"The Gadfly, Op. 97 (Reconstructed by M. Fitz-Gerald): Barrel Organ" by Mark Fitz-Gerald, Deutsche Staatsphilharmonie Rheinland-Pfalz had its release date on November 10, 2017. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 34 in the song's album "The Gadfly (Original Score)". In this album, this song's track order is #13. Furthermore, we believe that the track originated from Hong Kong. In terms of popularity, The Gadfly, Op. 97 (Reconstructed by M. Fitz-Gerald): Barrel Organ is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Gadfly, Op. 97 (Reconstructed by M. Fitz-Gerald): Barrel Organ by Mark Fitz-Gerald, Deutsche Staatsphilharmonie Rheinland-Pfalz having a BPM of 102 with a half-time of 51 BPM and a double-time of 204 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Pulcinella, K 034: II. Serenata | Igor Stravinsky, Josep Pons, Orquestra De Cambra Teatre Lliure | C Minor | 0 | 5A | 77 BPM | ||
| VI. Galop | Dmitri Shostakovich, Ukraine National Symphony Orchestra, Theodore Kuchar | G Major | 3 | 9B | 168 BPM | ||
| Die Dreigroschenoper (Arr. for Orchestra by Max Schonherr): II. Moritat von Mackie Messer - Remastered 2023 | Kurt Weill, Basel Sinfonietta, Mark Fitz-Gerald | C Major | 0 | 8B | 76 BPM | ||
| Roman Festivals: IV. La Befana | Ottorino Respighi, New York Philharmonic, Giuseppe Sinopoli, Johannes Geffert | G Major | 0 | 9B | 127 BPM | ||
| Variations on a Hungarian Folksong "The Peacock": Moderato | Zoltán Kodály, Neeme Järvi, Chicago Symphony Orchestra | C Minor | 0 | 5A | 69 BPM | ||
| Odna (Alone), Op. 26 [reconstructed by M. Fitz-Gerald]: Reel 4, Kuzmina Starts Teaching the Local Children: The Village Children's Wife Sings a Lullaby to Her Baby | Irina Mataeva, Anna Kiknadze, Dmitry Voropaev, Mark van Tongeren, Barbara Buchholz, Ulrich Edelmann, Frankfurt Vocal Ensemble, Radio-Sinfonie-Orchester Frankfurt, Mark Fitz-Gerald | E Minor | 0 | 9A | 78 BPM | ||
| IX. Intermezzo | Dmitri Shostakovich, Ukraine National Symphony Orchestra, Theodore Kuchar | G Major | 0 | 9B | 63 BPM | ||
| Petite suite de concert, Op. 77: II. Demande et reponse | Samuel Coleridge-Taylor, Chicago Sinfonietta, Paul Freeman | G Major | 0 | 9B | 90 BPM | ||
| Symphony No. 1 in E Minor, Op. 39: II. Andante (ma non troppo lento) | Jean Sibelius, Oslo Philharmonic Orchestra, Klaus Mäkelä | F♯ Minor | 1 | 11A | 66 BPM | ||
| Serenade For Strings, Op.1 | Dag Wirén, Johannes Somary, English Chamber Orchestra | C Major | 2 | 8B | 130 BPM | ||
| Counterplan, Op. 33: Andante - Allegro "The Song of the Counterplan" (Version for Orchestra) | Mark Fitz-Gerald, Deutsche Staatsphilharmonie Rheinland-Pfalz | A♭ Major | 0 | 4B | 102 BPM | ||
| 5 Greek Dances, AK 11b (Arr. for String Orchestra by Walter Goehr and Nikos Skalkottas): No. 5, Kleftikos. Allegro vivo | Nikos Skalkottas, Thessaloniki State Symphony Orchestra, Zoi Tsokanou | G Minor | 2 | 6A | 160 BPM | ||
| Happiness Is Earned (From "The Thief of Bagdad" [1924]) [Live] | Mortimer Wilson, Frankfurt Radio Symphony Orchestra, Mark Fitz-Gerald | F Major | 1 | 7B | 75 BPM | ||
| Spartacus, Act II: Parting of Spartacus and Phrygia (arr. Y. Grigorovich) [1968 Bolshoi Version] | Aram Khachaturian, RIAS Kammerchor, Deutsches Symphonie-Orchester Berlin, Michail Jurowski | E Major | 2 | 12B | 123 BPM | ||
| Gayane Suite No. 3: V. Solo - Love Duet | Aram Khachaturian, St. Petersburg State Symphony Orchestra, Andre Anichanov | D Major | 3 | 10B | 175 BPM | ||
| Raymonda, Act I: Scene 1. 1er Tableau (Lento maestoso) | Alexander Glazunov, Kivov Orchestra, Viktor Fedotov | E♭ Major | 1 | 5B | 81 BPM | ||
| Ruslan and Ludmila: Overture | Mikhail Glinka, The USSR Bolshoy Theatre Orchestra, Yevgeny Svetlanov | F Major | 3 | 7B | 81 BPM | ||
| Organ Concerto in G Minor, FP 93: I. Andante | Francis Poulenc, Philippe Lefebvre, Orchestre National de Lille, Jean-Claude Casadesus | F♯ Minor | 1 | 11A | 139 BPM | ||
| Gli uccelli (The Birds), P. 154: I. Preludio. Allegro moderato | Ottorino Respighi, Chamber Orchestra of New York, Salvatore Di Vittorio | A Major | 1 | 11B | 73 BPM | ||
| Suite panaméenne: I. Introduction - Tango - Remastered 2023 | Kurt Weill, Basel Sinfonietta, Mark Fitz-Gerald | F Minor | 1 | 4A | 122 BPM | ||
| Symphonie fantastique, Op. 14, H 48: 5d. Songe d'une nuit du Sabbat - Dies irae et Ronde du Sabbat ensemble | Hector Berlioz, Chicago Symphony Orchestra, Claudio Abbado | B♭ Major | 1 | 6B | 153 BPM | ||
| III. Quarrel | Sergei Prokofiev, Ukrainian State Symphony Orchestra, Theodore Kuchar | E Minor | 1 | 9A | 78 BPM | ||
| Podrugi (Girl Friends), Op. 41a [reconstructed by M. Fitz-Gerald]: The Year 1914: The workers' residential block and factory gates | Dmitri Shostakovich, Agnieszka Bochenek-Osiecka, Aleksandra Poniszowska, Elzbieta Starczynowska, Sabina Myrczek, Adam Myrczek, Camerata Silesia, Celia Sheen, Polish National Radio Symphony Orchestra, Mark Fitz-Gerald | E♭ Major | 3 | 5B | 98 BPM | ||
| Khachaturian : Gayaneh Suite No.1 : II Dance of the Young Maidens | Aram Khachaturian, Alexander Lazarev, The Bolshoi Symphony Orchestra | E Minor | 1 | 9A | 114 BPM | ||
| VII. Galop | Sergei Prokofiev, Ukrainian State Symphony Orchestra, Theodore Kuchar | C Minor | 3 | 5A | 147 BPM |