- BPM
- 70
- Key
- C Major
- Camelot
- 8B
The Tender Land: Suite: Introduction and Love Music by Aaron Copland Song Details
"The Tender Land: Suite: Introduction and Love Music" by Aaron Copland had its release date on May 11, 1993. This song appears to be safe for all ages as it is not explicit. The song is number 9 out of 19 in Composers Conduct Appalachian Spring; The Tender Land: Suite; Fall River Legend by Aaron Copland. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. The Tender Land: Suite: Introduction and Love Music is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
The tempo marking of The Tender Land: Suite: Introduction and Love Music by Aaron Copland is Adagio (slowly with great expression), since this song has a tempo of 70 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
Music Key
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 4%
- Loudness
- -21.648 dB
- Acousticness
- 97%
- Danceability
- 25%
- Energy
- 4%
- Instrumentalness
- 67%
- Liveness
- 7%
- Loudness
- 64%
- Speechiness
- 5%
- Valence
- 6%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Dolly Suite, Op. 56: I. Berceuse | Gabriel Fauré, Katia Labèque, Marielle Labèque | E Major | 0 | 12B | 63 BPM | |
 | Suite from "The Victorian Kitchen Garden": I. Prelude. Andante pastorale | Paul Reade, Michael Collins, Michael McHale | B♭ Major | 0 | 6B | 67 BPM | |
 | Florida Suite: IV. At Night | Frederick Delius, English Northern Philharmonia, David Lloyd-Jones | C Major | 1 | 8B | 74 BPM | |
 | Lyric for Strings | George Walker, Chicago Sinfonietta, Paul Freeman | F♯ Major | 0 | 2B | 102 BPM | |
 | Appalachian Spring: II. Allegro | Aaron Copland, Leonard Bernstein, New York Philharmonic | F Major | 4 | 7B | 82 BPM | |
 | Crown Imperial: A Coronation March | William Walton, BBC Concert Orchestra, Barry Wordsworth | C Major | 4 | 8B | 121 BPM | |
 | An Irish Symphony: In the Antrim Hills | Hamilton Harty, RTÉ National Symphony Orchestra, Proinnsias O'Duinn | F Major | 0 | 7B | 79 BPM | |
 | The School For Scandal Overture Op. 5 | Samuel Barber, Leonard Slatkin, St. Louis Symphony | F♯ Minor | 3 | 11A | 116 BPM | |
 | Symphony No. 1, "Afro-american": Iii. Humor (Animato) | William Grant Still, Fort Smith Symphony | A♭ Major | 2 | 4B | 127 BPM | |
 | Symphony No. 3 in C Minor, Op. 78, R. 176 "Organ Symphony": III. Maestoso - Allegro | Camille Saint-Saëns, Gaston Litaize, Chicago Symphony Orchestra, Daniel Barenboim | D♭ Major | 1 | 3B | 110 BPM | |
 | Piano Concerto in A Minor, Op. 16: II. Adagio | Edvard Grieg, Javier Perianes, BBC Symphony Orchestra, Sakari Oramo | D♭ Major | 0 | 3B | 79 BPM | |
 | English Suite: Jaunt | Paul Lewis, Royal Northern Sinfonia, David Lloyd-Jones | C Major | 2 | 8B | 125 BPM | |
 | Borodin - String Quartet No.2 in D major: Notturno: Andante | Alexander Borodin, Borodin Quartet | A Major | 2 | 11B | 74 BPM | |
 | Celtic Concerto: 1. Jig a Jig | Catrin Finch, Sinfonia Cymru, John Rutter | E♭ Major | 3 | 5B | 140 BPM | |
 | Symphony No. 2 "Romantic": Iii. Allegro Con Brio | Howard Hanson, Leonard Slatkin, St. Louis Symphony | D♭ Major | 1 | 3B | 100 BPM | |
 | Symphony No. 3 in C Minor, Op. 78 "Organ": Allegro | Camille Saint-Saëns, Eugene Ormandy, E. Power Biggs, Philadelphia Orchestra | F Major | 3 | 7B | 111 BPM | |
 | Suite No. 1, P. 109: II. Gagliarda: Allegro Marcato | Ottorino Respighi, RTÉ National Symphony Orchestra | D Major | 1 | 10B | 90 BPM | |
 | Grand Canyon Suite: 2. The Painted Desert | Ferde Grofé, Detroit Symphony Orchestra, Antal Doráti | B Minor | 0 | 10A | 129 BPM | |
 | The Three-Cornered Hat: Suite No. 2 - Three Dances, II. The Miller's Dance - Farruca | Manuel de Falla, Philadelphia Orchestra, Raphael Frühbeck de Burgos | G Major | 2 | 9B | 78 BPM | |
 | Symphony in E Minor, Op. 32, "Gaelic Symphony": II. Alla siciliana - Allegro vivace - Andante | Amy Beach, Nashville Symphony Orchestra, Kenneth Schermerhorn | F Major | 0 | 7B | 122 BPM | |
 | The Moon | William Lloyd Webber, English Chamber Orchestra, Julian Lloyd Webber | B♭ Major | 1 | 6B | 119 BPM | |
 | Irish Tune from County Derry | Percy Grainger, Dallas Wind Symphony, Jerry Junkin | E♭ Major | 2 | 5B | 101 BPM | |
| London Suite: 3. Knightsbridge (March) | Eric Coates, BBC Concert Orchestra, Barry Wordsworth | C Major | 3 | 8B | 124 BPM | |
| Symphony No. 3 in C Minor, Op. 78 "Organ": Maestoso | Camille Saint-Saëns, Eugene Ormandy, E. Power Biggs, Philadelphia Orchestra | C Major | 1 | 8B | 49 BPM | |
 | Academic Festival Overture, Op. 80 | Johannes Brahms, Chicago Symphony Orchestra, Sir Georg Solti | G Major | 2 | 9B | 72 BPM |
- ISRC
- USBC15900368
- Label
- L-M Records/RCA Records