Erno Rozsa, Slovak Radio Symphony Orchestra, Niccolò Paganini's ' "Violin Concerto No. 4 In D Minor, MS 60: III. Rondo Galante: Andantino Gaio" was released on its scheduled release date, February 15, 2001. This song appears to be safe for all ages as it is not explicit. There are a total of 6 in the song's album "Paganini: Violin Concertos Nos. 3 And 4". In this album, this song's track order is #6. Furthermore, we believe that the track originated from Hong Kong. In terms of popularity, Violin Concerto No. 4 In D Minor, MS 60: III. Rondo Galante: Andantino Gaio is currently below average in popularity. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Violin Concerto No. 4 In D Minor, MS 60: III. Rondo Galante: Andantino Gaio by Erno Rozsa, Slovak Radio Symphony Orchestra, Niccolò Paganini having a BPM of 108 with a half-time of 54 BPM and a double-time of 216 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
D Minor is the music key of this track. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Concerto in D Minor for Two Violins, BWV 1043: Vivace | Johann Sebastian Bach, Jascha Heifetz, Erick Friedman, Thornton Lofthouse, The New Symphony Orchestra Of London, Sir Malcolm Sargent | A Minor | 2 | 8A | 94 BPM | ||
| Liebeslied | Fritz Kreisler, Julia Krasko, Olga Kondratieva | A Minor | 0 | 8A | 100 BPM | ||
| Le roi s'amuse: Final | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | A Minor | 1 | 8A | 94 BPM | ||
| Sonata for Violin and Continuo in G minor, B. g5 - "Il trillo del diavolo": 1. Larghetto affettuoso | Giuseppe Tartini, Arthur Grumiaux, Riccardo Castagnone | G Minor | 2 | 6A | 101 BPM | ||
| Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: I. Moderato (Cadenza by Britten) | Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields | C Major | 1 | 8B | 68 BPM | ||
| Violin Sonata in G Minor, "Devil's Trill": I. Larghetto | Giuseppe Tartini, Ray Chen, Noreen Polera | B♭ Major | 0 | 6B | 90 BPM | ||
| Introduction et Rondo capriccioso, Op.28, R. 188 | Camille Saint-Saëns, Itzhak Perlman, New York Philharmonic, Zubin Mehta | A Minor | 1 | 8A | 103 BPM | ||
| Symphony No. 10 in E Minor, Op. 93: II. Allegro | Dmitri Shostakovich, Royal Liverpool Philharmonic Orchestra, Vasily Petrenko | B♭ Minor | 6 | 3A | 89 BPM | ||
| Etude in D-Sharp Minor, Op. 8, No. 12: Patetico - Remastered | Alexander Scriabin, Vladimir Horowitz | D♭ Minor | 3 | 12A | 72 BPM | ||
| Romeo and Juliet, Op. 64 / Act 1: Dance Of The Knights | Sergei Prokofiev, The Cleveland Orchestra, Lorin Maazel | B♭ Major | 6 | 6B | 124 BPM | ||
| Borodin: String Quartet No. 2 in D Major: III. Notturno. Andante | Alexander Borodin, Borodin Quartet | F Major | 3 | 7B | 96 BPM | ||
| IV. In the Hall of the Mountain King | Edvard Grieg, Bergen Philharmonic Orchestra, Ole Kristian Ruud | G Major | 1 | 9B | 90 BPM | ||
| Five pieces for Two Violins and Piano: I. Prelude- Moderato | Dmitri Shostakovich, Brodsky Quartet, Christian Blackshaw | B Minor | 0 | 10A | 82 BPM | ||
| Violin Concerto No. 1 in G Minor, Op. 26: III. Allegro energico | Max Bruch, Itzhak Perlman, Bernard Haitink, Royal Concertgebouw Orchestra | G Major | 3 | 9B | 97 BPM | ||
| Pelléas and Mélisande: VII. La chasse commence - Live | Alexander Litvinovsky, Metamorphose String Orchestra, Pavel Lyubomudrov | B♭ Major | 1 | 6B | 71 BPM | ||
| Jazz Suite No. 2: IV. Waltz 1 | Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry Yablonsky | B♭ Major | 2 | 6B | 109 BPM | ||
| Erlkönig. Caprice für Violine allein nach der Ballade von Franz Schubert op. 26 | Ingolf Turban, Giovanni Bria | G Minor | 2 | 6A | 140 BPM | ||
| La Gioconda, Op. 9: Dance of the Hours | Slovak Radio Symphony Orchestra, Ondrej Lenard | E Major | 1 | 12B | 92 BPM | ||
| Halvorsen: Passacaglia (After Handel's Keyboard Suite, HWV 432) | Johan Halvorsen, Itzhak Perlman, Pinchas Zukerman | G Minor | 2 | 6A | 109 BPM | ||
| La ronde des Lutins | Antonio Bazzini, Christian Li, Timothy Young | G Major | 5 | 9B | 98 BPM | ||
| Shéhérazade, Op. 35: I. The Sea and Sinbad's Ship | Nikolai Rimsky-Korsakov, Sergej Galaktionov, Gianandrea Noseda, Filarmonica Teatro Regio Torino | E Major | 1 | 12B | 136 BPM | ||
| Carmen Suite No. 1: 1. Prélude | Georges Bizet, Orchestre de Paris, Semyon Bychkov | A Minor | 1 | 8A | 96 BPM | ||
| Violin Concerto No. 9 in A Minor, Op. 104: I. Allegro maestoso | Charles-Auguste de Bériot, Takako Nishizaki, RTBF Symphony Orchestra, Alfred Walter | D Major | 0 | 10B | 78 BPM | ||
| Marche slave, Op. 31, TH 45 “Slavonic March” | Pyotr Ilyich Tchaikovsky, Berliner Philharmoniker, Claudio Abbado | B♭ Minor | 4 | 3A | 100 BPM | ||
| Viola Concerto in C Minor: III. Allegro molto energico | Johann Christian Bach, Henri Casadesus, Nemanja Radulović, Double Sens | G Minor | 3 | 6A | 79 BPM |