giuseppe Verdi, Munich Radio Orchestra, Ivan Repušić | F Major | 1 | 7B | 116 BPM |