"Missa brevis: II. Gloria" by Leonard Bernstein, Stephen Layton, Polyphony had its release date on June 28, 2015. The duration of This song is about two minutes long, specifically at 2:48. This song does not appear to have any foul language. Missa brevis: II. Gloria's duration is considered a little bit shorter than the average duration of a typical track. The song is number 7 out of 21 in American Polyphony: Barber, Copland, Bernstein, R. Thompson by Polyphony, Randall Thompson, Stephen Layton, Samuel Barber, Leonard Bernstein, Aaron Copland. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Missa brevis: II. Gloria is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Missa brevis: II. Gloria by Leonard Bernstein, Stephen Layton, Polyphony is Andante (at a walking pace), since this song has a tempo of 83 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Firebird Suite (1919 Version): Lullaby - 2017 Remastered Version | Igor Stravinsky, Leonard Bernstein, New York Philharmonic | A♭ Major | 0 | 4B | 58 BPM | ||
| Die Meistersinger von Nürnberg, WWV 96: Prelude | Richard Wagner, Wiener Philharmoniker, Sir Georg Solti | C Major | 4 | 8B | 99 BPM | ||
| Peter and the Wolf, Op. 67: L'istesso tempo - Più mosso | Sergei Prokofiev, New York Philharmonic, Leonard Bernstein | A♭ Major | 2 | 4B | 79 BPM | ||
| String Quartet No. 1 in D Major, Op. 11, TH 111: II. Andante cantabile (Version for String Orchestra) | Pyotr Ilyich Tchaikovsky, Leonard Bernstein, New York Philharmonic | B♭ Major | 1 | 6B | 93 BPM | ||
| Piano Concerto No. 2 in F Major, Op. 102: I. Allegro | Dmitri Shostakovich, Leonard Bernstein, New York Philharmonic | F Major | 6 | 7B | 154 BPM | ||
| Piano Concerto No. 2 in B-Flat Major, Op. 83: I. Allegro non troppo | Johannes Brahms, Krystian Zimerman, Wiener Philharmoniker, Leonard Bernstein | B♭ Major | 1 | 6B | 96 BPM | ||
| Appalachian Spring: VI. Meno mosso | Aaron Copland, Leonard Bernstein, New York Philharmonic | A♭ Major | 0 | 4B | 143 BPM | ||
| Carmen Suite No. 1: 1. Prélude | Georges Bizet, Orchestre de Paris, Semyon Bychkov | A Minor | 1 | 8A | 96 BPM | ||
| Symphony No. 3 in C Minor: IV. Scherzo. Finale. Allegro | Florence Beatrice Price, Philadelphia Orchestra, Yannick Nézet-Séguin | C Minor | 3 | 5A | 132 BPM | ||
| Bernstein: Symphonic Dances from West Side Story: No. 9, Finale | Leonard Bernstein, Paavo Järvi, City Of Birmingham Symphony Orchestra | F Minor | 0 | 4A | 67 BPM | ||
| Symphony No. 9 in E Minor, Op. 95 "From the New World": III. Scherzo. Molto vivace | Antonín Dvořák, New York Philharmonic, Alan Gilbert | C Major | 1 | 8B | 121 BPM | ||
| Symphony No. 9 in E Minor, Op. 95 "From the New World": I. Adagio — Allegro molto | Antonín Dvořák, New York Philharmonic, Alan Gilbert | E Minor | 1 | 9A | 125 BPM | ||
| Symphony No. 4 in A Major, Op. 90, MWV N 16 "Italian": I. Allegro vivace | Felix Mendelssohn, Leonard Bernstein, New York Philharmonic | D Major | 1 | 10B | 65 BPM | ||
| Academic Festival Overture, Op. 80 | Johannes Brahms, Chicago Symphony Orchestra, Sir Georg Solti | C Major | 2 | 8B | 73 BPM | ||
| Samson et Dalila: Bacchanale | Camille Saint-Saëns, Royal Stockholm Philharmonic Orchestra, James DePreist | D Minor | 1 | 7A | 122 BPM | ||
| Dybbuk: Part I: IV. Dream | Leonard Bernstein, Mel Ulrich, Mark Risinger, Nashville Symphony Orchestra, Andrew Mogrelia | D♭ Major | 0 | 3B | 87 BPM | ||
| Symphony No. 4 in F Minor: IVa. Finale | Ralph Vaughan Williams, Leonard Bernstein, New York Philharmonic | C Minor | 2 | 5A | 59 BPM | ||
| West Side Story: Act II: End Credits | Leonard Bernstein, Johnny Green, West Side Story Orchestra | G Major | 2 | 9B | 86 BPM | ||
| Notturno for Strings and Harp | Arnold Schoenberg, Daniel Hope, Zürcher Kammerorchester, Jane Berthe | A♭ Major | 1 | 4B | 75 BPM | ||
| Nocturnes, CD 98: I. Nuages | Claude Debussy, Berliner Philharmoniker, Claudio Abbado | C Major | 0 | 8B | 83 BPM | ||
| Firebird Suite - 1919 Version | Chicago Symphony Orchestra | B Major | 1 | 1B | 80 BPM | ||
| Violin Concerto No. 1 in G Minor, Op. 26: III. Allegro energico | Max Bruch, Itzhak Perlman, Bernard Haitink, Royal Concertgebouw Orchestra | G Major | 3 | 9B | 97 BPM | ||
| Piano Concerto No. 2 in C Minor, Op. 18: I. Moderato | Sergei Rachmaninoff, Yuja Wang, Los Angeles Philharmonic, Gustavo Dudamel | G Minor | 3 | 6A | 97 BPM | ||
| Peter and the Wolf, Op. 67: Andante molto | Sergei Prokofiev, New York Philharmonic, Leonard Bernstein | A♭ Major | 2 | 4B | 79 BPM | ||
| Romeo and Juliet, Op. 64: Introduction | Sergei Prokofiev, The Cleveland Orchestra, Lorin Maazel | E Major | 1 | 12B | 112 BPM |