The Young Person's Guide to the Orchestra, Op. 34 (Variations and Fugue on a Theme of Purcell): Variation IX: Harp (Maestoso)
Benjamin Britten, Eugene Ormandy, Philadelphia Orchestra
David Bowie narrates Prokofiev's Peter and the Wolf & The Young Person's Guide to the Orchestra
0:45 May 2, 1978
BPM
132
Key
D♭ Major
Camelot
3B

Embed

Share Link

The Young Person's Guide to the Orchestra, Op. 34 (Variations and Fugue on a Theme of Purcell): Variation IX: Harp (Maestoso) by Benjamin Britten, Eugene Ormandy, Philadelphia Orchestra Song Details

Benjamin Britten, Eugene Ormandy, Philadelphia Orchestra's 'The Young Person's Guide to the Orchestra, Op. 34 (Variations and Fugue on a Theme of Purcell): Variation IX: Harp (Maestoso)' had a release date set for May 2, 1978. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 28 out of 41 in David Bowie narrates Prokofiev's Peter and the Wolf & The Young Person's Guide to the Orchestra by David Bowie, Eugene Ormandy. Based on our statistics, The Young Person's Guide to the Orchestra, Op. 34 (Variations and Fugue on a Theme of Purcell): Variation IX: Harp (Maestoso)'s popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

The tempo marking of The Young Person's Guide to the Orchestra, Op. 34 (Variations and Fugue on a Theme of Purcell): Variation IX: Harp (Maestoso) by Benjamin Britten, Eugene Ormandy, Philadelphia Orchestra is Allegro (fast, quick, and bright), since this song has a tempo of 132 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.

Music Key

D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity
Loudness
-27.594 dB
Acousticness
94%
Danceability
31%
Energy
11%
Instrumentalness
12%
Liveness
11%
Loudness
54%
Speechiness
4%
Valence
39%

