Harry Rabinowitz's ' "Never My Love" was released on its scheduled release date, August 30, 2010. The duration of This song is about two minutes long, specifically at 2:01. This song does not appear to have any foul language. Never My Love's duration is considered a little bit shorter than the average duration of a typical track. The song is number 9 out of 13 in Beautiful Orchestral Moments by Gordon Langford, Harry Rabinowitz. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. In terms of popularity, Never My Love is currently unknown. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Never My Love by Harry Rabinowitz is Andante (at a walking pace), since this song has a tempo of 106 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| España | Emmanuel Chabrier, Boston Symphony Orchestra, Seiji Ozawa | F Major | 3 | 7B | 126 BPM | ||
| Elgar: Variations on an Original Theme, Op. 36 "Enigma": Variation IX. Nimrod | Edward Elgar, City Of Birmingham Symphony Orchestra, Sir Simon Rattle | E♭ Major | 1 | 5B | 49 BPM | ||
| Mancini: Moon River (From "Breakfast at Tiffany's") | Renaud Capuçon | C Major | 1 | 8B | 82 BPM | ||
| Prelude and Overture | Alfred Newman, Lee Herschberg | B♭ Major | 3 | 6B | 88 BPM | ||
| Overture / Preludium (Dixit Dominus) / Morning Hymn / Alleluia - Medley | Annalee, Portia Nelson, Marni Nixon, Evadne Baker | A♭ Major | 2 | 4B | 68 BPM | ||
| La Sonnambula: Prendi, l'anel ti dono | Vincenzo Bellini, Han De Vries, Jacques Zoon, London Studio Orchestra, Harry Rabinowitz | B♭ Major | 2 | 6B | 118 BPM | ||
| Le dîner - From Attention les enfants regardent | Eric Demarsan, Harry Rabinowitz | E♭ Major | 2 | 5B | 67 BPM | ||
| Mozart: Le nozze di Figaro, K. 492, Act 2: "Voi che sapete" (Cherubino) | Wolfgang Amadeus Mozart, Joyce DiDonato, Kazushi Ono, Orchestre De L'Opéra National De Lyon | E Major | 2 | 12B | 91 BPM | ||
| Chanson de Matin, Op. 15 No. 2 (Version for Orchestra) | Edward Elgar, New Zealand Symphony Orchestra, James Judd | G Major | 1 | 9B | 141 BPM | ||
| In The Silver Moonshine | Mingxin Du, Takako Nishizaki, Singapore Symphony Orchestra | G Major | 1 | 9B | 87 BPM | ||
| Cavalleria rusticana: Intermezzo | Pietro Mascagni, National Philharmonic Orchestra, Gianandrea Gavazzeni, Giuseppe Patanè | F Major | 2 | 7B | 81 BPM | ||
| Gaite Parisienne (after J. Offenbach): 23. Barcarolle | Manuel Rosenthal, Monte-Carlo Philharmonic Orchestra | D Major | 0 | 10B | 113 BPM | ||
| Les enfants du soleil - From Attention les enfants regardent | Eric Demarsan, Harry Rabinowitz | C Minor | 3 | 5A | 61 BPM | ||
| Baby Mothers Unashamed Mothers | Danke Timi Briggs | G Minor | 2 | 6A | 147 BPM | ||
| The Secret Agent: Ossipon is Tempted | Philip Glass, English Chamber Orchestra, Michael Riesman, Harry Rabinowitz | D♭ Major | 1 | 3B | 120 BPM | ||
| Così fan tutte, K. 588 / Act I: "Soave sia il vento" | Wolfgang Amadeus Mozart, Miah Persson, Angela Brower, Alessandro Corbelli, Chamber Orchestra of Europe, Yannick Nézet-Séguin | G Minor | 1 | 6A | 88 BPM | ||
| Tchaikovsky's Piano Concerto No 1 | Liberace | D♭ Major | 2 | 3B | 90 BPM | ||
| The Lochnagar Suite: II. Dark Lochnagar | Nigel Hess, Central Band Of The Royal Air Force | D Minor | 0 | 7A | 124 BPM | ||
| In a Persian Market | Albert Ketèlbey, Ambrosian Opera Chorus, London Promenade Orchestra, Alexander Faris | D Minor | 1 | 7A | 108 BPM | ||
| La bohème: Che gelida manina | Giacomo Puccini, Andre Kostelanetz, Andre Kostelanetz & His Orchestra, André Kostelanetz Orchestra | G Major | 5 | 9B | 171 BPM | ||
| Where the Rainbow Ends Suite (version for orchestra): No. 1a Rainbow Land | Roger Quilter, Slovak Radio Symphony Orchestra, Adrian Leaper | A Major | 0 | 11B | 69 BPM | ||
| Le Cygne, R. 125 | Camille Saint-Saëns, Michael Collins, Michael McHale | D♭ Minor | 1 | 12A | 85 BPM | ||
| Les Pecheurs De Perles (The Pearl Fishers): Les Pecheurs De Perles (The Pearl Fishers), Act 1: Au Fond Du Temple Saint | Eugene Cormon, Slovak Radio Symphony Orchestra, Igor Morozov, Janez Lotric, Michel Carre, Georges Bizet | E♭ Major | 1 | 5B | 132 BPM | ||
| Die tote Stadt, Act I: Mariettas Lied | Erich Wolfgang Korngold, Nicola Benedetti, Bournemouth Symphony Orchestra, Kirill Karabits | B♭ Major | 3 | 6B | 94 BPM | ||
| Madama Butterfly, Act II: Coro a bocca chiusa "Humming Chorus" | Giacomo Puccini, Wiener Staatsopernchor, Wiener Philharmoniker, Herbert von Karajan | B♭ Major | 0 | 6B | 78 BPM |