"The Third One (Tirza)" by Calefax Reed Quintet, Eric Vloeimans had its release date on February 14, 2014. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 11 in the song's album "On the Spot". In this album, this song's track order is #2. Furthermore, we believe that the track originated from Netherlands. In terms of popularity, The Third One (Tirza) is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With The Third One (Tirza) by Calefax Reed Quintet, Eric Vloeimans having a BPM of 112 with a half-time of 56 BPM and a double-time of 224 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Seven Last Words of Our Saviour on the Cross, Hob. XX (Hybrid Version): Introduction 2. Largo e cantabile | Joseph Haydn, Emerson String Quartet | C Minor | 2 | 5A | 114 BPM | ||
| Telemann: Horn Concerto in D Major, TWV 51:D8: II. Largo | Georg Philipp Telemann, Barry Tuckwell, Academy of St. Martin in the Fields, Sir Neville Marriner | B Minor | 0 | 10A | 72 BPM | ||
| Le tombeau de Couperin, M. 68: IV. Rigaudon (Arr. for Wind Ensemble by Mason Jones) | Maurice Ravel, Ensemble Ouranos | D Major | 2 | 10B | 71 BPM | ||
| Suite la triomphante: Prélude | Jean-Philippe Rameau, Calefax Reed Quintet | G Minor | 1 | 6A | 71 BPM | ||
| Missa à 5: II. Gloria (arr. Reed Quintet by Eduard Wesley) | William Byrd, Calefax Reed Quintet | G Minor | 1 | 6A | 71 BPM | ||
| Bach, CPE: Duet for Clarinets in C Major, Wq. 142: I. Adagio e sostenuto | Carl Philipp Emanuel Bach, Sabine Meyer, Wolfgang Meyer | C Major | 0 | 8B | 74 BPM | ||
| Children's Corner: Serenade for the doll | Claude Debussy, Calefax Reed Quintet | E Minor | 0 | 9A | 70 BPM | ||
| Le tombeau de Couperin: Toccata. Vif | Maurice Ravel, Calefax Reed Quintet | E Minor | 2 | 9A | 138 BPM | ||
| The Third One (Tirza) | Calefax Reed Quintet, Eric Vloeimans | C Major | 1 | 8B | 112 BPM | ||
| Oboe Concerto in F Minor, TWV 51:F2: II. Largo | Georg Philipp Telemann, Marcel Ponseele, Il Gardellino | E Minor | 1 | 9A | 82 BPM | ||
| Saint Agnes And The Burning Train | Mnozil Brass | E Minor | 1 | 9A | 121 BPM | ||
| Schumann: 3 Romances for Oboe and Piano, Op. 94: No. 2, Einfach, innig | Robert Schumann, Albrecht Mayer, Markus Becker | A Major | 0 | 11B | 92 BPM | ||
| Children's Corner: Jimbo's lullaby | Claude Debussy, Calefax Reed Quintet | E Minor | 0 | 9A | 70 BPM | ||
| La petite tonkinoise | Vincent Scotto, Calefax Reed Quintet, Cora Burggraaf | D Major | 1 | 10B | 85 BPM | ||
| O Land out There, for Clarinet, Oud, Double Bass and Piano | Menachem Wiesenberg, Taiseer Elias, Nir Comforty, Chen Halevi | G Major | 1 | 9B | 87 BPM | ||
| Taking the Echo for a Stroll | Uli Doenitz | A♭ Major | 3 | 4B | 132 BPM | ||
| 3 Waltzes, D. 370: Waltz No. 12: Presto | Domenico Dragonetti, Ubaldo Fioravanti | F Major | 1 | 7B | 178 BPM | ||
| Horn Sonatina: I. Allegro moderato | Jaroslav Kofroň, Steven Gross, Pascal Salomon | D♭ Major | 0 | 3B | 67 BPM | ||
| Toccata capricciosa, Op. 36 | Miklós Rózsa, Mark Kosower | C Major | 1 | 8B | 87 BPM | ||
| 3 Romanzen, Op. 94: III. Nicht schnell | Robert Schumann, Céline Moinet, Florian Uhlig | D Major | 0 | 10B | 169 BPM | ||
| Mozart - Serenade K361 "Gran Partita" for 13 wind instruments: Romanze: Adagio - Allegretto - Adagio | Wolfgang Amadeus Mozart, London Winds, Michael Collins | E♭ Major | 0 | 5B | 132 BPM | ||
| Cabaret Songs: IV. Calypso | Benjamin Britten, Calefax Reed Quintet, Cora Burggraaf | D Major | 1 | 10B | 62 BPM | ||
| Concerto Pour Basson, Deux Violons, Alto Et Basse Continue En Si Bémol Majeur, GWV 340 340 (Moderato): I. Moderato | Christoph Graupner, Mathieu Lussier, Natalie Michaud, Geneviève Soly, Les idées heureuses | A Major | 0 | 11B | 93 BPM | ||
| Dido and Aeneazz: No. 16, With drooping wings | Raaf Hekkema, Calefax Reed Quintet | C Major | 0 | 8B | 71 BPM | ||
| Serenata from "Pulcinella" | Igor Stravinsky, Branford Marsalis, Andrew Litton, English Chamber Orchestra | D Minor | 6 | 7A | 123 BPM |