Recommendations

TrackArtistKeyEnergyCamelotBPM
Symphony No. 3 in C Minor, Op. 78 Symphony No. 3 in C Minor, Op. 78 "Organ": Poco adagioCamille Saint-Saëns, Eugene Ormandy, E. Power Biggs, Philadelphia OrchestraD♭ Major13B52 BPM
Pictures At An Exhibition: Cum mortuis in lingua mortua by Modest Mussorgsky, Chicago Symphony Orchestra, Carlo Maria GiuliniPictures At An Exhibition: Cum mortuis in lingua mortuaModest Mussorgsky, Chicago Symphony Orchestra, Carlo Maria GiuliniB Major01B102 BPM
The Maid Of Pskov: Entr'acte To Act III: Street Scene by Moscow Symphony Orchestra, Nikolai Rimsky-KorsakovThe Maid Of Pskov: Entr'acte To Act III: Street SceneMoscow Symphony Orchestra, Nikolai Rimsky-KorsakovD Major010B69 BPM
Nocturnes, L. 91: II. Fêtes (Arr. by Denis Herlin) by Claude Debussy, Denis Herlin, Hallé, Sir Mark ElderNocturnes, L. 91: II. Fêtes (Arr. by Denis Herlin)Claude Debussy, Denis Herlin, Hallé, Sir Mark ElderA Major011B88 BPM
Symphony No. 2 in B Minor: IV. Finale. allegro by Alexander Borodin, Carlos Kleiber, Radio Sinfonieorchester Stuttgart des SWRSymphony No. 2 in B Minor: IV. Finale. allegroAlexander Borodin, Carlos Kleiber, Radio Sinfonieorchester Stuttgart des SWRG Major39B137 BPM
Set of 5 Take-offs: Song Without (Good) Words by Charles Ives, Joel Sachs, ContinuumSet of 5 Take-offs: Song Without (Good) WordsCharles Ives, Joel Sachs, ContinuumA Major011B81 BPM
Le carnaval des animaux, R. 125: IX. Le coucou au fond des bois - X. Volière - XI. Pianistes by Camille Saint-Saëns, Alfons Kontarsky, Aloys Kontarsky, Wiener Philharmoniker, Karl BöhmLe carnaval des animaux, R. 125: IX. Le coucou au fond des bois - X. Volière - XI. PianistesCamille Saint-Saëns, Alfons Kontarsky, Aloys Kontarsky, Wiener Philharmoniker, Karl BöhmB♭ Minor13A114 BPM
Schoenberg: 5 Orchestral Pieces, Op. 16: No. 5, Das obligate Rezitativ by Arnold Schoenberg, Daniel Barenboim, Chicago Symphony OrchestraSchoenberg: 5 Orchestral Pieces, Op. 16: No. 5, Das obligate RezitativArnold Schoenberg, Daniel Barenboim, Chicago Symphony OrchestraC Major08B138 BPM
Schoenberg: Verklärte Nacht, Op. 4: V. Adagio, molto tranquilo by Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra, Charles Pikler, John Sharp, Joseph Golan, Li-Kuo Chang, Ruben Gonzalez, Stephen BalderstonSchoenberg: Verklärte Nacht, Op. 4: V. Adagio, molto tranquiloArnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra, Charles Pikler, John Sharp, Joseph Golan, Li-Kuo Chang, Ruben Gonzalez, Stephen BalderstonE Minor19A125 BPM
Variations on a theme of Frank Bridge, Op.10: 1. Introduction & Theme by Benjamin Britten, English Chamber OrchestraVariations on a theme of Frank Bridge, Op.10: 1. Introduction & ThemeBenjamin Britten, English Chamber OrchestraF Major07B84 BPM
Preludes: Instants defunts (Dead Instants) by Olivier Messiaen, Håkon AustbøPreludes: Instants defunts (Dead Instants)Olivier Messiaen, Håkon AustbøD Major010B73 BPM
Serenade: I. Passacaglia by Krzysztof Penderecki, Warsaw Philharmonic Chamber Orchestra, Antoni WitSerenade: I. PassacagliaKrzysztof Penderecki, Warsaw Philharmonic Chamber Orchestra, Antoni WitG Major09B85 BPM
Carmen Suite No. 2: III. Nocturne (Act III, MIcaëla's Aria) by Georges Bizet, Orchestre Symphonique de Montréal, Charles DutoitCarmen Suite No. 2: III. Nocturne (Act III, MIcaëla's Aria)Georges Bizet, Orchestre Symphonique de Montréal, Charles DutoitE♭ Major05B101 BPM
Ein Heldenleben, Op. 40: II. Des Helden Widersacher by Richard Strauss, Berliner Philharmoniker, Herbert von KarajanEin Heldenleben, Op. 40: II. Des Helden WidersacherRichard Strauss, Berliner Philharmoniker, Herbert von KarajanG Minor26A143 BPM
The Young Person's Guide to the Orchestra, Op. 34 (Variations and Fugue on a Theme of Purcell): Variation VI: Violas (Meno mosso) by Benjamin Britten, Eugene Ormandy, Philadelphia OrchestraThe Young Person's Guide to the Orchestra, Op. 34 (Variations and Fugue on a Theme of Purcell): Variation VI: Violas (Meno mosso)Benjamin Britten, Eugene Ormandy, Philadelphia OrchestraB Major11B86 BPM
Pelléas et Mélisande, CD 93, Suite (Arr. Leinsdorf): IV. Act V. Opening - Conclusion by Claude Debussy, Berliner Philharmoniker, Claudio AbbadoPelléas et Mélisande, CD 93, Suite (Arr. Leinsdorf): IV. Act V. Opening - ConclusionClaude Debussy, Berliner Philharmoniker, Claudio AbbadoF♯ Major02B126 BPM
Don Quixote, Op. 35: II. Don Quixote, the Knight of the Sorrowful Countenance – III. Sancha Panza. Maggiore by Richard Strauss, Pierre Fournier, Giusto Cappone, Berliner Philharmoniker, Herbert von KarajanDon Quixote, Op. 35: II. Don Quixote, the Knight of the Sorrowful Countenance – III. Sancha Panza. MaggioreRichard Strauss, Pierre Fournier, Giusto Cappone, Berliner Philharmoniker, Herbert von KarajanE♭ Major25B121 BPM
Schoenberg: Verklärte Nacht, Op. 4: III. A tempo by Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra, Charles Pikler, John Sharp, Joseph Golan, Li-Kuo Chang, Ruben Gonzalez, Stephen BalderstonSchoenberg: Verklärte Nacht, Op. 4: III. A tempoArnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra, Charles Pikler, John Sharp, Joseph Golan, Li-Kuo Chang, Ruben Gonzalez, Stephen BalderstonB♭ Minor13A86 BPM
Images pour orchestre, L. 122: No. 3, Rondes de printemps by Claude Debussy, Orchestre National De Lyon, Jun MarklImages pour orchestre, L. 122: No. 3, Rondes de printempsClaude Debussy, Orchestre National De Lyon, Jun MarklF Major17B64 BPM
The Sleeping Beauty, Op. 66 : Entr'acte Symphonique (Le Sommeil) et Scene - The Sleep by Pyotr Ilyich Tchaikovsky, Slovak State Philharmonic Orchestra, KosiceThe Sleeping Beauty, Op. 66 : Entr'acte Symphonique (Le Sommeil) et Scene - The SleepPyotr Ilyich Tchaikovsky, Slovak State Philharmonic Orchestra, KosiceE Major012B118 BPM
Saint Saens: Le Carnaval des animaux fossiles 생상스 동물의 사육제 중 화석 by 김준영Saint Saens: Le Carnaval des animaux fossiles 생상스 동물의 사육제 중 화석김준영E♭ Major45B120 BPM
Four Sea Interludes From Four Sea Interludes From "Peter Grimes", Op. 33a: I. DawnBenjamin Britten, English Symphony Orchestra, William BoughtonB Minor310A120 BPM
Preludes: Les sons impalpables du reve (The Impalpable Sounds of the Dream) by Olivier Messiaen, Håkon AustbøPreludes: Les sons impalpables du reve (The Impalpable Sounds of the Dream)Olivier Messiaen, Håkon AustbøE Major112B135 BPM
El sombrero de tres picos, Pt. 2: IV. Danza final by Manuel de Falla, Carlos Miguel Prieto, The Orchestra of the AmericasEl sombrero de tres picos, Pt. 2: IV. Danza finalManuel de Falla, Carlos Miguel Prieto, The Orchestra of the AmericasC Major48B89 BPM
Symphony No. 2 in A Major: III. Allegro scherzando by Vasily Kalinnikov, Ukraine National Symphony Orchestra, Theodore KucharSymphony No. 2 in A Major: III. Allegro scherzandoVasily Kalinnikov, Ukraine National Symphony Orchestra, Theodore KucharD Major210B175 BPM
ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records