"Tannhäuser, WWV 70, Act III: Ich hörte Harfenschlag (Tannhäuser, Wolfram)" by Richard Wagner, Robert Dean Smith, Christian Gerhaher, Marek Janowski, Rundfunk-Sinfonieorchester Berlin had its release date on January 1, 2013. With this song being around four minutes long, at 4:16, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of Wagner: Tannhäuser by Richard Wagner, Marek Janowski, Rundfunk-Sinfonieorchester Berlin, Rundfunkchor Berlin, Robert Dean Smith, Nina Stemme, Marina Prudenskaya, Christian Gerhaher. The song's track number on the album is #7 out of 37 tracks. Based on our data, Netherlands was the country where this track was produced or recorded. Tannhäuser, WWV 70, Act III: Ich hörte Harfenschlag (Tannhäuser, Wolfram) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Tannhäuser, WWV 70, Act III: Ich hörte Harfenschlag (Tannhäuser, Wolfram) by Richard Wagner, Robert Dean Smith, Christian Gerhaher, Marek Janowski, Rundfunk-Sinfonieorchester Berlin has a tempo of 51 beats per a minute, the tempo markings of this song would be Lento (slowly). With Tannhäuser, WWV 70, Act III: Ich hörte Harfenschlag (Tannhäuser, Wolfram) being at 51 BPM, the half-time would be 26 BPM with a double-time of 102 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song has a musical key of F♯ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Das Liebesverbot: Overture | Richard Wagner, Staatskapelle Dresden, Giuseppe Sinopoli | G Major | 6 | 9B | 120 BPM | ||
| Verdi: Messa da Requiem: III. Tuba mirum | Giuseppe Verdi, Riccardo Muti, Coro Del Teatro Alla Scala Di Milano, Orchestra Del Teatro Alla Scala, Milano | C Major | 2 | 8B | 114 BPM | ||
| Eugene Onegin, Op. 24, TH 5 / Act 3: Polonaise | Pyotr Ilyich Tchaikovsky, Staatskapelle Dresden, James Levine | G Major | 3 | 9B | 203 BPM | ||
| L'elisir d'amore: Overture (Preludio) | Gaetano Donizetti, Metropolitan Opera Orchestra, James Levine | D Major | 0 | 10B | 139 BPM | ||
| Simon Boccanegra, Prologue: A te l'estremo addio - Il lacerato spirito | Giuseppe Verdi, Nicolai Ghiaurov, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado, Coro Del Teatro Alla Scala Di Milano, Romano Gandolfi | F Major | 0 | 7B | 80 BPM | ||
| Die Walküre, Act III Scene 3: Nicht streb, o Maid, den Mut mir zu stören | Richard Wagner, Régine Crespin, Thomas Stewart, Berliner Philharmoniker, Herbert von Karajan | C Major | 2 | 8B | 92 BPM | ||
| Der Freischütz, J. 277, Act III: Schaut, o schaut! Er traf die eigne Braut! | Carl Maria von Weber, Gundula Janowitz, Edith Mathis, Peter Schreier, Bernd Weikl, Siegfried Vogel, Theo Adam, MDR Leipzig Radio Chorus, Staatskapelle Dresden, Carlos Kleiber | C Major | 2 | 8B | 91 BPM | ||
| Enigma Variations, Op. 36: Var. 1. L'istesso tempo "C.A.E." | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | G Minor | 0 | 6A | 81 BPM | ||
| In the Steppes of Central Asia | Alexander Borodin, Royal Philharmonic Orchestra, Vladimir Ashkenazy | A Major | 0 | 11B | 69 BPM | ||
| Der Freischütz, J. 277, Act III: Entr'acte | Carl Maria von Weber, Staatskapelle Dresden, Carlos Kleiber | D Major | 3 | 10B | 118 BPM | ||
| Symphony No. 2 in C Minor "Resurrection": III. In ruhig fließender Bewegung | Gustav Mahler, Leonard Bernstein, New York Philharmonic | B Minor | 0 | 10A | 112 BPM | ||
| Sorochintsi Fair, Act I: Gopak (Hopak) | Modest Mussorgsky, Slovak Philharmonic, Kenneth Jean | G Major | 2 | 9B | 127 BPM | ||
| Eugene Onegin, Op. 24, TH. 5 / Act II: (Scene 1) Entr'acte and Waltz With Chorus. "Vot tak syurpriz!" | Pyotr Ilyich Tchaikovsky, Neil Shicoff, Thomas Allen, Jürgen Hartfiel, Staatskapelle Dresden, James Levine, MDR Leipzig Radio Chorus | E Minor | 2 | 9A | 78 BPM | ||
| Attila: Overture | Giuseppe Verdi, Orchestra Del Teatro Alla Scala, Milano, Riccardo Muti | A♭ Major | 1 | 4B | 97 BPM | ||
| Götterdämmerung, WWV 86D, Act I: Day Breaking 'Round Siegfried's and Brünnhilde's Passion | Richard Wagner, Berliner Philharmoniker, Lorin Maazel | B♭ Minor | 1 | 3A | 68 BPM | ||
| Symphony No. 8 in C Minor, Op. 65: IV. Largo | Dmitri Shostakovich, Berliner Philharmoniker, Kirill Petrenko | A♭ Major | 0 | 4B | 72 BPM | ||
| The Rite of Spring: Part One: Adoration of the Earth: The Augurs of Spring - Dance of the Young Girls | Igor Stravinsky, Teodor Currentzis, musicAeterna | B♭ Major | 3 | 6B | 120 BPM | ||
| Khovanshchina: Overture (Prelude) | Modest Mussorgsky, Mariinsky Orchestra, Valery Gergiev | D♭ Major | 0 | 3B | 90 BPM | ||
| Scheherezade, Op. 35: I. The Sea and Sinbad's Ship | Nikolai Rimsky-Korsakov, Pelin Halkacı Alkın, Sascha Goetzel, Borusan Istanbul Philharmonic Orchestra | E Minor | 1 | 9A | 70 BPM | ||
| Bellini: Norma: Sinfonia | Vincenzo Bellini, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin | G Major | 1 | 9B | 141 BPM | ||
| Vier letzte Lieder: 4. Im Abendrot | Richard Strauss, Renée Fleming, Munich Philharmonic Orchestra, Christian Thielemann | D Major | 1 | 10B | 117 BPM | ||
| Khachaturian: Gayaneh, Op. 50: Dance of the Mountaineers | Aram Khachaturian, Yuri Temirkanov, Royal Philharmonic Orchestra | F Major | 0 | 7B | 80 BPM | ||
| Parsifal, Act I: Recht so! Habt Dank! Ein wenig Rast! | Richard Wagner, José van Dam, Kurt Rydl, Kurt Moll, Berliner Philharmoniker, Herbert von Karajan | F Major | 0 | 7B | 80 BPM | ||
| La Gioconda / Act 1: Feste! Pane! Feste! | Amilcare Ponchielli, Sherrill Milnes, The London Opera Chorus, National Philharmonic Orchestra, Bruno Bartoletti | B♭ Major | 4 | 6B | 67 BPM | ||
| Suppé: Leichte Kavallerie: Ouvertüre | Franz von Suppé, Royal Philharmonic Orchestra, Philip Ellis | A Major | 3 | 11B | 85 BPM |