"Festus - Antiphonal Fanfare for Orchestra" by Roderick elms, BBC Concert Orchestra, Barry Wordsworth had its release date on November 15, 2024. With this song being around four minutes long, at 3:37, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 11 in the song's album "Roderick Elms: Visions of St Anne and Other Orchestral Works". In this album, this song's track order is #1. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Festus - Antiphonal Fanfare for Orchestra's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Festus - Antiphonal Fanfare for Orchestra by Roderick elms, BBC Concert Orchestra, Barry Wordsworth having a BPM of 122 with a half-time of 61 BPM and a double-time of 244 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
This song has a musical key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Brook Green Suite: II. Air | Gustav Holst, English Sinfonia, Howard Griffiths | E♭ Major | 0 | 5B | 128 BPM | ||
| Adagio in F Major, Hob. XVII:9 | Joseph Haydn, Xavier De Maistre | C Major | 2 | 8B | 66 BPM | ||
| Les Indes galantes, RCT 44: Musette (Arr. for Piano by Ignaz Friedman) | Jean-Philippe Rameau, Joseph Banowetz | G Major | 0 | 9B | 152 BPM | ||
| Quanta Qualia | Patrick Hawes, VOCES8, Christian Forshaw | E♭ Major | 1 | 5B | 70 BPM | ||
| Estrellita (Arr. Abril & Barrueco for Guitar) | Manuel Ponce, Alexandra Whittingham | D Major | 0 | 10B | 113 BPM | ||
| Partita No. 7 in C Major (Arr. G. Buscemi for Guitar): II. Andante | Giuseppe Antonio Brescianello, Giuseppe Buscemi | D Major | 1 | 10B | 106 BPM | ||
| Capriol Suite: 5. Pied-en- l'air | Peter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville Marriner | G Major | 1 | 9B | 113 BPM | ||
| Cygncopations: I. Reverie | Roderick elms, The Aurora Ensemble | F Minor | 0 | 4A | 64 BPM | ||
| Pavane, Op. 50 (Arr. for Violin, Cello and Piano by Ehsan Mohagheghi Fard) | Gabriel Fauré, Eldbjørg Hemsing, Raphaela Gromes, Håvard Gimse | D Major | 2 | 10B | 81 BPM | ||
| Farinelli | Amy Dickson, Mark Edwards, Matteo Saggese, Dave Cottrell, London Session Orchestra, Mark Jaimes, Chris Hill | G Minor | 2 | 6A | 89 BPM | ||
| Lisa Lân (Arr. Huws for Harp) | Alis Huws | G Minor | 0 | 6A | 84 BPM | ||
| Grieg: The Last Spring, Op. 34, No. 2 | Edvard Grieg, San Francisco Symphony, Michael Tilson Thomas | G Major | 0 | 9B | 89 BPM | ||
| Adagio from Violin Sonata in G Minor, Op. 5 No. 5 (Arr. Leopold Stokowski) | Arcangelo Corelli, Matthias Bamert, BBC Philharmonic | G Minor | 0 | 6A | 175 BPM | ||
| 2 Nocturnos, Op. 11: No. 1 - Arr. for Guitar by Gerard Cousins | José Ferrer, Gerard Cousins | F Minor | 0 | 4A | 98 BPM | ||
| A Moorside Suite, H. 173: Nocturne | Gustav Holst, Royal Northern Sinfonia, David Lloyd-Jones | B Minor | 0 | 10A | 80 BPM | ||
| The Lost Composers (Fortissima) | Rebecca Dale, Raphaela Gromes, Deutsches Symphonie-Orchester Berlin, Anna Rakitina | F Minor | 1 | 4A | 110 BPM | ||
| Alpsee | Dieter Huber | D Major | 0 | 10B | 91 BPM | ||
| Serenade to Youth | Haydn Wood, Slovak Radio Symphony Orchestra, Adrian Leaper | D Major | 1 | 10B | 121 BPM | ||
| Sursum Corda, Op. 11: Sursum corda, Op. 11 | Edward Elgar, Richard Hickox, London Symphony Orchestra, Roderick elms | B♭ Major | 1 | 6B | 62 BPM | ||
| Moderen, Op. 41, FS 94: Tögen letter (The Mist Is Rising) | Carl Nielsen, Ensemble MidtVest | C Major | 0 | 8B | 105 BPM | ||
| V. Pieds-en-l'air | Peter Warlock, Metamorphosen Berlin, Wolfgang Emanuel Schmidt | G Major | 0 | 9B | 85 BPM | ||
| Greeting Cards, Op. 170: No. 14, Ninna Nanna, a Lullaby for Eugene | Mario Castelnuovo-Tedesco, Andrea de Vitis | A Minor | 0 | 8A | 178 BPM | ||
| Clive's Song | Gerard Cousins | A♭ Major | 1 | 4B | 69 BPM | ||
| Rusalka, Op. 114, Act I: Song to the Moon | Antonín Dvořák, Pablo Ferrandez, Martin Fröst, Swedish Chamber Orchestra | D Minor | 1 | 7A | 109 BPM | ||
| Cançoneta for Violin and Orchestra | Joaquín Rodrigo, Agustín León Ara, Academy of St. Martin in the Fields, Sir Neville Marriner | A Major | 0 | 11B | 70 BPM |