On April 7, 2012, the song "Rasiyavar Sundar Shyam" was released by Rajkot Gurukul. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 10 in the song's album "Rasik Piya Ghanshyam ...". In this album, this song's track order is #9. Furthermore, we believe that the track originated from India. Based on our statistics, Rasiyavar Sundar Shyam's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Rasiyavar Sundar Shyam by Rajkot Gurukul having a BPM of 156 with a half-time of 78 BPM and a double-time of 312 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with running. The time signature for this track is 3/4.
This song has a musical key of F♯ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Tu Rangai Jane Bholanath Na Rang Ma | Arvind Barot, Bhavna Rana | F♯ Major | 6 | 2B | 101 BPM | ||
| Phool Ni Bandhi Ponchi Phoolni Bandhi | Niladri Chetterji | E♭ Major | 4 | 5B | 107 BPM | ||
| Radha Rupadi | Atul Purohit | A♭ Minor | 3 | 1A | 139 BPM | ||
| Dil Ni Vaat | Jyoti Vanjara | B♭ Minor | 9 | 3A | 154 BPM | ||
| O CHMPARAN NA MALIK RE | Nidhi Dholkiya | F Major | 5 | 7B | 126 BPM | ||
| Pragat Thaya Prabhu Chhapaiya Gam Re | Hasmukh Patadiya | G Major | 6 | 9B | 114 BPM | ||
| RADHIKA GORI SE | NITIN DEVKA-NIDHO DHOLKIA | A♭ Major | 5 | 4B | 79 BPM | ||
| Nafrat | Kishan Raval | F Major | 7 | 7B | 48 BPM | ||
| Mero to Adhar Shri Vallabh Ke Charnavind | Ami Joshi, Asif Jeriya | F♯ Major | 4 | 2B | 105 BPM | ||
| MARA SHRI NATHJI NO BHARE CHHE LATKO | Nidhi Dholkia | F♯ Major | 5 | 2B | 162 BPM | ||
| Radha Govalni | Nisha Upadhyay, Atul Purohit, Achal Maheta, Nigam Upadhyay | E♭ Minor | 6 | 2A | 142 BPM | ||
| Juvo Juvo Ne Saheliyo Aaj | Geeta Rabari, Maulik Mehta | A♭ Major | 9 | 4B | 140 BPM | ||
| Radha Bole Madhav Ne | Kavya Limaye | F Major | 5 | 7B | 78 BPM | ||
| Maro Sandesho Sajan | Mamta Soni, Vikram Thakor | D♭ Major | 6 | 3B | 130 BPM | ||
| Dwarkadhish Ni Aarti - Original | Kaushik Bharwad, NA | F♯ Major | 6 | 2B | 85 BPM | ||
| SHANKHESHWAR DADA MARA SAKSHAT BHAGVAN | AJITSANSKAR | C Major | 5 | 8B | 120 BPM | ||
| Mithe Ras Se Bharyo Re Radha | Gagan Jethva, Nitin Devka, Bipin Sathiya, Farida Mir, Priti Varsani, Poonam Barot, Jayshreedas Sadhviji, Damyanti Bardai | F♯ Major | 7 | 2B | 93 BPM | ||
| Kismat | Kajal Maheriya | A Minor | 9 | 8A | 138 BPM | ||
| Aavo Aavo Sahjanand Swami | Dinesh Vaghasiya | E♭ Minor | 7 | 2A | 176 BPM | ||
| Jay Kapi Balvanta - Hanuman Ji Aarti | Kinjal Dave | D Major | 5 | 10B | 120 BPM | ||
| Hu Mukt Chhu 01 | Anmol Khatri | F Minor | 5 | 4A | 80 BPM | ||
| Mandap Ropan-Maro Mandavdo | Lalita Ghodadra | F Minor | 7 | 4A | 164 BPM | ||
| Janmangal Stotra | Rajkot Gurukul | A Major | 4 | 11B | 85 BPM | ||
| Lagan Lagi Tose | Shahnaz Akhtar | D♭ Major | 9 | 3B | 150 BPM | ||
| Tu Kali Ne Kaliyani Re Maa | Kanu Patel | D Major | 7 | 10B | 127 BPM |