"Elgar: Variations on an Original Theme, Op. 36 "Enigma": Variation IX. Nimrod" by Edward Elgar, City Of Birmingham Symphony Orchestra, Sir Simon Rattle had its release date on November 7, 1994. With this song being around four minutes long, at 4:25, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 10 out of 23 in Elgar: Orchestral Works by City Of Birmingham Symphony Orchestra, Sir Simon Rattle. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Elgar: Variations on an Original Theme, Op. 36 "Enigma": Variation IX. Nimrod is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Elgar: Variations on an Original Theme, Op. 36 "Enigma": Variation IX. Nimrod by Edward Elgar, City Of Birmingham Symphony Orchestra, Sir Simon Rattle is Lento (slowly), since this song has a tempo of 49 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
E♭ Major is the music key of this track. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Rosamunde, D. 797: No. 5, Entracte 3 in B-Flat Major. Andantino | Franz Schubert, Orpheus Chamber Orchestra | B♭ Major | 0 | 6B | 92 BPM | ||
| The Merry Widow: Overture | Franz Lehár, National Philharmonic Orchestra, Richard Bonynge | E♭ Major | 2 | 5B | 130 BPM | ||
| Dvořák: Rusalka, Op. 114, B. 203, Act 1: Song to the Moon (Instrumental Version) | Antonín Dvořák, Gautier Capuçon, Adrien Perruchon, Orchestre de chambre de Paris | F♯ Major | 1 | 2B | 89 BPM | ||
| Scheherezade, Op. 35: III. The Young Prince and the Young Princess | Nikolai Rimsky-Korsakov, Pelin Halkacı Alkın, Sascha Goetzel, Borusan Istanbul Philharmonic Orchestra | G Major | 1 | 9B | 92 BPM | ||
| Mahler: Symphony No. 5 in C-Sharp Minor: IV. Adagietto. Sehr langsam | Gustav Mahler, Klaus Tennstedt, London Philharmonic Orchestra | F Major | 0 | 7B | 85 BPM | ||
| Ludus pro Patria, La Nuit et l'Amour: La Nuit et l'Amour: Interlude de l'ode symphonique - Ludus pro Patria | Augusta Holmès, Staatsphilharmonie Rheinland-Pfalz, Patrick Davin | B♭ Major | 0 | 6B | 78 BPM | ||
| Sibelius: Karelia Suite, Op. 11: II. Ballade | Jean Sibelius, Sakari Oramo, City Of Birmingham Symphony Orchestra | A Minor | 0 | 8A | 69 BPM | ||
| Harp Concerto in A major: 2. Larghetto | Carl Ditters von Dittersdorf, Marisa Robles, Academy of St. Martin in the Fields, Iona Brown | D Major | 1 | 10B | 80 BPM | ||
| Variations on an Original Theme, Op. 36 "Enigma": 9. Nimrod (Adagio) | Edward Elgar, BBC Concert Orchestra, Barry Wordsworth | E♭ Major | 1 | 5B | 80 BPM | ||
| Symphony No. 5 in E-Flat Major, Op. 82: III. Allegro molto - Misterioso - Largamente assai - Un pochettino stretto | Jean Sibelius, Berliner Philharmoniker, Sir Simon Rattle | A♭ Major | 1 | 4B | 77 BPM | ||
| Masquerade Suite: I. Waltz | Aram Khachaturian, Neeme Järvi, Royal Scottish National Orchestra | C Major | 4 | 8B | 72 BPM | ||
| Saint-Saëns: Piano Concerto No. 2 in G Minor, Op. 22: III. Presto | Camille Saint-Saëns, Sir Simon Rattle, Cecile Ousset, City Of Birmingham Symphony Orchestra | F Minor | 1 | 4A | 142 BPM | ||
| 3 Chorales, P. 167: No. 1, Lento assai (After J.S. Bach's BWV 659) | Ottorino Respighi, Seattle Symphony Orchestra, Gerard Schwarz | C Major | 0 | 8B | 65 BPM | ||
| Pomp and Circumstance March No. 1 in D Major, Op. 39 No. 1 | Edward Elgar, London Philharmonic Orchestra, Sir Georg Solti | D Major | 4 | 10B | 119 BPM | ||
| Suite No. 3, P. 172: I. Italiana: Andantino | Ottorino Respighi, RTÉ National Symphony Orchestra | B♭ Major | 1 | 6B | 94 BPM | ||
| Symphony No. 3 in F Major, Op. 90: III. Poco allegretto | Johannes Brahms, Staatskapelle Berlin, Daniel Barenboim | C Minor | 0 | 5A | 170 BPM | ||
| Tchaikovsky: String Quartet No. 1 in D Major, Op. 11: II. Andante cantabile (Arr. Marriner for String Orchestra) | Pyotr Ilyich Tchaikovsky, Sir Neville Marriner, Academy of St. Martin in the Fields | F Major | 0 | 7B | 60 BPM | ||
| The Sleeping Beauty, Op. 66: No. 9a Pas d'action. Rose Adagio | Pyotr Ilyich Tchaikovsky, Orchestra of the Royal Opera House, Covent Garden | B♭ Minor | 1 | 3A | 99 BPM | ||
| Suite from "The Victorian Kitchen Garden": I. Prelude. Andante pastorale | Paul Reade, Michael Collins, Michael McHale | B♭ Major | 0 | 6B | 67 BPM | ||
| La Traviata / Act 1: Prelude | Giuseppe Verdi, Berliner Philharmoniker, Claudio Abbado | B Major | 0 | 1B | 114 BPM | ||
| Khachaturian: Suite from Masquerade: I. Waltz | Aram Khachaturian, Orchestre Philharmonique de Radio France, Paavo Järvi | C Major | 3 | 8B | 96 BPM | ||
| Two Dialogues with Postscript: I. Wedding Waltz | Valentin Silvestrov, Hélène Grimaud, Camerata Salzburg | D♭ Minor | 1 | 12A | 164 BPM | ||
| Eclogue Op. 10 | Gerald Finzi, Tom Poster, Aurora Orchestra, Nicholas Collon | F Minor | 0 | 4A | 69 BPM | ||
| Song for Orchestra, Op. 33 | Ruth Gipps, Rumon Gamba, BBC National Orchestra Of Wales | F♯ Minor | 0 | 11A | 64 BPM | ||
| Variations on an Original Theme, Op. 36 "Enigma": Var. 9, Nimrod | Edward Elgar, Daniel Barenboim, London Philharmonic Orchestra | E♭ Major | 1 | 5B | 66 BPM |