Franz Joseph Haydn, Emerson String Quartet's 'String Quartet In F Minor, Hob. III:35, Op.20 No.5: 4. Fuga a 2 soggetti' had a release date set for January 1, 2001. The duration of This song is about two minutes long, specifically at 2:55. This song does not appear to have any foul language. String Quartet In F Minor, Hob. III:35, Op.20 No.5: 4. Fuga a 2 soggetti's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 36 in the song's album "The Haydn Project". In this album, this song's track order is #4. Based on our statistics, String Quartet In F Minor, Hob. III:35, Op.20 No.5: 4. Fuga a 2 soggetti's popularity is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With String Quartet In F Minor, Hob. III:35, Op.20 No.5: 4. Fuga a 2 soggetti by Franz Joseph Haydn, Emerson String Quartet having a BPM of 140 with a half-time of 70 BPM and a double-time of 280 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
D♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Shostakovich: String Quartet No. 10 in A-Flat Major, Op. 118: III. Adagio | Dmitri Shostakovich, Brodsky Quartet | A Major | 1 | 11B | 78 BPM | ||
| Die Kunst der Fuge, BWV 1080: Contrapunctus VI a 4 in stylo Francese "per diminutionem" - Performed by String Quartet | Johann Sebastian Bach, Emerson String Quartet | D Minor | 1 | 7A | 78 BPM | ||
| String Quartet in E Minor, Op. 44, No. 2, MWV R26: IV. Presto agitato | Felix Mendelssohn, Emerson String Quartet | D Major | 7 | 10B | 124 BPM | ||
| Haydn: String Quartet in D Major, Op. 64 No. 5, Hob. III:63 "Lark": I. Allegro moderato | Joseph Haydn, Endellion String Quartet | A Major | 0 | 11B | 94 BPM | ||
| String Quartet No. 2 in A Minor, Op. 13, MWV R22: II. Adagio non lento | Felix Mendelssohn, Emerson String Quartet | F Major | 0 | 7B | 93 BPM | ||
| Armide, Acte I: Ouverture | Jean-Baptiste Lully, Louis-Joseph Francoeur, Le Concert Spirituel, Herve Niquet | F Minor | 3 | 4A | 166 BPM | ||
| Galuppi: Concerto a quattro No. 1 in G Minor: I. Grave e adagio | Baldassare Galuppi, Quartetto Italiano | B♭ Major | 2 | 6B | 92 BPM | ||
| Mass No. 10 in C Major, Hob. XXII:9, "Missa in tempore belli", "Paukenmesse", "Kriegsmesse": Agnus Dei: Agnus Dei | Joseph Haydn, Ann Hoyt, Kirsten Sollek, Daniel Neer, Richard Lippold, Trinity Church Choir, New York, Rebel Baroque Orchestra, Owen Burdick | G Minor | 2 | 6A | 86 BPM | ||
| String Quartet No.8 In C Minor, Op.110: 5. Largo - Live | Dmitri Shostakovich, Emerson String Quartet | A♭ Major | 0 | 4B | 81 BPM | ||
| String Trio No. 9 in A Major: I. Andante e cantabile | William Shield, The Dorrit Ensemble | A Major | 1 | 11B | 73 BPM | ||
| Overture in D Major, Op. 8, No. 6: II. Andante | Samuel Arnold, Toronto Chamber Orchestra, Kevin Mallon | G Major | 1 | 9B | 106 BPM | ||
| String Quartet in E-Flat Major: I. Adagio ma non troppo | Fanny Mendelssohn, Asasello Quartett | A♭ Major | 1 | 4B | 103 BPM | ||
| Flashing Lights | Valen Rosset | G Minor | 3 | 6A | 142 BPM | ||
| Prokofiev: String Quartet No. 2, Op. 92: II. Adagio | Sergei Prokofiev, Quartetto Italiano | G Minor | 3 | 6A | 142 BPM | ||
| Haydn: Stabat Mater, Hob. XXa:1: VIII. Sancta Mater istud agas | Joseph Haydn, Nikolaus Harnoncourt, Barbara Bonney, Herbert Lippert, Concentus Musicus Wien | F Major | 1 | 7B | 120 BPM | ||
| Piano Quintet No. 2 in A Major, Op. 81, B. 155: IV. Allegro | Antonín Dvořák, Menahem Pressler, Emerson String Quartet | A Major | 1 | 11B | 123 BPM | ||
| String Quartet in E Flat Major, Op. 44, No. 3, MWV R 28: III. Adagio non troppo | Felix Mendelssohn, Emerson String Quartet | G Major | 1 | 9B | 80 BPM | ||
| Haydn: String Quartet in D Minor, Op. 76 No. 2, Hob. III:76 "Fifths": III. Menuetto | Joseph Haydn, Alban Berg Quartett | B♭ Major | 1 | 6B | 101 BPM | ||
| Achmet und Zenide, Act II: Ouverture Capriccio | Paul Wranitzky, Czech Philharmonic Chamber Orchestra, Marek Štilec | G Major | 0 | 9B | 123 BPM | ||
| Viola Concerto in D Major: I. Allegro | Franz Anton Hoffmeister, Hariolf Schlichtig, Munich Chamber Orchestra | D Major | 1 | 10B | 129 BPM | ||
| Orchestral Trio in C Minor, Op. 4, No. 3: IV. Prestissimo | Johann Stamitz, New Zealand Chamber Orchestra, Donald Armstrong | C Minor | 2 | 5A | 150 BPM | ||
| String Quartet in E-Flat Major, H-U 277: I. Adagio ma non troppo | Fanny Mendelssohn, Takács Quartet | A♭ Major | 1 | 4B | 139 BPM | ||
| Symphony in A Major, F. 27: III. Allegro | Josef Mysliveček, Matthias Bamert, London Mozart Players | F Major | 0 | 7B | 78 BPM | ||
| Cello Concerto No. 2 in D Major, Hob.VIIb:2: II. Adagio - Cadenza: Natalia Gutman | Franz Joseph Haydn, Natalia Gutman, Mischa Maisky, Chamber Orchestra of Europe | A Major | 0 | 11B | 85 BPM | ||
| Piano Quintet No. 2 in A Major, Op. 81, B. 155: III. Scherzo (Furiant). Molto vivace | Antonín Dvořák, Menahem Pressler, Emerson String Quartet | A Major | 1 | 11B | 70 BPM |