Ramdas Kamat's ' "Shar Lagala Tuzha Ge" was released on its scheduled release date, February 5, 2003. This song is about six minutes long, preciously at 5:44, making this song fairly long compared to other songs. There are a total of 8 in the song's album "Ramdas Kamat". In this album, this song's track order is #7. Furthermore, we believe that the track originated from France. Based on our statistics, Shar Lagala Tuzha Ge's popularity is not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
With Shar Lagala Tuzha Ge by Ramdas Kamat having a BPM of 123 with a half-time of 62 BPM and a double-time of 246 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 5/4.
This song has a musical key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Chandra Aata Mavalaya Lagla | Suresh Wadkar | F♯ Minor | 4 | 11A | 160 BPM | ||
| Jawaniya Ke Din Dui Char Rasiya | Hansa Dave, Kalyanji-Anandji | E♭ Major | 6 | 5B | 100 BPM | ||
| Mi Radhika | Arati Ankalikar Tikekar, Tikekar | F Minor | 4 | 4A | 137 BPM | ||
| Ghei Chand Makarand | Vasantrao Deshpande | B♭ Minor | 6 | 3A | 143 BPM | ||
| Bandhu Re Mere Bandhu Re | Gulab Bai, Ishwarlal, Kantilal | A♭ Minor | 2 | 1A | 109 BPM | ||
| Uthi Re Uthi Pahat Zali | Snehal Bhatkar, Lata Mangeshkar | E Major | 1 | 12B | 138 BPM | ||
| Pibare Rama Rasam | Sri Sathya Sai Bhajans | B♭ Minor | 8 | 3A | 140 BPM | ||
| Avachita Parimalu (with Commentary) | Prof.Ram Shevalkar, Asha Bhosle | C Minor | 2 | 5A | 130 BPM | ||
| Khuli Jo Aankh | Mehdi Hassan | D♭ Major | 5 | 3B | 128 BPM | ||
| Vilopale Madhu Milanataya | Prabhakar Karekar | G Minor | 6 | 6A | 101 BPM | ||
| Jagat Bidit Baidyanath | Vishwanath Mishra | B♭ Major | 3 | 6B | 98 BPM | ||
| Devas Tujhe He Phulayache | Arun Date | B♭ Major | 3 | 6B | 90 BPM | ||
| Mithi Sodna Sakhyare | Suresh Wadkar, Usha Mangeshkar | A♭ Major | 3 | 4B | 102 BPM | ||
| Dharila Pandharicha Chor | Godavaribai Munde, Rameshbuva Shegaonkar | F♯ Major | 4 | 2B | 111 BPM | ||
| Naman Natwara | Rajesh Datar | B Major | 4 | 1B | 101 BPM | ||
| Bhet Tujhi Majhi Smarate | Arun Date | F♯ Minor | 2 | 11A | 168 BPM | ||
| Priya Aaj Mazi Nase Saath Dhyaya | Sudhir Phadke | F♯ Major | 2 | 2B | 77 BPM | ||
| Shravanat Ghan Neela Barsala | Lata Mangeshkar | F♯ Minor | 2 | 11A | 168 BPM | ||
| Runu Zunu Re Bhramara | Ramdas Kamat | B Major | 7 | 1B | 112 BPM | ||
| Shodhisi Manwa | Mohammed Rafi | F♯ Major | 5 | 2B | 128 BPM | ||
| Dinancha Kaiwari | Suman Kalyanpur | C Minor | 3 | 5A | 80 BPM | ||
| Aaji Soniyacha Dinu | Harichandra Patli | E♭ Major | 7 | 5B | 99 BPM | ||
| Bhetichi Aawadi Utavil Man | Pt. Jitendra Abhisheki | G Major | 4 | 9B | 83 BPM | ||
| Sukhache Je Sukh Chandra Bhage Tati | Jitendra Abhisheki | E♭ Major | 5 | 5B | 83 BPM | ||
| Dev Maza Vithu Sawala | Suman Kalyanpur | A Major | 3 | 11B | 70 BPM |