"Der tote Fluss" by Carl Rütti, Cambridge Voices And Instrumental Ensemble, Ian Moore had its release date on August 1, 1996. With this song being around four minutes long, at 3:55, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 20 in the song's album "Rütti: Verena, die Quelle". In this album, this song's track order is #9. Furthermore, we believe that the track originated from United Kingdom. Der tote Fluss is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Der tote Fluss by Carl Rütti, Cambridge Voices And Instrumental Ensemble, Ian Moore having a BPM of 80 with a half-time of 40 BPM and a double-time of 160 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
B♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Baptism of Christ | Peter Hallock, Tim Mackey, St. Mark's Cathedral Choir, J. Melvin Butler | D Minor | 0 | 7A | 146 BPM | ||
| Magnificat | Carl Rütti, Lesley-Jane Rogers, Deborah Miles-Johnson, Christopher Hobkirk, Neil MacKenzie, Simon Birchall, BBC Symphony Chorus, Stephen Jackson | G Major | 1 | 9B | 85 BPM | ||
| Tu es Petrus | Robert Lucas Pearsall, East Carolina University Chamber Singers, Janette Fishell, Daniel Bara | E♭ Major | 1 | 5B | 137 BPM | ||
| Chichester Psalms: III. Psalm 131, Adonai, Adonai - Psalm 133:1, Hineh mah tov | Leonard Bernstein, Thomas Kelly, Elizabeth Franklin-Kitchen, Victoria Nayler, Jeremy Budd, Paul Charrier, Bournemouth Symphony Chorus, Bournemouth Symphony Orchestra, Marin Alsop | G Major | 0 | 9B | 83 BPM | ||
| St. John Passion, Part I: Sing, My Tongue, the Glorious Battle | Bob Chilcott, Laurie Ashworth, Ed Lyon, Darren Jeffrey, Neal Davies, Nick Baron, Chaconne Brass, Wells Cathedral Choir, Matthew Owens | C Minor | 4 | 5A | 163 BPM | ||
| Father All-Holy | Basilica of the National Shrine of the Immaculate Conception Choir | A♭ Major | 2 | 4B | 88 BPM | ||
| All-night Vigil, Op. 37: No. 10, Having Beheld the Resurrection | Sergei Rachmaninoff, Latvijas Radio koris, Sigvards Kļava | D Minor | 1 | 7A | 84 BPM | ||
| O Radiant Dawn | James MacMillan, Choir of Merton College, Oxford, Benjamin Nicholas | C Minor | 2 | 5A | 68 BPM | ||
| Sub Tuum Paesidium: Sub Tuum Præsidium Pour Sopranos, Altos Et Orgue | Michel Piquemal Vocal Ensemble, Eric Lebrun, Michel Piquemal, Guy Ropartz | E♭ Major | 1 | 5B | 77 BPM | ||
| Our Native Land Is Far Away SHZ 539 | Laestadian Lutheran Church, Liisa Keranen, Viena Kontkanen, Sahrami Huhtala | A♭ Major | 1 | 4B | 95 BPM | ||
| Officium Divinum, Midday Prayer: No. 6, The Real Presence | Margaret Rizza, Convivium Singers, David Price, Dominika Fehér, Richard Phillips, Eamonn Dougan | A♭ Major | 0 | 4B | 71 BPM | ||
| Let your light come | Agneta Sköld, Norrlands Nations Kammarkör, Francesco Acquista | D Major | 3 | 10B | 75 BPM | ||
| Lully, lulla, thou little tiny child | Kenneth Leighton, Choir of St Mary's Cathedral, Edinburgh, Samuel Jenkins, Joseph Beech, Duncan Ferguson | C Major | 1 | 8B | 78 BPM | ||
| Psalm 6 "O Lord Rebuke Me Not" | Samuel Sebastian Wesley, Wells Cathedral Choir, Christopher Brayne, Anthony Crossland | A Minor | 0 | 8A | 113 BPM | ||
| When they saw the Star | Chloe May Evans, Ǣfendrēama | E♭ Major | 3 | 5B | 137 BPM | ||
| Lord, May Your Word Be Dear to Me SHZ 244 | Laestadian Lutheran Church, Liisa Keranen, Viena Kontkanen | B♭ Major | 0 | 6B | 129 BPM | ||
| Here is the little door | Howard Howells, Choir of Clare College, Cambridge, Graham Ross | A Minor | 1 | 8A | 69 BPM | ||
| Canticles & Prayers, Inexpressible Wonder: No. 3, It Is Worth Eating | Georgy Sviridov, Latvian Radio Choir, Sigvards Kļava | D Major | 1 | 10B | 83 BPM | ||
| Salve Regina | Carl Rütti, Christopher Duarte | C Major | 1 | 8B | 81 BPM | ||
| The Crucifixion: IX. Chorus – God so loved the world | John Stainer, Choir of St Mary's Cathedral, Edinburgh, Duncan Ferguson | E Major | 2 | 12B | 76 BPM | ||
| Ich liege und schlafe | Athesinus Consort Berlin, Klaus-Martin Bresgott | A Major | 0 | 11B | 77 BPM | ||
| As torrents in summer | Edward Elgar, Phoenix Chorale, Christopher Gabbitas | B♭ Minor | 1 | 3A | 91 BPM | ||
| Chorale for Ascension Day (Easter Chorale) | Samuel Barber, Ormond College Choir, Douglas Lawrence | D♭ Minor | 1 | 12A | 126 BPM | ||
| Dowland-Suite: Fantasia | Carl Rütti, B-Five Recorder Consort | A♭ Major | 0 | 4B | 131 BPM | ||
| The Earthly Rose | Ēriks Ešenvalds, Stephen Layton, The Choir Of Trinity College, Cambridge | C Minor | 1 | 5A | 176 BPM |