"Pictures At An Exhibition: Cum mortuis in lingua mortua" by Modest Mussorgsky, Chicago Symphony Orchestra, Carlo Maria Giulini had its release date on January 1, 2009. The duration of This song is about two minutes long, specifically at 2:08. This song does not appear to have any foul language. Pictures At An Exhibition: Cum mortuis in lingua mortua's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Modest Mussorgsky, Chicago Symphony Orchestra, Carlo Maria Giulini's "Mussorgsky: Pictures at an Exhibition" album is number 13 out of 15. In terms of popularity, Pictures At An Exhibition: Cum mortuis in lingua mortua is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Pictures At An Exhibition: Cum mortuis in lingua mortua by Modest Mussorgsky, Chicago Symphony Orchestra, Carlo Maria Giulini to be Andante (at a walking pace) because the track has a tempo of 102 BPM, a half-time of 51BPM, and a double-time of 204 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 5/4.
This song is in the music key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| M. Glinka: Overture To Opera "Ruslan and Lyudmila" | Chicago Symphony Orchestra, L. Smit | A Major | 1 | 11B | 82 BPM | ||
| Symphony No. 7 in C Major, Op. 105: Adagio | Jean Sibelius, Berliner Philharmoniker, Sir Simon Rattle | C Major | 0 | 8B | 78 BPM | ||
| Daphnis et Chloé, M. 57, Pt. 1: III. Danse grotesque de Dorcon | Maurice Ravel, Berliner Philharmoniker, Pierre Boulez | F Major | 1 | 7B | 189 BPM | ||
| 4 Dance Episodes from Rodeo: II. Corral Nocturne | Aaron Copland, Leonard Bernstein, New York Philharmonic | C Major | 0 | 8B | 92 BPM | ||
| Pines Of Rome | Chicago Symphony Orchestra | F Major | 2 | 7B | 80 BPM | ||
| Háry János Suite: IV. The Battle and Defeat of Napoleon | Zoltán Kodály, Neeme Järvi, Chicago Symphony Orchestra, Laurence Kaptain | F Major | 1 | 7B | 84 BPM | ||
| Grand Canyon Suite: 2. The Painted Desert | Ferde Grofé, Detroit Symphony Orchestra, Antal Doráti | B Minor | 0 | 10A | 129 BPM | ||
| Guillaume Tell: Overture - Remastered | Gioachino Rossini, Fritz Reiner, Chicago Symphony Orchestra, Mihaly Virizlay | E Major | 1 | 12B | 85 BPM | ||
| Symphonie fantastique, Op. 14, H 48: II. Un Bal | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | A Major | 1 | 11B | 113 BPM | ||
| St. Paul's Suite, Op. 29 No. 2: II. Ostinato | Gustav Holst, English Sinfonia, Howard Griffiths | C Major | 1 | 8B | 108 BPM | ||
| A Faust Symphony, S. 108: I. Faust | Franz Liszt, Chicago Symphony Orchestra, Sir Georg Solti | F♯ Minor | 2 | 11A | 184 BPM | ||
| A Midsummer Night's Dream, Incidental Music, Op.61, MWV M 13: No.1 Scherzo | Felix Mendelssohn, Judi Dench, Boston Symphony Orchestra, Seiji Ozawa | G Minor | 2 | 6A | 123 BPM | ||
| Concerto for Orchestra, Sz. 116: III. Elegia (Andante, non troppo) | Béla Bartók, Chicago Symphony Orchestra, Pierre Boulez | D Major | 1 | 10B | 73 BPM | ||
| La Mer, L.109: 3. Dialogue Of The Wind And The Sea | Claude Debussy, Orchestre Symphonique de Montréal, Charles Dutoit | D♭ Major | 2 | 3B | 83 BPM | ||
| Pictures at an Exhibition: X. The Great Gate of Kiev | Modest Mussorgsky, Leonard Bernstein, New York Philharmonic | E♭ Major | 2 | 5B | 118 BPM | ||
| Mahler: Blumine | Gustav Mahler, San Francisco Symphony, Michael Tilson Thomas | C Major | 1 | 8B | 100 BPM | ||
| Finlandia, Op. 26 | Jean Sibelius, Berliner Philharmoniker, Herbert von Karajan | A♭ Major | 3 | 4B | 67 BPM | ||
| The Rite of Spring, K15, Pt. 2: XIV. Sacrificial Dance | Igor Stravinsky, Berliner Philharmoniker, Herbert von Karajan | F♯ Minor | 1 | 11A | 81 BPM | ||
| Eine Alpensinfonie: II. Der Anstieg - Eintritt in den Wald | Richard Strauss, Bernard Haitink, London Symphony Orchestra | E♭ Major | 0 | 5B | 80 BPM | ||
| Symphony No. 2 in D Major, Op. 73: III. Allegretto grazioso (quasi andantino) | Johannes Brahms, Berliner Philharmoniker, Herbert von Karajan | C Major | 0 | 8B | 83 BPM | ||
| La Mer, L.109: 2. Play of the Waves (Jeux de vagues) | Claude Debussy, Orchestre Symphonique de Montréal, Charles Dutoit | E Major | 1 | 12B | 113 BPM | ||
| Enigma Variations, Op. 36: Var. 14. Finale. Allegro "E.D.U." | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | G Major | 2 | 9B | 115 BPM | ||
| Pictures At An Exhibition: The Old Castle - Live | Modest Mussorgsky, Berliner Philharmoniker, Claudio Abbado | D♭ Minor | 0 | 12A | 150 BPM | ||
| Copland: Symphony No. 3: III. Andantino quasi allegretto - | Aaron Copland, San Francisco Symphony, Michael Tilson Thomas | E Minor | 0 | 9A | 71 BPM | ||
| Symphony No. 2 in C Minor, "Resurrection": I. Allegro maestoso | Gustav Mahler, Miah Persson, Christianne Stotijn, Chicago Symphony Chorus, Chicago Symphony Orchestra, Bernard Haitink | C Major | 0 | 8B | 80 BPM |