- BPM
- 64
- Key
- F♯ Minor
- Camelot
- 11A
Song for Orchestra, Op. 33 by Ruth Gipps, Rumon Gamba, BBC National Orchestra Of Wales Song Details
"Song for Orchestra, Op. 33" by Ruth Gipps, Rumon Gamba, BBC National Orchestra Of Wales had its release date on September 1, 2018. This song is about six minutes long, preciously at 6:03, making this song fairly long compared to other songs. The track order of this song in Ruth Gipps, Rumon Gamba, BBC National Orchestra Of Wales's "Gipps: Symphonies Nos. 2 & 4, Song for Orchestra & Knight in Armour" album is number 14 out of 14. On top of that, United Kingdom appears to be the country where this track was created. Song for Orchestra, Op. 33 is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
We consider the tempo marking of Song for Orchestra, Op. 33 by Ruth Gipps, Rumon Gamba, BBC National Orchestra Of Wales to be Larghetto (rather broadly) because the track has a tempo of 64 BPM, a half-time of 32BPM, and a double-time of 128 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
Music Key
This song has a musical key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 0%
- Loudness
- -32.648 dB
- Acousticness
- 95%
- Danceability
- 6%
- Energy
- 1%
- Instrumentalness
- 61%
- Liveness
- 9%
- Loudness
- 46%
- Speechiness
- 5%
- Valence
- 4%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Clarinet Sonata, Op. 45: I. Maestoso. Allegro ma non troppo | Ruth Gipps, Peter Cigleris, Duncan Honeybourne | A Major | 0 | 11B | 80 BPM | |
 | Violin Concerto in D Major, Op. 35: I. Moderato nobile | Erich Wolfgang Korngold, Bomsori, Bamberger Symphoniker, Jakub Hrůša | D Major | 2 | 10B | 101 BPM | |
 | Serenade, H. 23 (Version for Cello & Piano) | Frank Bridge, Gerald Peregrine, Antony Ingham | E♭ Major | 0 | 5B | 130 BPM | |
 | Les chemins de l'amour, FP. 106 | Francis Poulenc, Mischa Maisky, Daria Hovora | E Major | 1 | 12B | 67 BPM | |
 | Symphony in E Minor, Op. 32, "Gaelic Symphony": II. Alla siciliana - Allegro vivace - Andante | Amy Beach, Nashville Symphony Orchestra, Kenneth Schermerhorn | F Major | 0 | 7B | 122 BPM | |
 | Sunset | Lionel Tertis, Timothy Ridout, Frank Dupree | C Major | 0 | 8B | 78 BPM | |
 | Concert Suite: IV. When I Am Laid In Earth, "Dido's Lament" from Dido and Aeneas (Arr. Leopold Stokowski) | Henry Purcell, Matthias Bamert, BBC Philharmonic | G Minor | 0 | 6A | 82 BPM | |
 | 4 Tone Poems After Arnold Böcklin, Op. 128: No. 1, Der geigende Eremit | Max Reger, Gävle Symphony Orchestra, Jaime Martin | A Major | 1 | 11B | 78 BPM | |
 | Pelléas et Mélisande, Op.80: 2. Fileuse. Andantino quasi Allegretto | Gabriel Fauré, Boston Symphony Orchestra, Seiji Ozawa | G Major | 1 | 9B | 88 BPM | |
 | Ma mère l'oye, M. 60 (Version for Orchestra): II. Petit poucet | Maurice Ravel, The Prague Festival Orchestra, Pavel Urbanek | C Minor | 1 | 5A | 79 BPM | |
 | Masques et Bergamasques, suite, Op.112: 1. Ouverture | Gabriel Fauré, Academy of St. Martin in the Fields, Sir Neville Marriner | F Major | 2 | 7B | 69 BPM | |
 | Empty Abyss | Orithia | A Minor | 0 | 8A | 76 BPM | |
 | V. Pieds-en-l'air | Peter Warlock, Metamorphosen Berlin, Wolfgang Emanuel Schmidt | G Major | 0 | 9B | 85 BPM | |
 | From the Bohemian Forest, Op. 68, B. 133: V. Silent Woods (Arr. Niefind & Ribke For Solo Cello and Cello Ensemble) | Antonín Dvořák, Kian Soltani, Staatskapelle Berlin, Cellists | D♭ Major | 0 | 3B | 85 BPM | |
 | Heut triumphieret Gottes Sohn, BWV 630 (Arr. for Orchestra by Sir Andrew Davis) | Johann Sebastian Bach, Martyn Brabbins, BBC Philharmonic | E♭ Major | 0 | 5B | 73 BPM | |
 | Woodland Suite: III. Moon-Fairy | George Dyson, BBC Symphony Orchestra, Richard Hickox | A Major | 0 | 11B | 74 BPM | |
 | String Quartet No. 2, Op. 147: VII. Hymn | Alan Hovhaness, Shanghai Quartet | C Major | 0 | 8B | 95 BPM | |
 | Lloyd Webber: The Gardens at Eastwell "A Late Summer Impression" (Arr. Soudoplatoff for Violin and Strings) | William Lloyd Webber, Vilde Frang, Robin Ticciati, Deutsches Symphonie-Orchester Berlin | E Minor | 1 | 9A | 99 BPM | |
 | Violin Sonata in E Minor, P. 85: IV. Giga. Vivace assai (After J.S. Bach's BWV 1023) | Ottorino Respighi, Ilkka Talvi, Seattle Symphony Orchestra, Gerard Schwarz | E Minor | 0 | 9A | 121 BPM | |
 | Glazunov: Meditation, Op. 32 | Alexander Glazunov, Chloë Hanslip, Paul Mann, London Symphony Orchestra | C Major | 2 | 8B | 108 BPM | |
 | Adam Zero: Approach of Autumn | Arthur Bliss, English Northern Philharmonia, David Lloyd-Jones | D Minor | 0 | 7A | 128 BPM | |
 | Capriol Suite: 5. Pied-en- l'air | Peter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville Marriner | G Major | 1 | 9B | 113 BPM | |
 | Mahler: Blumine | Gustav Mahler, San Francisco Symphony, Michael Tilson Thomas | C Major | 1 | 8B | 100 BPM | |
 | Fauré: Requiem, Op. 48: VII. In Paradisum | Gabriel Fauré, Paavo Järvi, Orchestre de Paris | D Major | 0 | 10B | 147 BPM | |
 | Symphony No. 4, Op. 61: III. Scherzo. Allegretto | Ruth Gipps, Rumon Gamba, BBC National Orchestra Of Wales | F♯ Minor | 1 | 11A | 107 BPM |
- ISRC
- GBLWD1803614
- Label
- L-M Records/RCA Records