"I Lie" by David Lang, Torino Vocalensemble had its release date on January 1, 2013. This song is about six minutes long, preciously at 5:35, making this song fairly long compared to other songs. The track order of this song in Various Artists's "La Grande Bellezza" album is number 1 out of 29. On top of that, Italy appears to be the country where this track was created. The popularity of I Lie is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of I Lie by David Lang, Torino Vocalensemble to be Vivace (lively and fast) because the track has a tempo of 174 BPM, a half-time of 87BPM, and a double-time of 348 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 3/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Caro diario | Nicola Piovani | A♭ Major | 1 | 4B | 96 BPM | ||
| Miserere, Op.44: 2. Domine Deus noster-Lento. Dolce Cantabile | Henryk Górecki, Los Angeles Master Chorale, Grant Gershon | C Major | 0 | 8B | 90 BPM | ||
| the little match girl passion: in the dawn of morning | David Lang, Theatre Of Voices, Paul Hillier | A♭ Major | 1 | 4B | 171 BPM | ||
| When I call a name | Michael Andrews | G Major | 3 | 9B | 154 BPM | ||
| A Una Rosa | Traditional, Ernst Reijseger, Mola Sylla, Tenore e Cuncordu de Orosei | G Major | 4 | 9B | 79 BPM | ||
| The Miracle | Lele Marchitelli | C Major | 0 | 8B | 64 BPM | ||
| Greenwood: Popcorn Superhet Receiver:, Pt. 1 | Jonny Greenwood, Krzysztof Penderecki, Marek Mos, AUKSO Orchestra | G Major | 1 | 9B | 86 BPM | ||
| From The Invisible To The Visible | Shara Worden, Nadia Sirota | C Minor | 1 | 5A | 74 BPM | ||
| Plan & Elevation: V. The Beech Tree | Caroline Shaw, Attacca Quartet | G Major | 2 | 9B | 117 BPM | ||
| Water Theme No. 1 | Hanan Townshend | G Major | 2 | 9B | 69 BPM | ||
| The Maze | David Motion, Sally Potter | C Major | 4 | 8B | 79 BPM | ||
| Una Patada en los Huevos | Alberto Iglesias | C Minor | 4 | 5A | 105 BPM | ||
| Agnus Dei (based on ADAGIO for Strings) | John Barry, Samuel Barber | B♭ Minor | 0 | 3A | 71 BPM | ||
| Indigo | Nadje Noordhuis, James Shipp | D Major | 0 | 10B | 70 BPM | ||
| Coral Para Mi Pequeño Y Lejano Pueblo | Dino Saluzzi Trio | B Minor | 1 | 10A | 142 BPM | ||
| Symphonie No. 3, Op. 36: II. Lento e largo | Henryk Górecki, Alain Altinoglu, Ingrid Perruche, Fundacja Sinfonia Varsovia | B♭ Minor | 0 | 3A | 79 BPM | ||
| Century Rolls: I. First Movement - excerpt | John Adams | D Major | 0 | 10B | 133 BPM | ||
| Forgotten Dreams #4 | Ernst Reijseger | G Major | 1 | 9B | 123 BPM | ||
| Death Speaks: No. 1, You Will Return | David Lang, Shara Nova, Owen Pallett, Bryce Dessner, Nico Muhly | D Minor | 1 | 7A | 124 BPM | ||
| Berliner Messe: VII. Sanctus | Arvo Pärt, Benjamin Saunders, Leeds Cathedral Choir, Daniel Justin | D♭ Minor | 1 | 12A | 85 BPM | ||
| Mustang | Warren Ellis | D Major | 2 | 10B | 87 BPM | ||
| Fog Tropes | Ingram Marshall | B♭ Major | 1 | 6B | 84 BPM | ||
| Before 6 | Ezio Bosso | F♯ Minor | 0 | 11A | 69 BPM | ||
| Departure (From "Gattaca") | Jartisto | F Major | 0 | 7B | 100 BPM | ||
| Adams: Grand Pianola Music: On the Dominant Divide | John Adams, London Sinfonietta | E♭ Major | 2 | 5B | 84 BPM |