"Wagner: Götterdämmerung, Act III, Scene 2: Siegfried's Funeral March" by Richard Wagner, Bernard Haitink, Bavarian Radio Symphony Orchestra had its release date on January 1, 1992. This song is about six minutes long, preciously at 5:37, making this song fairly long compared to other songs. This song is part of Wagner: Götterdämmerung by Richard Wagner, Eva Marton, Siegfried Jerusalem, Bavarian Radio Symphony Orchestra, Bernard Haitink. The song's track number on the album is #55 out of 66 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. Wagner: Götterdämmerung, Act III, Scene 2: Siegfried's Funeral March is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Wagner: Götterdämmerung, Act III, Scene 2: Siegfried's Funeral March by Richard Wagner, Bernard Haitink, Bavarian Radio Symphony Orchestra has a tempo of 68 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With Wagner: Götterdämmerung, Act III, Scene 2: Siegfried's Funeral March being at 68 BPM, the half-time would be 34 BPM with a double-time of 136 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
This song has a musical key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Symphony No. 3 in C Minor, Op. 78, R. 176 "Organ Symphony": IIa. Allegro moderato - Presto - Allegro moderato | Camille Saint-Saëns, Gaston Litaize, Chicago Symphony Orchestra, Daniel Barenboim | D♭ Major | 1 | 3B | 110 BPM | ||
| Tosca / Act 3: "Presto, su! Mario!" | Giacomo Puccini, Mirella Freni, Michel Sénéchal, Paul Hudson, National Philharmonic Orchestra, Nicola Rescigno | E♭ Minor | 3 | 2A | 81 BPM | ||
| Vier letzte Lieder, TrV 296: 1. Frühling | Richard Strauss, Jessye Norman, Gewandhausorchester, Kurt Masur | A Major | 3 | 11B | 83 BPM | ||
| Das Liebesverbot: Overture | Richard Wagner, Staatskapelle Dresden, Giuseppe Sinopoli | G Major | 6 | 9B | 120 BPM | ||
| Die Meistersinger von Nürnberg, WWV 96 / Act III: Prelude | Richard Wagner, Orchester der Deutschen Oper Berlin, Eugen Jochum | E Minor | 0 | 9A | 65 BPM | ||
| Symphony No. 9 in E minor, Op. 95 "From the New World": 1. Adagio - Allegro molto | Antonín Dvořák, The Cleveland Orchestra, Christoph von Dohnányi | E Minor | 2 | 9A | 130 BPM | ||
| La Gioconda / Act 1: Feste! Pane! Feste! | Amilcare Ponchielli, Sherrill Milnes, The London Opera Chorus, National Philharmonic Orchestra, Bruno Bartoletti | B♭ Major | 4 | 6B | 67 BPM | ||
| Il Trovatore / Act 1: "All'erta! all'erta!" | Giuseppe Verdi, Nicolai Ghiaurov, The London Opera Chorus, National Philharmonic Orchestra, Richard Bonynge | E Major | 1 | 12B | 80 BPM | ||
| Die Walküre, Act I Scene 3: Siegmund, den Wälsung, siehst du, Weib! | Richard Wagner, Gundula Janowitz, Jon Vickers, Berliner Philharmoniker, Herbert von Karajan | C Major | 4 | 8B | 86 BPM | ||
| Ruslan and Ludmila: Overture | Mikhail Glinka, The USSR Bolshoy Theatre Orchestra, Yevgeny Svetlanov | F Major | 3 | 7B | 81 BPM | ||
| Sibelius: Symphony No. 5 in E-Flat Major, Op. 82: III. Allegro molto (1915 Version) | Jean Sibelius, San Francisco Symphony, Esa-Pekka Salonen | E♭ Major | 1 | 5B | 76 BPM | ||
| Carmina Burana / Uf dem Anger: "Were diu werlt alle min" | Carl Orff, Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Eugen Jochum | D Minor | 4 | 7A | 68 BPM | ||
| Night on Bald Mountain | Modest Mussorgsky, Leonard Bernstein, New York Philharmonic | D Major | 2 | 10B | 105 BPM | ||
| Lohengrin: Prelude to Act 3 | Slovak Philharmonic, Bystrik Rezucha | G Major | 2 | 9B | 111 BPM | ||
| Samson et Dalila, Op. 47, R. 288 / Act 1: Dieu! Dieu d'Israël! | Camille Saint-Saëns, Orchestre de Paris, Daniel Barenboim, Choeur de l'Orchestre de Paris, Arthur Oldham | B Major | 3 | 1B | 94 BPM | ||
| Carmina Burana: V. Ecce gratum | Carl Orff, Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Eugen Jochum | B♭ Major | 4 | 6B | 139 BPM | ||
| Macbeth: Preludio | Giuseppe Verdi, Giuseppe Altomare, Olha Zhuravel, Pavel Kudinov, Rubens Pelizzari, Marco Voleri, Luca Dall'Amico, William Corro, Andrea Pistolesi, Coro Lirico Marchigiano 'V. Bellini', Marchigiana Philharmonic Orchestra, Daniele Callegari | B♭ Minor | 0 | 3A | 116 BPM | ||
| Les danses polovtsiennes (Extraits de l'opéra Le Prince Igor): IV. Danse des garçons | Alexander Borodin, Anima Eterna, Jos Van Immerseel | D Major | 2 | 10B | 104 BPM | ||
| Parsifal, Act I: Nun achte wohl und laß mich seh'n | Richard Wagner, Claes-Håkon Ahnsjö, Kurt Moll, Kurt Rydl, Berliner Philharmoniker, Herbert von Karajan, Chor der Deutschen Oper Berlin | F♯ Minor | 1 | 11A | 81 BPM | ||
| Parsifal, WWV 111, Act III Suite (Ed. Abbado): Procession. Ritterzug | Richard Wagner, Berliner Philharmoniker, Claudio Abbado, Swedish Radio Choir, Simon Halsey | F Major | 1 | 7B | 170 BPM | ||
| Schoenberg: Verklärte Nacht, Op. 4: I. Grave (1943 Version) | Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra | D Minor | 1 | 7A | 174 BPM | ||
| Così fan tutte ossia La scuola degli amanti, K.588 - (L. da Ponte) - Act 1: "Soave sia il vento" | Wolfgang Amadeus Mozart, Karita Mattila, Anne Sofie von Otter, José van Dam, Academy of St. Martin in the Fields, Sir Neville Marriner | E Major | 2 | 12B | 74 BPM | ||
| Das Rheingold, Scene 1: Lugt, Schwestern! Die Weckerin lacht in den Grund | Richard Wagner, Helen Donath, Edda Moser, Anna Reynolds, Zoltan Kelemen, Berliner Philharmoniker, Herbert von Karajan | G Major | 1 | 9B | 59 BPM | ||
| Il barbiere di Siviglia: Overture (Sinfonia) | Gioachino Rossini, Orchestra del Teatro San Carlo di Napoli, Silvio Varviso | E Major | 2 | 12B | 95 BPM | ||
| Symphony No. 5 in D Minor, Op. 47: II. Allegretto | Dmitri Shostakovich, Kurt Sanderling, Berliner Symphoniker | A Major | 1 | 11B | 118 BPM |