"Love Came Down at Christmas" by John Rutter, Stephen Layton, Polyphony, City of London Sinfonia had its release date on October 1, 2001. The duration of This song is about two minutes long, specifically at 2:28. This song does not appear to have any foul language. Love Came Down at Christmas's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Polyphony, John Rutter, City of London Sinfonia, John Jacob Niles, Stephen Layton, William J. Kirkpatrick, Franz Xaver Gruber's "John Rutter: Music for Christmas" album is number 14 out of 22. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Love Came Down at Christmas is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Love Came Down at Christmas by John Rutter, Stephen Layton, Polyphony, City of London Sinfonia to be Andante (at a walking pace) because the track has a tempo of 102 BPM, a half-time of 51BPM, and a double-time of 204 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Nunc dimittis in C | Charles Villiers Stanford, The King's Consort, Robert King | B♭ Major | 1 | 6B | 82 BPM | ||
| In Song: I. Intro: Entre nos voix | Diane Boudreau, Laura Hawley, Michelle David, Canadian Chamber Choir, Joel Tranquilla | G Major | 1 | 9B | 78 BPM | ||
| Thou Must Leave Thy Lowly Dwelling | The Shorter Chorale, Patrick Harvey, Martha Shaw | E Major | 0 | 12B | 82 BPM | ||
| No. 3, Just as the Tide Was Flowing | Ralph Vaughan Williams, The Cambridge Singers, John Rutter | A♭ Major | 0 | 4B | 75 BPM | ||
| In Remembrance | Eleanor Daley, Atlanta Master Chorale | E Major | 1 | 12B | 107 BPM | ||
| The Carol of the Angels | Choral Arts Northwest, Robert Bode | F Major | 2 | 7B | 113 BPM | ||
| The Beatitudes | Paul Mealor, Voce, Mark Singleton | B Major | 0 | 1B | 66 BPM | ||
| All-night Vigil, Op. 37: No. 6, Rejoice, O Virgin Mother | Sergei Rachmaninoff, Latvijas Radio koris, Sigvards Kļava | G Minor | 0 | 6A | 144 BPM | ||
| A Gaelic Blessing | John Rutter, Graham Ross, Choir of Clare College, Cambridge, Dmitri Ensemble | E Major | 1 | 12B | 84 BPM | ||
| Midwinter (Live) | Stellenbosch University Choir | E♭ Major | 1 | 5B | 129 BPM | ||
| All-night Vigil, Op. 37: No. 10, Having Beheld the Resurrection | Sergei Rachmaninoff, Latvijas Radio koris, Sigvards Kļava | D Minor | 1 | 7A | 84 BPM | ||
| Be Thou My Vision | John Rutter, City of London Sinfonia, The Cambridge Singers | E Major | 0 | 12B | 85 BPM | ||
| Elegy, Op. 58 | Edward Elgar, English Northern Philharmonia, David Lloyd-Jones | F Minor | 0 | 4A | 84 BPM | ||
| Notebook for Anna Magdalena Bach (1725): No. 25, Bist du bei mir, BWV 508 [Arr. for Orchestra by John Rutter] | Johann Sebastian Bach, John Rutter, Manchester Camerata | E Major | 2 | 12B | 98 BPM | ||
| Otche Nash (Our Father) | Nikolay Kedrov, Conspirare, Craig Hella Johnson | C Major | 0 | 8B | 126 BPM | ||
| Tallis: A New Commandment | The Tallis Scholars, Peter Phillips | D♭ Minor | 1 | 12A | 79 BPM | ||
| Mass of the Children: III. Sanctus - Benedictus | John Rutter, Joanne Lunn, Roderick Williams, Cantate Youth Choir, The Cambridge Singers, City of London Sinfonia | D Major | 1 | 10B | 70 BPM | ||
| Alleluia: I. Evening | Valentin Silvestrov, Latvian Radio Choir, Sigvards Kļava | E♭ Major | 1 | 5B | 139 BPM | ||
| Mary's Lullaby - Bonus Track | John Rutter, Graham Ross, Choir of Clare College, Cambridge, Dmitri Ensemble | F♯ Major | 1 | 2B | 119 BPM | ||
| The Lily and the Rose | Bob Chilcott, Wellensian Consort, Gemma Beeson, Christopher Finch | A Minor | 0 | 8A | 69 BPM | ||
| Legend (The Crown of Roses) | Pyotr Ilyich Tchaikovsky, Tenebrae, Nigel Short | E Minor | 0 | 9A | 126 BPM | ||
| Exaudi, Deus, orationem meam in F Minor, IAG 39 | Giovanni Gabrieli, Pro Musica, Szabó Dénes | A Major | 1 | 11B | 100 BPM | ||
| Romanzen, Book 1, Op. 69: No. 6, Die Kapelle | Robert Schumann, Aquarius, Marc Michael de Smet | G Major | 0 | 9B | 130 BPM | ||
| In These Stones Horizons Sing: III. Eleni Ganed [Born This Year] | Karl Jenkins, Adiemus, Serendipity, Cor Caerdydd & Cytgan, West Kazakhstan Philharmonic Orchestra, Marat Bisengaliev, Bryn Terfel, Nigel Hitchcock, Catrin Finch, Timothy Rhys-Evans | F Major | 1 | 7B | 180 BPM | ||
| Alma Redemptoris | University of King's College Chapel Choir, Paul Halley | E♭ Major | 1 | 5B | 84 BPM |