Luna Pearl Woolf, Jeremy Irons, Matt Haimovitz, Uccello's 'Angel Heart: Luna Doesn't Look Very Strong...' had a release date set for December 7, 2018. The duration of This song is about two minutes long, specifically at 2:17. This song does not appear to have any foul language. Angel Heart: Luna Doesn't Look Very Strong...'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 13 out of 26 in Angel Heart: A Music Storybook by Jeremy Irons, Matt Haimovitz, Uccello. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. Angel Heart: Luna Doesn't Look Very Strong... is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Angel Heart: Luna Doesn't Look Very Strong... by Luna Pearl Woolf, Jeremy Irons, Matt Haimovitz, Uccello is Andante (at a walking pace), since this song has a tempo of 85 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Adams: Nixon in China: Act I, Scene 2 - (Beginning) | John Adams, Edo de Waart, Orchestra of St. Luke's | D Major | 2 | 10B | 171 BPM | ||
| String Quartet No. 14 in F-Sharp Major, Op. 142: II. Adagio | Dmitri Shostakovich, Cuarteto Casals | F Minor | 0 | 4A | 104 BPM | ||
| Hibernacle | Viviane Audet, Robin-Joël Cool, Alexis Martin | C Minor | 1 | 5A | 80 BPM | ||
| Rückert Lieder: Ich bin der Welt abhanden gekommen | Gustav Mahler, Anne Sofie von Otter, NDR Elbphilharmonie Orchester, John Eliot Gardiner | C Minor | 0 | 5A | 77 BPM | ||
| I'll Be Your Friend | Willy Smart | E Major | 0 | 12B | 104 BPM | ||
| Chapter 79 - Dobrodružství Sherlocka Holmese | Arthur Conan Doyle | G Major | 2 | 9B | 100 BPM | ||
| Piano Quartet: Nicht zu schnell | Gustav Mahler, Wiener Klaviertrio | F Major | 1 | 7B | 137 BPM | ||
| Epithalamion | Luna Pearl Woolf, Eileen Clark, Matt Haimovitz | A♭ Major | 1 | 4B | 141 BPM | ||
| Kais Tod | Niki Reiser | G Minor | 2 | 6A | 171 BPM | ||
| V | Sammy Weissberg, Samuel Weissberg | F Minor | 0 | 4A | 104 BPM | ||
| The Winter's Tale, Act I: Prologue | Joby Talbot, Orchestra of the Royal Opera House, Covent Garden, Koen Kessels | E♭ Minor | 1 | 2A | 120 BPM | ||
| A Brunch in the Park | Piwi | C Major | 0 | 8B | 112 BPM | ||
| The Viola in My Life II | Morton Feldman, Antoine Tamestit, Gürzenich Orchester Köln, Harry Ogg | B♭ Major | 0 | 6B | 135 BPM | ||
| Built You a Mountain | Kronos Quartet, Laurie Anderson | C Minor | 4 | 5A | 91 BPM | ||
| Movimientos 1 (para piano y voz) | Jimmy Herrera | C Major | 0 | 8B | 84 BPM | ||
| Dove: Figures in the Garden: VII. Nocturne. Figaro and Susanna | Jonathan Dove, Antony Pay, Orchestra of the Age of Enlightenment | D♭ Major | 0 | 3B | 81 BPM | ||
| Amanecer agitato | Alberto Iglesias | G Minor | 4 | 6A | 145 BPM | ||
| String Quartet No. 6 (2001): IV. | Rudolf Kelterborn, Amaryllis Quartett | F Minor | 0 | 4A | 104 BPM | ||
| 11 Gates: No. 1, Drifting into D Major | Anders Hillborg, Royal Stockholm Philharmonic Orchestra, Esa-Pekka Salonen | G Major | 1 | 9B | 65 BPM | ||
| Act I: Trial 1, "All Men Are Equal" | Philip Glass Ensemble | G Major | 0 | 9B | 99 BPM | ||
| Die Dreigroschenoper: Ouvertüre ("Sie werden jetzt eine Oper für Bettler hören") | Kurt Weill, Wolfgang Neuss, Wilhelm Brückner-Rüggeberg | A Minor | 1 | 8A | 101 BPM | ||
| String Quartet No. 4, 2nd Movement, Percussive Dimensions | Béla Bartók, vision string quartet, Bernhard Schimpelsberger | F Minor | 0 | 4A | 104 BPM | ||
| Emily — No Prisoner Be: No. 6, I dwell in Possibility | Kevin Puts, Time For Three, Joyce DiDonato | F Minor | 0 | 4A | 104 BPM | ||
| Kapitel 3 - Folge 180: Horror-Hochzeit | John Sinclair, Jason Dark, Dietmar Wunder, Diverse | D♭ Major | 9 | 3B | 84 BPM | ||
| Galactic Pulse | Kira Nebula | E Major | 1 | 12B | 167 BPM |