The Rake's Progress, Act I: The Woods Are Green... by Igor Stravinsky, Eugene Conley, Hilde Gueden, Norman Scott, Mack Harrell, Martha Lipton, Blanche Thebom, Paul Franke, Lawrence Davidson, Metropolitan Opera Chorus, Metropolitan Opera Orchestra, Fritz Reiner Song Details

Igor Stravinsky, Eugene Conley, Hilde Gueden, Norman Scott, Mack Harrell, Martha Lipton, Blanche Thebom, Paul Franke, Lawrence Davidson, Metropolitan Opera Chorus, Metropolitan Opera Orchestra, Fritz Reiner's ' "The Rake's Progress, Act I: The Woods Are Green..." was released on its scheduled release date, August 4, 2017. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 29 in the song's album "Stravinsky: The Rake's Progress". In this album, this song's track order is #2. Furthermore, we believe that the track originated from Italy. In terms of popularity, The Rake's Progress, Act I: The Woods Are Green... is currently unknown. Since there is more of a neutral sound being played, this makes the track somewhat danceable.

BPM and Tempo

With The Rake's Progress, Act I: The Woods Are Green... by Igor Stravinsky, Eugene Conley, Hilde Gueden, Norman Scott, Mack Harrell, Martha Lipton, Blanche Thebom, Paul Franke, Lawrence Davidson, Metropolitan Opera Chorus, Metropolitan Opera Orchestra, Fritz Reiner having a BPM of 102 with a half-time of 51 BPM and a double-time of 204 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.

Music Key

This song is in the music key of B Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 0%
Loudness: -12.785 dB
Acousticness: 98%
Danceability: 43%
Energy: 25%
Instrumentalness: 0%
Liveness: 69%
Loudness: 79%
Speechiness: 8%
Valence: 49%

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Pictures at an Exhibition (Orch. Ravel): IV. Bydlo "The Oxcart"	Modest Mussorgsky, London Symphony Orchestra, Claudio Abbado	A Major	1	11B	81 BPM
Stravinsky: The Rite of Spring, Pt. 2 "The Sacrifice": Sacrificial Dance	Igor Stravinsky, Riccardo Muti, Philadelphia Orchestra	G Minor	5	6A	132 BPM
Concerto for Orchestra, Sz. 116: V. Finale. Pesante – Presto	Béla Bartók, Chicago Symphony Orchestra, Pierre Boulez	A♭ Major	2	4B	127 BPM
Symphonie fantastique, H. 48: IV. Marche au supplice	Hector Berlioz, Chicago Symphony Orchestra, Claudio Abbado	G Minor	2	6A	166 BPM
Symphony No. 2 In C Minor - "Resurrection" / 1st Movement - Allegro maestoso (Totenfeier): Sehr getragen (Trumpet & trombone)	Gustav Mahler, Wiener Philharmoniker, Gilbert Kaplan	E♭ Minor	3	2A	72 BPM
Symphonie fantastique, Op. 14, H 48: V. Songe d'une nuit de sabbat	Hector Berlioz, London Symphony Orchestra, Sir Colin Davis	C Minor	1	5A	60 BPM
L'Arlésienne Suite No. 1, WD 40: II. Minuetto	Georges Bizet, Daniel Deffayet, Berliner Philharmoniker, Herbert von Karajan	A♭ Major	0	4B	175 BPM
Concerto for Orchestra, Sz. 116: II. Giuoco della coppie. Allegretto scherzando	Béla Bartók, Chicago Symphony Orchestra, Pierre Boulez	G Major	1	9B	124 BPM
Violin Concerto in E Minor, Op. 64, MWV O14: II. Andante	Felix Mendelssohn, Hilary Hahn, Hugh Wolff, Oslo Philharmonic Orchestra, Oslo-Filharmonien	G Major	1	9B	174 BPM
Peer Gynt Suite No. 2, Op. 55: III. Peer Gynt's Homecoming	Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan	B Minor	1	10A	69 BPM
D'un matin de printemps	Lili Boulanger, Yan Pascal Tortelier, BBC Philharmonic	C Major	1	8B	130 BPM
Symphony in C Major, Op. 46: II. Sehr langsam -	Hans Pfitzner, Seattle Symphony Orchestra, Gerard Schwarz	F Major	0	7B	87 BPM
La Mer, L.109: 1. From Dawn Till Noon On The Sea (De l'aube à midi sur la mer)	Claude Debussy, Orchestre Symphonique de Montréal, Charles Dutoit	F♯ Major	1	2B	61 BPM
Sibelius: Symphony No. 5 in E-Flat Major, Op. 82: III. Allegro molto (1915 Version)	Jean Sibelius, San Francisco Symphony, Esa-Pekka Salonen	E♭ Major	1	5B	76 BPM
Bruch : Violin Concerto No.1 in G minor Op.26 : III Finale - Allegro energico	Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig	G Major	2	9B	90 BPM
Daphnis et Chloé, M. 57 / Troisième partie: Danse générale	Maurice Ravel, Berliner Philharmoniker, Pierre Boulez, Rundfunkchor Berlin	D♭ Minor	4	12A	173 BPM
Chamber Symphony No. 5 in A-Flat Major, Op. 118a: IV. Allegretto	Dmitri Shostakovich, Yuli Turovsky, I Musici de Montréal	C Minor	0	5A	121 BPM
Pelléas et Mélisande, Op. 80: 1. Prélude. Quasi Adagio	Gabriel Fauré, Boston Symphony Orchestra, Seiji Ozawa	F Major	2	7B	98 BPM
Roman Carnival Overture, Op. 9 (Remastered)	Hector Berlioz, George Szell, The Cleveland Orchestra	A Major	1	11B	77 BPM
Peter Grimes, 4 Sea Interludes, Op. 33a: III. Moonlight	Benjamin Britten, London Symphony Orchestra, Steuart Bedford	E♭ Major	0	5B	78 BPM
Symphonic Dances, Op. 64: III. Allegro giocoso	Edvard Grieg, Bergen Philharmonic Orchestra, Edward Gardner	A Major	1	11B	172 BPM
Beni Mora, Op. 29, No. 1: II. Second Dance	Gustav Holst, Royal Scottish National Orchestra, David Lloyd-Jones	A♭ Major	0	4B	133 BPM
Symphony No. 2 in B Minor: I. Allegro	Alexander Borodin, Carlos Kleiber, Radio Sinfonieorchester Stuttgart des SWR	G Major	3	9B	137 BPM
Aladdin Suite, Op. 34, FS 89: IV. Chinese Dance	Carl Nielsen, South Jutland Symphony Orchestra, Niklas Willen	E Minor	1	9A	96 BPM
The Rake's Progress, Act III Scene 3: Duet. In a foolish dream… (Tom, Anne)	Igor Stravinsky, Jayne West, Jon Garrison, Arthur Woodley, John Cheek, Shirley Love, Wendy White, Melvin Lowery, Jeffrey Johnson, Gregg Smith Singers, Orchestra of St. Luke's, Robert Craft	E♭ Major	1	5B	89 BPM