Romeo and Juliet, Fantasy Overture - TH.42: Romeo and Juliet, Fantasy Overture, TH 42, Love Theme by Pyotr Ilyich Tchaikovsky, Berliner Philharmoniker, Herbert von Karajan Song Details

"Romeo and Juliet, Fantasy Overture - TH.42: Romeo and Juliet, Fantasy Overture, TH 42, Love Theme" by Pyotr Ilyich Tchaikovsky, Berliner Philharmoniker, Herbert von Karajan had its release date on January 1, 1996. With this song being around four minutes long, at 3:33, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 12 in the song's album "Romantic Karajan". In this album, this song's track order is #3. Furthermore, we believe that the track originated from Germany. In terms of popularity, Romeo and Juliet, Fantasy Overture - TH.42: Romeo and Juliet, Fantasy Overture, TH 42, Love Theme is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

With Romeo and Juliet, Fantasy Overture - TH.42: Romeo and Juliet, Fantasy Overture, TH 42, Love Theme by Pyotr Ilyich Tchaikovsky, Berliner Philharmoniker, Herbert von Karajan having a BPM of 95 with a half-time of 48 BPM and a double-time of 190 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.

Music Key

This song has a musical key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 32%
Loudness: -26.149 dB
Acousticness: 96%
Danceability: 22%
Energy: 7%
Instrumentalness: 82%
Liveness: 9%
Loudness: 56%
Speechiness: 4%
Valence: 19%

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Aufforderung zum Tanz, Op. 65 (Orch. Berlioz)	Carl Maria von Weber, Ottomar Borwitzky, Berliner Philharmoniker, Herbert von Karajan	D Major	1	10B	111 BPM
Symphony No. 8 in G Major, Op. 88, B. 163: III. Allegretto grazioso – Molto vivace	Antonín Dvořák, Wiener Philharmoniker, Herbert von Karajan	C Minor	1	5A	83 BPM
Rachmaninov: Rhapsody on a Theme of Paganini, Op. 43: Variation XVIII	Sergei Rachmaninoff, Nikolai Lugansky, Sakari Oramo, City Of Birmingham Symphony Orchestra	D♭ Major	1	3B	61 BPM
Faust, CG 4, Ballet Music: VI. Variations du miroir. Allegretto	Charles Gounod, Berliner Philharmoniker, Herbert von Karajan	E Major	1	12B	90 BPM
The Planets, Op. 32: 4. Jupiter, the Bringer of Jollity	Gustav Holst, Berliner Philharmoniker, Herbert von Karajan	G Minor	3	6A	140 BPM
Les Sylphides: 2. Nocturne, Op. 32, No. 2	Frédéric Chopin, National Philharmonic Orchestra, Richard Bonynge	A♭ Major	1	4B	125 BPM
The Planets, Op. 32: 3. Mercury, the Winged Messenger	Gustav Holst, Berliner Philharmoniker, Herbert von Karajan	A Major	1	11B	108 BPM
Gaîté parisienne: Barcarolle	Jacques Offenbach, Berliner Philharmoniker, Herbert von Karajan	D Major	0	10B	82 BPM
Le carnaval des animaux, R. 125: XIII. Le cygne	Camille Saint-Saëns, Christopher van Kampen, Pascal Rogé, Cristina Ortiz, London Sinfonietta, Charles Dutoit	G Major	0	9B	130 BPM
Piano Concerto in A minor, Op. 16: II. Adagio	Edvard Grieg, Krystian Zimerman, Berliner Philharmoniker, Herbert von Karajan	D♭ Major	0	3B	77 BPM
Ancient Airs & Dances, Suite III, P. 172: I. Italiana (Anonymous)	Ottorino Respighi, Berliner Philharmoniker, Herbert von Karajan	F Minor	1	4A	75 BPM
Nabucco: Overture	Giuseppe Verdi, Berliner Philharmoniker, Claudio Abbado	F Major	2	7B	100 BPM
Peer Gynt Suite No. 1, Op. 46: III. Anitra's Dance	Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan	D Minor	0	7A	84 BPM
Symphony No. 8 in G Major, Op. 88, B. 163: III. Allegretto grazioso - Molto vivace	Antonín Dvořák, Los Angeles Philharmonic, Gustavo Dudamel	C Major	1	8B	127 BPM
Salute D'Amour	Edward Elgar, Ilmar Lapinsch, Mostar Sinfonie Orchester	E Major	1	12B	128 BPM
Siegfried-Idyll, WWV 103	Richard Wagner, Berliner Philharmoniker, Rafael Kubelík	B Major	1	1B	81 BPM
Accelerationen Waltz, Op. 234	Johann Strauss II, Berliner Philharmoniker, Herbert von Karajan	G Major	0	9B	175 BPM
Madama Butterfly, Act II: Coro a bocca chiusa "Humming Chorus"	Giacomo Puccini, Wiener Staatsopernchor, Wiener Philharmoniker, Herbert von Karajan	B♭ Major	0	6B	78 BPM
Alborada del gracioso, M. 43: Assez vif	Maurice Ravel, Berliner Philharmoniker, Pierre Boulez	D Major	1	10B	121 BPM
Pan Voyevoda, Op. 59: III. Nocturne: Clair de lune	Nikolai Rimsky-Korsakov, Moscow Symphony Orchestra, Igor Golovschin	E♭ Major	1	5B	138 BPM
Symphony No. 6 in B Minor, Op. 74, 'Pathetique': II. Allegro con grazia	Pyotr Ilyich Tchaikovsky, Royal Liverpool Philharmonic Orchestra, Domingo Hindoyan	B Minor	1	10A	74 BPM
Orchestral Suite No. 2 in B Minor, BWV 1067: VII. Badinerie	Johann Sebastian Bach, Berliner Philharmoniker, Herbert von Karajan	A♭ Minor	2	1A	67 BPM
Symphony No. 2 in D Major, Op. 73: III. Allegretto grazioso (quasi andantino)	Johannes Brahms, Berliner Philharmoniker, Herbert von Karajan	C Major	0	8B	83 BPM
The Rite of Spring, K15, Pt. 1: V. Games of the Rival Tribes	Igor Stravinsky, Berliner Philharmoniker, Herbert von Karajan	F Minor	2	4A	81 BPM
Delirien Waltz, Op. 212	Josef Strauss, Berliner Philharmoniker, Herbert von Karajan	C Major	2	8B	97 BPM