"Macbeth, Act III: Ballet Music" by Giuseppe Verdi, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado had its release date on April 28, 2023. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 60 out of 278 in Abbado A-Z: Verdi by Giuseppe Verdi, Claudio Abbado. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Macbeth, Act III: Ballet Music is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Macbeth, Act III: Ballet Music by Giuseppe Verdi, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado is Moderato (at a moderate speed), since this song has a tempo of 115 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| La Damnation de Faust, Op. 24, H 111 / Pt. 1: Marche hongroise | Hector Berlioz, Chicago Symphony Orchestra, Sir Georg Solti | A Major | 2 | 11B | 93 BPM | ||
| Rusalka, Op. 114 / Act 2: Slavnosti hudba - balet | Antonín Dvořák, Franz Hawlata, Czech Philharmonic, Sir Charles Mackerras | F Major | 3 | 7B | 85 BPM | ||
| Parsifal, WWV 111, Act III Suite (Ed. Abbado): Procession. Ritterzug | Richard Wagner, Berliner Philharmoniker, Claudio Abbado, Swedish Radio Choir, Simon Halsey | F Major | 1 | 7B | 170 BPM | ||
| Khovanshchina: Prelude. Dawn on the Moscow River | Modest Mussorgsky, Orchester der Wiener Staatsoper, Claudio Abbado | D♭ Major | 0 | 3B | 99 BPM | ||
| Nabucco / Act 4: Immenso Jeovha | Giuseppe Verdi, Lucia Popp, Lucia Valentini Terrani, Plácido Domingo, Volker Horn, Piero Cappuccilli, Yevgeny Nesterenko, Kurt Rydl, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli, Chor der Deutschen Oper Berlin | D Major | 2 | 10B | 175 BPM | ||
| Chabrier: España | Emmanuel Chabrier, Herbert von Karajan, Berliner Philharmoniker | F Major | 3 | 7B | 130 BPM | ||
| Rigoletto / Act 3: + amabile invero cotal giovinotto (Maddalena, Sparafucile, Gilda) | Giuseppe Verdi, Denyce Graves, Roberto Scandiuzzi, Cheryl Studer, Metropolitan Opera Orchestra, James Levine | E Major | 4 | 12B | 117 BPM | ||
| Rigoletto / Act 3: "V'ho ingannato" | Giuseppe Verdi, Cheryl Studer, Vladimir Chernov, Metropolitan Opera Orchestra, James Levine | D♭ Major | 2 | 3B | 80 BPM | ||
| Gounod: Roméo et Juliette: Ouverture | Charles Gounod, Michel Plasson, Orchestre Du Capitole De Toulouse | D Minor | 3 | 7A | 123 BPM | ||
| Hino 309 - Galardão nos Espera | Orquestra Sacra Paulista | E♭ Major | 2 | 5B | 126 BPM | ||
| Aida: Danza Sacre delle Sacerdotesse | Giuseppe Verdi, Plácido Domingo, Metropolitan Opera Orchestra, Samuel Ramey, Aprile Millo, James Levine, Dolora Zajick, James Morris | C Major | 1 | 8B | 144 BPM | ||
| Stabat Mater: 4. Pro peccatis suae gentis | Gioachino Rossini, Ruggero Raimondi, Philharmonia Orchestra, Carlo Maria Giulini | C Major | 3 | 8B | 80 BPM | ||
| Requiem: IIg. Recordare | Giuseppe Verdi, Mirella Freni, Christa Ludwig, Berliner Philharmoniker, Herbert von Karajan | F Major | 1 | 7B | 77 BPM | ||
| La traviata / Act 3: Prelude | Giuseppe Verdi, Metropolitan Opera Orchestra, James Levine | A♭ Major | 0 | 4B | 84 BPM | ||
| Symphony No. 8 in E-Flat Major "Symphony of a Thousand": Komm! Hebe dich zu höhern Sphären! | Gustav Mahler, Marta Boberska, Timothy Bentch, Cardinal Stefan Wyszynski University Choir, Polish Radio Choir, Warsaw Boys Choir, Warsaw Philharmonic Choir, Warsaw Philharmonic Orchestra, Antoni Wit | E♭ Major | 1 | 5B | 85 BPM | ||
| Slavonic Dances, Series I, B. 83: No. 7 in C Minor, Skočná. Allegro assai | Antonín Dvořák, Czech Philharmonic, Sir Simon Rattle | A♭ Major | 0 | 4B | 133 BPM | ||
| 349 - Irmãos Amados | Orquestra Sacra | E♭ Major | 3 | 5B | 83 BPM | ||
| La traviata / Act 3: "Prendi, quest'è l'immagine" | Giuseppe Verdi, Cheryl Studer, Luciano Pavarotti, Juan Pons, Sondra Kelly, Julien Robbins, Metropolitan Opera Orchestra, James Levine | D♭ Major | 1 | 3B | 92 BPM | ||
| Lanner: Jäger Lust, Op. 82 | Joseph Lanner, Nikolaus Harnoncourt, Wiener Philharmoniker | F Major | 2 | 7B | 137 BPM | ||
| Aida: Danza di piccoli schiavi mori | Giuseppe Verdi, Plácido Domingo, Metropolitan Opera Orchestra, Samuel Ramey, Aprile Millo, James Levine, Dolora Zajick, James Morris | A♭ Major | 1 | 4B | 81 BPM | ||
| Duruflé : 3 Dances Op.6 : I Divertissement | Maurice Duruflé, Marie-Claire Alain, Jean-Jacques Kantorow & Bamberg Symphony Orchestra, Jean-Jacques Kantorow, Bamberg Symphony | G Major | 1 | 9B | 99 BPM | ||
| Eugene Onegin, Op. 24, TH.5 / Act 1: Introduction | Pyotr Ilyich Tchaikovsky, Orchestre de Paris, Semyon Bychkov | G Minor | 0 | 6A | 110 BPM | ||
| La traviata, Act III: Prelude | Giuseppe Verdi, Bavarian State Orchestra, Carlos Kleiber | A♭ Major | 0 | 4B | 135 BPM | ||
| Donizetti: Don Pasquale, Act I: Overture | Gaetano Donizetti, Philharmonia Orchestra, Riccardo Muti | D Major | 2 | 10B | 103 BPM | ||
| Pagliacci, Act I: Intermezzo | Ruggero Leoncavallo, Berliner Philharmoniker, Herbert von Karajan | E♭ Major | 3 | 5B | 83 BPM |