Amanda Rontgen-Maier, Bengt Forsberg, Cecilia Zilliacus, Kati Raitinen's ' "Piano Trio in E-Flat Major: I. Allegro" was released on its scheduled release date, June 15, 2019. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 1 out of 69 in Amanda Maier: Complete Works by Amanda Rontgen-Maier, Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from Sweden. In terms of popularity, Piano Trio in E-Flat Major: I. Allegro is currently unknown. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
The tempo marking of Piano Trio in E-Flat Major: I. Allegro by Amanda Rontgen-Maier, Bengt Forsberg, Cecilia Zilliacus, Kati Raitinen is Moderato (at a moderate speed), since this song has a tempo of 116 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 3/4.
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Symphony No. 1 in C Minor, Op. 68: II. Andante sostenuto | Johannes Brahms, Royal Concertgebouw Orchestra, John Eliot Gardiner | E Minor | 1 | 9A | 94 BPM | ||
| Piano Concerto in A Minor, Op. 16: II. Adagio | Edvard Grieg, Reed Tetzloff, John Eliot Gardiner, Orchestre Philharmonique Du Luxembourg | D♭ Major | 0 | 3B | 92 BPM | ||
| Concerto for Violin and Orchestra (To the memory of my mother): II. Adagio | Ina Boyle, Esther Abrami, Vienna Radio Symphony Orchestra, Irene Delgado-Jiménez | A Minor | 2 | 8A | 80 BPM | ||
| Suite for 2 Pianos, Op. 6: II. Andantino con moto | Charles Koechlin, Lucas Jussen, Arthur Jussen | A♭ Major | 0 | 4B | 88 BPM | ||
| Anemos | Olivia Belli, Chris Worsey | G Minor | 0 | 6A | 85 BPM | ||
| Chopin: Nocturne No. 21 in C Minor, Op. Posth. (Transcr. Kadouch & Moreau for Cello and Piano) | Frédéric Chopin, Edgar Moreau, David Kadouch | F Minor | 0 | 4A | 147 BPM | ||
| Ave Maria, CG 89a (After Prelude in C Major, BWV 846) | Charles Gounod, Johann Sebastian Bach, Steven Isserlis, Connie Shih, The Gesualdo Six | C Major | 0 | 8B | 116 BPM | ||
| Scarlatti, D: Keyboard Sonata in B Minor, Kk. 27 | Domenico Scarlatti, Shani Diluka | D Minor | 0 | 7A | 134 BPM | ||
| Lieder ohne Worte V, Op. 62: VI. Allegretto grazioso, MWV U161 "Spring Song" | Felix Mendelssohn, Lang Lang | A♭ Major | 1 | 4B | 106 BPM | ||
| Lloyd Webber: The Gardens at Eastwell "A Late Summer Impression" (Arr. Soudoplatoff for Violin and Strings) | William Lloyd Webber, Vilde Frang, Robin Ticciati, Deutsches Symphonie-Orchester Berlin | E Minor | 1 | 9A | 99 BPM | ||
| 6 Pieces, Op. 19: No. 4, Nocturne. Andante sentimentale (Transcr. Langley for Violin & Piano) | Pyotr Ilyich Tchaikovsky, Christian Li, Nicola Eimer | F♯ Minor | 0 | 11A | 126 BPM | ||
| Ariadne's Lament (Variations on a Theme by Claudio Monteverdi) | Vladimir Kobekin, Anastasia Kobekina | D♭ Minor | 1 | 12A | 85 BPM | ||
| Piano Trio in D Minor, Op. 11: III. Lied | Fanny Mendelssohn, Trio Zadig | D Major | 1 | 10B | 101 BPM | ||
| Sur le lac du Bourget | Gabriela Montero, Gautier Capuçon, Frank Braley | G Major | 2 | 9B | 178 BPM | ||
| Chants du Rhin, WD 52: I. L'aurore | Georges Bizet, Roberto Prosseda | C Major | 0 | 8B | 116 BPM | ||
| Bach: Prelude in C Major, BWV 846 | Johann Sebastian Bach, Lavinia Meijer | C Major | 0 | 8B | 116 BPM | ||
| Consolation No. 3, S. 172/3 (Arr. Cooper for Saxophone & Ensemble) | Franz Liszt, Jess Gillam, Jess Gillam Ensemble | F♯ Major | 2 | 2B | 136 BPM | ||
| Eccles: The Mad Lover: V. Aire. Ground (Arr. Diluka for Piano) | John Eccles, Shani Diluka | F Minor | 2 | 4A | 69 BPM | ||
| Mendelssohn, Fanny: 6 Lieder, Op. 7, No. 2 Erwin | Fanny Mendelssohn, Maria Ioudenitch, Kenny Broberg | E♭ Major | 2 | 5B | 109 BPM | ||
| Élégie in E-Flat Minor | Sergei Rachmaninoff, Alexander Malofeev | E♭ Minor | 0 | 2A | 80 BPM | ||
| 3 Compositions for Violin and Piano, Op. 40: No. 1, La Captive | Amy Beach, Alessandro Clerici, Elena Brunello | A Minor | 0 | 8A | 79 BPM | ||
| Mahler Adagietto Variation (From Symphony No. 5 in C-Sharp Minor, Arr. for Violin and Piano by Jan-Peter Klöpfel) | Gustav Mahler, Gabriele Bagnati, Esther Abrami | F Major | 2 | 7B | 82 BPM | ||
| Caprice viennois, Op. 2 (Arr. Fougeray for Violin and Guitar): III. Presto | Fritz Kreisler, María Dueñas, Raphaël Feuillâtre | G Major | 1 | 9B | 98 BPM | ||
| Romeo and Juliet, Op. 64, Act I: Dance of the Knights (Transcr. for Violin and Piano by David Grjunes) | Sergei Prokofiev, Giorgi Gigashvili, Lisa Batiashvili | C Major | 0 | 8B | 116 BPM | ||
| Péchés de vieillesse, Album IX, No. 10: Une larme - Thème et variations | Gioachino Rossini, Sol Gabetta, Irina Zahharenkova | D Major | 5 | 10B | 76 BPM |