"The Lost Composers (Fortissima)" by Rebecca Dale, Raphaela Gromes, Deutsches Symphonie-Orchester Berlin, Anna Rakitina had its release date on July 18, 2025. With this song being around four minutes long, at 3:37, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. Since The Lost Composers (Fortissima) only contains only one song in the album, we like to consider this song as a single. Furthermore, we believe that the track originated from Germany. In terms of popularity, The Lost Composers (Fortissima) is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Lost Composers (Fortissima) by Rebecca Dale, Raphaela Gromes, Deutsches Symphonie-Orchester Berlin, Anna Rakitina having a BPM of 110 with a half-time of 55 BPM and a double-time of 220 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 3/4.
This song has a musical key of F Minor. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Rêverie | Angela Morley, Esther Abrami, Her Ensemble | B♭ Minor | 3 | 3A | 130 BPM | ||
| Bach Partita Variation (After Violin Partita No. 3 in E Major, BWV 100: I. Preludio) [Arr. for Violin, String Quintet & Piano by Tim Allhoff] | Johann Sebastian Bach, Tim Allhoff, Eldbjørg Hemsing, Norwegian String Quintet | E Minor | 1 | 9A | 94 BPM | ||
| Ravel: Pavane pour une infante défunte, M. 19 (Arr. Lenaerts for Harp) | Maurice Ravel, Anneleen Lenaerts | E Minor | 0 | 9A | 109 BPM | ||
| Estrellita (Arr. Campbell for Violin, Guitar, Accordion & Cello) | Manuel Ponce, Nicola Benedetti, Plínio Fernandes, Samuele Telari, Thomas Carroll | E Major | 1 | 12B | 112 BPM | ||
| Mozart Lacrimosa Variation (From Requiem, K. 626, Arr. for Piano and Cello by Svetoslav Karparov) | Wolfgang Amadeus Mozart, Gabriele Bagnati, Raphaela Gromes | D Minor | 1 | 7A | 62 BPM | ||
| La foule (Arr. Dyens for Guitar) | Ángel Cabral, Alexandra Whittingham | E Minor | 2 | 9A | 89 BPM | ||
| Ertönt uns durch dein Güte Variation (After Jesus nahm zu sich die Zwölfe, BWV 22, No. 5: Ertöt uns durch dein Güte) [Arr. for Violin, String Quintet & Piano by Jan-Peter Klöpfel] | Johann Sebastian Bach, Jan-Peter Klöpfel, Eldbjørg Hemsing, Norwegian String Quintet, Tim Allhoff | B♭ Major | 2 | 6B | 80 BPM | ||
| Sospiri, Op. 70 (Arr. Anon. for Violin & Piano) | Edward Elgar, Braimah Kanneh-Mason, Konya Kanneh-Mason | D Minor | 1 | 7A | 101 BPM | ||
| Butterfly Lovers Violin Concerto: I. Adagio Cantabile | Chen Gang, Zhanhao He, Joshua Bell, Singapore Chinese Orchestra, Tsung Yeh | A Major | 4 | 11B | 110 BPM | ||
| O mio babbino caro (From Gianni Schicchi, SC 88, Arr. for Piano and Cello by E. M. Fard) | Giacomo Puccini, Louis Philippson, Michael Bosch | F♯ Minor | 0 | 11A | 65 BPM | ||
| Concerto in D Minor: II. Adagio | Alessandro Marcello, Miloš Karadaglić, Jonathan Cohen, Arcangelo | D Minor | 0 | 7A | 144 BPM | ||
| Skymning | Joel Lyssarides, vision string quartet | E Minor | 1 | 9A | 94 BPM | ||
| Orchestral Suite No.3 in D Major, BWV 1068: II. Air | Johann Sebastian Bach, Martin Fröst, Sébastien Dubé, Jonas Nordberg | D Major | 0 | 10B | 65 BPM | ||
| Reflections | Alex Baranowski, Jess Gillam, Jess Gillam Ensemble | E Minor | 1 | 9A | 120 BPM | ||
| Solitude (Arr. for Violin and Piano by Esther Abrami) | Rita Strohl, Esther Abrami, Kim Barbier | D Minor | 2 | 7A | 89 BPM | ||
| Élégie in E-Flat Minor | Sergei Rachmaninoff, Alexander Malofeev | E♭ Minor | 0 | 2A | 80 BPM | ||
| Sea Dances for 4 Hands and Strings: II. Graceful Giants | Oliver Davis, Beth & Flo, Royal Philharmonic Orchestra, Paul Bateman | A Minor | 1 | 8A | 73 BPM | ||
| Monteverdi: Sì dolce è'l tormento, SV 332 (Arr. Diluka for Piano) | Claudio Monteverdi, Shani Diluka | D Minor | 0 | 7A | 134 BPM | ||
| Glass (Arr. Knoth for Solo Violin, Piano & Strings) | Hania Rani, Mari Samuelsen, Julien Quentin, Scoring Berlin, Jonathan Stockhammer | D♭ Minor | 3 | 12A | 108 BPM | ||
| The Renaissance Suite: II. PAVANE in Burnt Orange | Julie Cooper, Clio Gould, Camilla Pay, Oculus Ensemble, Simon Hale | G Minor | 1 | 6A | 131 BPM | ||
| Eccles: The Mad Lover: V. Aire. Ground (Arr. Diluka for Piano) | John Eccles, Shani Diluka | F Minor | 2 | 4A | 69 BPM | ||
| Polonaise de concert in D Major, Op. 4 (Arr. Goss for Violin, Guitar, Accordion & Cello) | Henryk Wieniawski, Nicola Benedetti, Plínio Fernandes, Samuele Telari, Thomas Carroll | D Major | 2 | 10B | 108 BPM | ||
| Tchaikovsky Swan Lake Variation (from Op. 20a, Scene 1, Arr. for Cello, Harp & Piano by Julian Riem) | Pyotr Ilyich Tchaikovsky, Raphaela Gromes, Gabriella Victoria, Julian Riem | E Minor | 2 | 9A | 100 BPM | ||
| The Strawberry Thief | Sally Greenaway, David Shaw, Samuel Payne, Edward Neeman | E Minor | 1 | 9A | 72 BPM | ||
| Violin Dream | Jacob Shea, Esther Abrami, Iyad Sughayer, Vienna Radio Symphony Orchestra | A Major | 2 | 11B | 84 BPM |