Ralph Vaughan Williams, Timothy Reynish, Royal Northern College Of Music Wind Orchestra's ' "English Folk Song Suite: II. Sea Songs" was released on its scheduled release date, January 1, 1999. With this song being around four minutes long, at 3:57, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 14 out of 16 in British Wind Band Classics by Timothy Reynish, Royal Northern College Of Music Wind Orchestra. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, English Folk Song Suite: II. Sea Songs is currently not that popular. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of English Folk Song Suite: II. Sea Songs by Ralph Vaughan Williams, Timothy Reynish, Royal Northern College Of Music Wind Orchestra is Moderato (at a moderate speed), since this song has a tempo of 116 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
This song has a musical key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Colors: I. Yellow | Bert Appermont, Columbus State University Wind Ensemble, Joseph Alessi, Robert W. Rumbelow | C Major | 1 | 8B | 93 BPM | ||
| Melodious Thunk | David Biedenbender, North Texas Wind Symphony, Eugene Migliaro Corporon | F♯ Major | 3 | 2B | 100 BPM | ||
| St. Paul's Suite, Op. 29 No. 2, H 118: 4. Finale (The Dargasson): Allegro | Gustav Holst, Saint Paul Chamber Orchestra, Christopher Hogwood | E♭ Minor | 1 | 2A | 100 BPM | ||
| Manhattan Beach | John Philip Sousa, United States Air Force Band, Lowell Graham | B♭ Major | 3 | 6B | 124 BPM | ||
| Fate of the Gods | Steven Reineke, Haugesund Janitsjarorkester, Steinar Sætre | A♭ Major | 2 | 4B | 142 BPM | ||
| The Magnificent Seven | Elmer Bernstein, Vienna Horns | G Minor | 1 | 6A | 169 BPM | ||
| Goddess of fire | Steven Reineke, Nannestad janitsjarkorps, Lars Østerholm | G Minor | 2 | 6A | 91 BPM | ||
| "Country Gardens" | US Marine Band | E♭ Major | 2 | 5B | 169 BPM | ||
| English Folk Song Suite: I. March "Seventeen Come Sunday" | Ralph Vaughan Williams, Timothy Reynish, Royal Northern College Of Music Wind Orchestra | A♭ Major | 2 | 4B | 117 BPM | ||
| A Sea Symphony: III. Scherzo - The Waves (Allegro brillante) | Ralph Vaughan Williams, Hallé, Sir Mark Elder | G Major | 2 | 9B | 169 BPM | ||
| Appalachian Spring: II. Allegro | Aaron Copland, Leonard Bernstein, New York Philharmonic | F Major | 4 | 7B | 82 BPM | ||
| Variations on a Korean Folk Song | US Army Field Band and Soldiers' Chorus | D♭ Major | 0 | 3B | 68 BPM | ||
| Flight of the Thunderbird | Richard Saucedo, Midwest Wind Ensemble | B♭ Major | 4 | 6B | 78 BPM | ||
| Shackelford Banks | Jay Bocook, Japan Air Self-Defense Force Western Air Band, Hiroyuki Kayo | F Minor | 6 | 4A | 148 BPM | ||
| Loch Lomond | Frank Ticheli, Michigan State University Wind Symphony, John Whitwell | F Major | 3 | 7B | 132 BPM | ||
| Undertow | John Mackey, North Texas Wind Symphony, Eugene Migliaro Corporon | C Major | 0 | 8B | 135 BPM | ||
| Cry Of The Celts - Victory | Brass Band Rekrutenschule Schweizer Militärmusik - Hptm Bernhard Meier | A♭ Major | 4 | 4B | 126 BPM | ||
| Euphonium Concerto: III. Finale. Giocoso | Vladimir Cosma, Adam Frey, New Zealand Symphony Orchestra, Bruce Hangen | D Minor | 2 | 7A | 151 BPM | ||
| Magnolia Star | Steve Danyew, North Texas Wind Symphony, Eugene Migliaro Corporon | F Major | 3 | 7B | 148 BPM | ||
| Symphony No. 7: I. Moderate | David Maslanka, Eugene Migliaro Corporon, North Texas Wind Symphony | D Major | 3 | 10B | 77 BPM | ||
| Shenandoah | Frank Ticheli, Michigan State University Wind Symphony, John Whitwell | E♭ Major | 0 | 5B | 84 BPM | ||
| Be Thou My Vision | David R. Gillingham, North Texas Wind Symphony, Eugene Migliaro Corporon | C Major | 2 | 8B | 114 BPM | ||
| Symphony No. 9 in E Minor, Op. 95 "From the New World": III. Scherzo. Molto vivace | Antonín Dvořák, New York Philharmonic, Alan Gilbert | C Major | 1 | 8B | 121 BPM | ||
| Symphony No. 3 - 'Pastoral Symphony': I. Molto moderato | Ralph Vaughan Williams, Hallé, Sir Mark Elder | A Minor | 0 | 8A | 81 BPM | ||
| Samson et Dalila, Op. 47, R. 288: Bacchanale | Camille Saint-Saëns, Lorin Maazel, Pittsburgh Symphony Orchestra | A Minor | 1 | 8A | 122 BPM |