"String Quartet No. 2 "Summer Tunes": II. Birds" by Pēteris Vasks, Navarra Quartet had its release date on September 3, 2010. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 10 in the song's album "String Quartets Nos. 1-3". In this album, this song's track order is #6. Furthermore, we believe that the track originated from Netherlands. Based on our statistics, String Quartet No. 2 "Summer Tunes": II. Birds's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With String Quartet No. 2 "Summer Tunes": II. Birds by Pēteris Vasks, Navarra Quartet having a BPM of 135 with a half-time of 68 BPM and a double-time of 270 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Song of the Birds | Pablo Casals, Boris Andrianov | A Minor | 0 | 8A | 78 BPM | ||
| Dolomites, pale mountains: I. Marmolada | Rachel Portman, LGT Young Soloists, Alexander Gilman | G Major | 0 | 9B | 86 BPM | ||
| IV. Movement | Vladimir Martynov, Tatiana Grindenko | A Major | 2 | 11B | 67 BPM | ||
| Child Falling Asleep, Op. 15 No. 12 (Arr. W. Newell for String Quartet) | Robert Schumann, Solem Quartet | G Major | 1 | 9B | 74 BPM | ||
| Lacrimosa son io, D. 131b | Franz Schubert, Ensemble Pygmalion, Bernarda Fink, Raphael Pichon | F Major | 1 | 7B | 131 BPM | ||
| Concerto For Violoncello And Strings: I. (Turbulent, Tense) | Dobrinka Tabakova, Kristine Blaumane, Lithuanian Chamber Orchestra, Maxim Rysanov | E Minor | 4 | 9A | 89 BPM | ||
| Requiem, Op. 33b | Jón Leifs, Schola Cantorum Reykjavicensis, Hörður Áskelsson | A♭ Major | 0 | 4B | 140 BPM | ||
| In the Light of Air: III. Existence | Anna Thorvaldsdottir, International Contemporary Ensemble | A Major | 2 | 11B | 139 BPM | ||
| Josquiniana: I. Helas madame | Charles Wuorinen, Brentano String Quartet | A Minor | 0 | 8A | 99 BPM | ||
| DANCE: III. in the middle of the fighting | Anna Clyne, Inbal Segev, London Philharmonic Orchestra, Marin Alsop | A Minor | 1 | 8A | 82 BPM | ||
| Assyrian Women Mourners | G. I. Gurdjieff, Thomas de Hartmann, Gurdjieff Quartet | B♭ Minor | 2 | 3A | 87 BPM | ||
| String Quintet in E Major, Op. 1: II. Andantino poco allegretto | Ethel Smyth, Joachim Griesheimer, Mannheimer Streichquartett | G Major | 1 | 9B | 70 BPM | ||
| Autumn Gardens: II. Tranquillo | Einojuhani Rautavaara, Helsinki Philharmonic Orchestra, Vladimir Ashkenazy | C Major | 0 | 8B | 78 BPM | ||
| Concert Suite: IV. When I Am Laid In Earth, "Dido's Lament" from Dido and Aeneas (Arr. Leopold Stokowski) | Henry Purcell, Matthias Bamert, BBC Philharmonic | G Minor | 0 | 6A | 82 BPM | ||
| Musica serena | Pēteris Vasks, Munich Radio Orchestra, Ivan Repušić | A Minor | 0 | 8A | 65 BPM | ||
| Trois morceaux après des hymnes byzantins: III | Vassilis Tsabropoulos, Anja Lechner | D Minor | 0 | 7A | 128 BPM | ||
| Concertino bianco: 3. Con anima | Georgs Pelēcis, Johannes Fritzsch, Tamara Anna Cislowska, Tasmanian Symphony Orchestra | C Major | 3 | 8B | 133 BPM | ||
| String Quartet, No. 3: I. Moderato | Pēteris Vasks, Spīķeru String Quartet | A Minor | 0 | 8A | 93 BPM | ||
| Trauermusik | Paul Hindemith, Kim Kashkashian, Dennis Russell Davies, Stuttgart Chamber Orchestra | E Minor | 1 | 9A | 99 BPM | ||
| Var. 6, Adagio | Pyotr Ilyich Tchaikovsky, Li-wei Qin, Czech Philharmonic Chamber Orchestra, Michael Halasz | D Minor | 0 | 7A | 80 BPM | ||
| Symphony No. 2 in One Movement, Op. 30: V. Adagio | Ruth Gipps, Rumon Gamba, BBC National Orchestra Of Wales | B♭ Major | 0 | 6B | 115 BPM | ||
| Hymne | Anja Lechner, François Couturier | D Minor | 0 | 7A | 75 BPM | ||
| Suite for Viola & Orchestra, Group 1: I. Prelude. Allegro moderato | Ralph Vaughan Williams, Timothy Ridout, Jamie Phillips, Orchestre de Chambre de Lausanne | C Major | 1 | 8B | 76 BPM | ||
| LULLABY TO ETERNITY / Alice Sara Ott: Lullaby To Eternity (on fragments of W.A. Mozart's "Lacrimosa") | Alice Sara Ott | D Minor | 0 | 7A | 82 BPM | ||
| Old Style | Nazec | F Major | 1 | 7B | 81 BPM |