"Hands Across The Table" by The Manhattan Pops had its release date on September 14, 1960. The duration of This song is about 3 minutes long, at 3:25. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 12 in the song's album "Seductive Strings". In this album, this song's track order is #12. Furthermore, we believe that the track originated from United States. Hands Across The Table is not that popular right now. Although the overall vibe is very danceable, it does project more negative sounds.
With Hands Across The Table by The Manhattan Pops having a BPM of 73 with a half-time of 36 BPM and a double-time of 146 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of E♭ Minor. Which also means that the camelot key for this song is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Die Csardasfurstin (The Gypsy Princess): Act II: Entr'akt | Emmerich Kálmán, Yvonne Kenny, Michael Roider, Mojca Erdmann, Marko Kathol, Karl-Michael Ebner, Hellmuth Klumpp, Heinz Holecek, Yvonne Kalman, Marian Vach, Slovak Philharmonic Choir, Slovak Radio Symphony Orchestra, Richard Bonynge | F Major | 3 | 7B | 116 BPM | ||
| Giselle: Act II: Ensemble des Wilis | Adolphe Adam, Slovak Radio Symphony Orchestra, Andrew Mogrelia | A♭ Major | 0 | 4B | 89 BPM | ||
| The Skaters Waltz | The Manhattan Pops | A Major | 3 | 11B | 186 BPM | ||
| La Condesa Maritza | Orquesta Filarmonica de Rumania | A Major | 4 | 11B | 78 BPM | ||
| Prelude: The Wispering Valley | Silvia Capova, Slovak Radio Symphony Orchestra, Ronald Binge | G Major | 1 | 9B | 143 BPM | ||
| Grande tarantelle, Op. 67, RO 259 (Arr. for Piano & Orchestra by Hershy Kay) | Louis Moreau Gottschalk, Eugene List, Vienna State Opera Orchestra, Igor Buketoff | E♭ Major | 1 | 5B | 106 BPM | ||
| Danza delle ore | Orchestra Italiana | E Major | 1 | 12B | 80 BPM | ||
| Poet and Peasant: Overture | Franz von Suppé, Detroit Symphony Orchestra, Paul Paray | A Major | 3 | 11B | 81 BPM | ||
| Fiddle Faddle | Leroy Anderson, Metamorphose String Orchestra, Pavel Lyubomudrov | D Major | 2 | 10B | 138 BPM | ||
| Rigoletto, Act II, Caro nome, Rigoletto, Act IV: La donna e mobile (Arr. For orchestra) | Giuseppe Verdi, Sofia Philharmonic Orchestra, Emil Tabakov | B♭ Major | 1 | 6B | 155 BPM | ||
| Raymonda, Act III: Variation for male dancer | Alexander Glazunov, English National Ballet Philharmonic, Gavin Sutherland | A♭ Major | 0 | 4B | 61 BPM | ||
| Ruslan and Ludmila: Overture | Mikhail Glinka, The USSR Bolshoy Theatre Orchestra, Yevgeny Svetlanov | F Major | 3 | 7B | 81 BPM | ||
| Bavarian Landler | Ion Ivanovici, Budapest Strauss Ensemble, Istvan Bogar | F Major | 3 | 7B | 150 BPM | ||
| Amur Waves | Max Kyuss, Nikolai Nazarov, Separate Exemplary Orchestra of USSR Defense Ministry | B♭ Minor | 2 | 3A | 98 BPM | ||
| Ländler | Charlotte Guldberg, Hans Nielsen | F Major | 2 | 7B | 121 BPM | ||
| Ivan Susanin | Mikhail Glinka, Moscow Radio Symphony Orchestra, Vladimir Fedoseyev | A Major | 1 | 11B | 174 BPM | ||
| Granada | The Manhattan Pops | F♯ Major | 1 | 2B | 81 BPM | ||
| Act III: №28. Pas de deux / Aurore et Prince Desire / Adagio | Moscow New Philharmonic Orchestra, Vladimir Ponkin | C Major | 1 | 8B | 78 BPM | ||
| Wer tanzt mit? Polka schnell, Op. 251 | Eduard Strauss, Franz Welser-Möst, Wiener Philharmoniker | D Major | 4 | 10B | 83 BPM | ||
| Dance of the goblins | Razvan Stoica | C Major | 4 | 8B | 177 BPM | ||
| Vals de la Risa | Orquesta Filarmonica de Rumania | C Major | 2 | 8B | 90 BPM | ||
| Vals de los caminantes | Nicolas Sur | A Minor | 7 | 8A | 58 BPM | ||
| Pomone, Op. 155 | Émile Waldteufel, Slovak State Philharmonic Orchestra, Alfred Walter | E♭ Major | 2 | 5B | 183 BPM | ||
| Gounod: Faust, CG 4, Act 2 Scene 5: Waltz | Charles Gounod, Willi Boskovsky/Wiener Symphoniker, Willi Boskovsky, Wiener Philharmoniker, Wiener Symphoniker | D Major | 2 | 10B | 92 BPM | ||
| Act III. Neopolitan dance | Moscow New Philharmonic Orchestra, Vladimir Ponkin | D Major | 3 | 10B | 143 BPM |