"Le carnaval des animaux, R. 125: IX. Le coucou au fond des bois - X. Volière - XI. Pianistes" by Camille Saint-Saëns, Alfons Kontarsky, Aloys Kontarsky, Wiener Philharmoniker, Karl Böhm had its release date on January 1, 2009. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 7 in the song's album "Saint-Saens: Carnival of the Animals". In this album, this song's track order is #4. In terms of popularity, Le carnaval des animaux, R. 125: IX. Le coucou au fond des bois - X. Volière - XI. Pianistes is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Le carnaval des animaux, R. 125: IX. Le coucou au fond des bois - X. Volière - XI. Pianistes by Camille Saint-Saëns, Alfons Kontarsky, Aloys Kontarsky, Wiener Philharmoniker, Karl Böhm having a BPM of 114 with a half-time of 57 BPM and a double-time of 228 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
B♭ Minor is the music key of this track. Which also means that the camelot key for this song is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Liebesleid (Love's Sorrow) | Fritz Kreisler, Sergei Rachmaninoff, RueiBin Chen | A Major | 2 | 11B | 98 BPM | ||
| Handel / Orch. Hale: Keyboard Suite No. 4 in D Minor, HWV 437: III. Sarabande | George Frideric Handel, Alexander Briger, Academy of St. Martin in the Fields | D Minor | 0 | 7A | 116 BPM | ||
| Rosa Mundi | Paul Lewis, Royal Ballet Sinfonia, Gavin Sutherland | E Major | 0 | 12B | 81 BPM | ||
| Morgen, Op. 27 No. 4 (Arr. Reger for Piano) | Richard Strauss, Angela Hewitt | A Major | 2 | 11B | 143 BPM | ||
| Rhapsody on a Theme of Paganini, Op. 43: Variation 18 | Sergei Rachmaninoff, Bernd Glemser, Polish National Radio Symphony Orchestra, Antoni Wit | D♭ Major | 1 | 3B | 76 BPM | ||
| Nocturne No. 5 in B-Flat Major, H 37 | John Field, Benjamin Frith | B♭ Major | 0 | 6B | 70 BPM | ||
| Gypsy Melodies, Op. 55, B. 104: IV. Songs My Mother Taught Me (Adapt. for Cello and Orchestra) | Antonín Dvořák, Camille Thomas, Brussels Philharmonic, Mathieu Herzog | C Minor | 1 | 5A | 100 BPM | ||
| Songs Without Words, Book VI Opus 67: No. 2 in F-Sharp Minor | Felix Mendelssohn, Bertrand Chamayou | F♯ Minor | 1 | 11A | 69 BPM | ||
| 21 Hungarian Dances, WoO 1: Hungarian Dance No. 5 in F-Sharp Minor | Johannes Brahms, Seattle Symphony Orchestra, Gerard Schwarz | E Major | 1 | 12B | 102 BPM | ||
| Samson et Dalila: Bacchanale | Camille Saint-Saëns, Slovak Radio Symphony Orchestra, Stephen Gunzenhauser | A Minor | 1 | 8A | 109 BPM | ||
| Vivaldi: The Four Seasons, Violin Concerto in E Major, Op. 8 No. 1, RV 269 "Spring": I. Allegro | Antonio Vivaldi, Itzhak Perlman, Israel Philharmonic Orchestra | E Major | 2 | 12B | 105 BPM | ||
| The Seasons, Op. 67: XIV. Petit Adagio | Alexander Glazunov, Neeme Järvi, Royal Scottish National Orchestra | A Major | 1 | 11B | 87 BPM | ||
| Elgar: Cello Concerto in E Minor, Op. 85: I. Adagio - Moderato | Edward Elgar, Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli | E Minor | 1 | 9A | 96 BPM | ||
| Saint-Saëns: Carnival of the Animals, R. 125: XIII. The Swan | Camille Saint-Saëns, Vasily Petrenko, Royal Liverpool Philharmonic Orchestra | G Major | 0 | 9B | 175 BPM | ||
| 3 Gymnopédies: No. 1, Lent et douloureux (Orch. C. Debussy) | Erik Satie, Orchestre Symphonique et Lyrique de Nancy, Jerome Kaltenbach | G Major | 0 | 9B | 136 BPM | ||
| Piano Concerto No. 23 in A Major, K. 488: II. Adagio | Wolfgang Amadeus Mozart, Vladimir Horowitz, Orchestra Del Teatro Alla Scala, Milano, Carlo Maria Giulini | F♯ Minor | 0 | 11A | 108 BPM | ||
| Brook Green Suite: II. Air | Gustav Holst, English Sinfonia, Howard Griffiths | E♭ Major | 0 | 5B | 128 BPM | ||
| Nocturne No. 2 in E-Flat Major, Op. 9 No. 2 | Frédéric Chopin, Daniel Barenboim | E♭ Major | 0 | 5B | 79 BPM | ||
| XIII. Le cygne (Transcr. L. Godowsky for Piano) | Camille Saint-Saëns, Leopold Godowsky, Konstantin Scherbakov | F♯ Major | 0 | 2B | 72 BPM | ||
| Pelléas et Mélisande: I. Ils étaient comme des enfants | Alexander Litvinovsky, Metamorphose String Orchestra, Pavel Lyubomudrov | D Major | 2 | 10B | 172 BPM | ||
| Capriol Suite: 5. Pied-en- l'air | Peter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville Marriner | G Major | 1 | 9B | 113 BPM | ||
| J.S. Bach: J.S. Bach: Orchestral Suite No. 3 in D Major, BWV 1068: 2. Air | Johann Sebastian Bach, Orpheus Chamber Orchestra | D Major | 3 | 10B | 65 BPM | ||
| Gold Und Silber (Gold And Silver), Op. 79 | Slovak Radio Symphony Orchestra, Franz Lehár | C Major | 1 | 8B | 81 BPM | ||
| The Four Seasons - Violin Concerto in F Minor, Op. 8 No. 4, RV 297 "Winter": I. Allegro non molto | Antonio Vivaldi, Joshua Bell, Academy of St. Martin in the Fields | F Minor | 2 | 4A | 158 BPM | ||
| Deux Arabesques, L66: No. 1: Andantino con moto | Claude Debussy, Kathryn Stott | E Major | 0 | 12B | 73 BPM |