"無伴奏フルートのための組曲 IV. Allemande" by J. フランセ, 神田寛明(フルート) had its release date on July 24, 2004. The duration of This song is about 3 minutes long, at 3:28. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There is only one song in アパッショナータ ~無伴奏フルート作品集~, so we believe that "無伴奏フルートのための組曲 IV. Allemande" is a single. 無伴奏フルートのための組曲 IV. Allemande is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 無伴奏フルートのための組曲 IV. Allemande by J. フランセ, 神田寛明(フルート) is Adagio (slowly with great expression), since this song has a tempo of 71 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 5/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Stravinsky: Le Chant du rossignol: II. Marche chinoise | Igor Stravinsky, Finnish Radio Symphony Orchestra, Jukka-Pekka Saraste | C Major | 1 | 8B | 145 BPM | ||
| 無伴奏フルートのための組曲 II. Pavane | J. フランセ, 神田寛明(フルート) | A♭ Major | 1 | 4B | 72 BPM | ||
| Symphony No. 1 in F Minor, Op. 10: III. Lento - Largo - Lento | Dmitri Shostakovich, Gianandrea Noseda, London Symphony Orchestra | E Major | 0 | 12B | 76 BPM | ||
| Delius: Irmelin Prelude | Frederick Delius, Sir John Barbirolli, London Symphony Orchestra | D Major | 1 | 10B | 87 BPM | ||
| Raymonda, Act I: Scene 1. 1er Tableau (Lento maestoso) | Alexander Glazunov, Kivov Orchestra, Viktor Fedotov | E♭ Major | 1 | 5B | 81 BPM | ||
| Lullaby (Version for String Orchestra) | George Gershwin, Yuan Tung, St. Louis Symphony, Leonard Slatkin | F♯ Major | 1 | 2B | 73 BPM | ||
| Hassan, RTI/9: Serenade (Arr. Thomas Beecham) | Frederick Delius, Sir Thomas Beecham, Adelaide Symphony Orchestra, Alan Smith, Ron Spigelman | F Major | 0 | 7B | 84 BPM | ||
| Tandem: I. Con freschezze | Jörgen Dafgård, Carl-Johan Stjernstrom, Benjamin Schmid, Musica Vitae, Joachim Gustafsson | D♭ Minor | 1 | 12A | 116 BPM | ||
| Debussy / Orch. Ansermet: Épigraphes antiques, CD 139, L. 131: No. 3, Pour que la nuit soit propice | Claude Debussy, Armin Jordan, Basler Sinfonie Orchester | E♭ Major | 0 | 5B | 121 BPM | ||
| 1. Arturo Márquez (1950) La Sinfonía Imposible: Las Peras del Olmo (2022): 4. Sin Retorno (Migración), para Clarinete, Trompeta y Orquesta Sacha Rattle, Clarinete y Pacho Flores, Trompeta - En Vivo | Arturo Márquez, Alondra de la Parra, La Orquesta Imposible | E Minor | 6 | 9A | 157 BPM | ||
| Celestial Voyage | Jarko Vento | A♭ Minor | 4 | 1A | 166 BPM | ||
| Dybbuk: Part I: IV. Dream | Leonard Bernstein, Mel Ulrich, Mark Risinger, Nashville Symphony Orchestra, Andrew Mogrelia | D♭ Major | 0 | 3B | 87 BPM | ||
| Ephesiaká II | Radoslaw Pallarz, Sebastian Manz | E Minor | 0 | 9A | 73 BPM | ||
| ファゴットとピアノのための2つの小品 II. Petit divertissement militaire | J. フランセ, 岡崎耕治(ファゴット), 岡崎 悦子 (ピアノ) | D♭ Major | 0 | 3B | 74 BPM | ||
| Ravel: Ma mère l'Oye, M. 60: I. Pavane de la Belle au bois dormant | Maurice Ravel, Armin Jordan, Orchestre de Chambre de Lausanne | C Minor | 1 | 5A | 129 BPM | ||
| Clarinet Concerto: II. Scherzando | Jean Françaix, Orchestra della Svizzera Italiana, Alain Lombard, Paolo Beltramini | D Minor | 3 | 7A | 99 BPM | ||
| Scheherazade the Sea and Sinbad's Ship | Olive the Otter Dog | E Major | 0 | 12B | 167 BPM | ||
| Le roi d'Ys, Act III: Vainement, ma bien-aimiee, "Aubade" (arr. J. Szigeti for violin) | Joseph Szigeti, Édouard Lalo, Livia Sohn, Benjamin Loeb | D Major | 0 | 10B | 82 BPM | ||
| Lyric Movement, H. 191 | Gustav Holst, Andriy Viytovych, English Sinfonia, Howard Griffiths | C Minor | 1 | 5A | 88 BPM | ||
| Pulcinella Suite: VIII. Minuetto—Finale - Live | Igor Stravinsky, New York Philharmonic, Kurt Masur | D Minor | 6 | 7A | 123 BPM | ||
| Gil Blas: Theme. Allegro vivo | Jules Strens, Matty Cilissen, Royal Band of the Belgian Air Force | F Minor | 0 | 4A | 176 BPM | ||
| Symphony No. 1 in E Major, Op. 26: III. Lento | Alexander Scriabin, Danish National Symphony Orchestra, Fabio Luisi | B♭ Minor | 2 | 3A | 86 BPM | ||
| Debate entre la Sombra y la Hoguera | Adán Ramírez | B Major | 0 | 1B | 73 BPM | ||
| L’arlésienne Suite No. 1, Op. 23bis, WD 40: III. Adagietto | Georges Bizet, Jesús López-Cobos, Cincinnati Symphony Orchestra | F Major | 1 | 7B | 60 BPM | ||
| フルート、オーボエ、クラリネット、バスーンのための四重奏曲 Ⅱ.Andante | J. フランセ, 池田昭子クインテット, 池田昭子(オーボエ), 倉田優(フルート), 箱崎由衣(クラリネット), 川村幹子(ファゴット), 豊田実加(ホルン) | C Major | 1 | 8B | 137 BPM |