"Organ Concerto: II. Lento" by Christopher Rouse, Paul Jacobs, Nashville Symphony Orchestra, Giancarlo Guerrero had its release date on August 23, 2024. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. This song is part of Wayne Oquin, Parker & Rouse: Organ Concertos by Paul Jacobs, Nashville Symphony Orchestra, Giancarlo Guerrero. The song's track number on the album is #6 out of 16 tracks. Based on our data, Hong Kong was the country where this track was produced or recorded. Organ Concerto: II. Lento is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Organ Concerto: II. Lento by Christopher Rouse, Paul Jacobs, Nashville Symphony Orchestra, Giancarlo Guerrero has a tempo of 67 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With Organ Concerto: II. Lento being at 67 BPM, the half-time would be 34 BPM with a double-time of 134 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
F Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Marimba & Vibraphone Concerto: III. Perpetuum Mobile - Live | Maya Badian, Ludmila Amelina, National Symphony Orchestra Tele-Radio Moldova | A Minor | 2 | 8A | 132 BPM | ||
| Sibelius: Symphony No. 1 in E Minor, Op. 39: I. Andante, ma non troppo - Allegro energico | Jean Sibelius, Paavo Berglund, Helsinki Philharmonic Orchestra | C Major | 2 | 8B | 109 BPM | ||
| King Kristian II, Op. 27: III. Musette | Jean Sibelius, New Zealand Symphony Orchestra, Pietari Inkinen | A Minor | 3 | 8A | 70 BPM | ||
| Rakastava, Op. 14: I. The Lover. Andante con moto | Jean Sibelius, Helsinki Philharmonic Orchestra, Susanna Mälkki | B♭ Major | 0 | 6B | 72 BPM | ||
| 3 Latin American Sketches: Paisaje Mexicano | Aaron Copland, Nashville Chamber Orchestra, Paul Gambill | F♯ Major | 0 | 2B | 70 BPM | ||
| Tuba Concerto: I. Allegro moderato | Øystein Baadsvik, Singapore Symphony Orchestra, Anne Manson | F Major | 1 | 7B | 117 BPM | ||
| Variations on a Hungarian Folksong "The Peacock": Moderato | Zoltán Kodály, Neeme Järvi, Chicago Symphony Orchestra | C Minor | 0 | 5A | 69 BPM | ||
| Clarinet & Saxophone Concerto: III. Laurentian Rapids, Pt. 1 (Live) | Maya Badian, National Symphony Orchestra of Teleradio-Moldova | A♭ Major | 3 | 4B | 174 BPM | ||
| Symphonies of Wind Instruments, K. 036 (1920 Version) | Igor Stravinsky, Nash Ensemble, Sir Simon Rattle | D Major | 0 | 10B | 67 BPM | ||
| Nebula Lullaby | Astrid Voix | A Minor | 2 | 8A | 132 BPM | ||
| Peter Grimes, Op. 33, Act II: Interlude III | Benjamin Britten, Edward Gardner, Bergen Philharmonic Orchestra | F Major | 0 | 7B | 58 BPM | ||
| Dybbuk: Part I: IV. Dream | Leonard Bernstein, Mel Ulrich, Mark Risinger, Nashville Symphony Orchestra, Andrew Mogrelia | D♭ Major | 0 | 3B | 87 BPM | ||
| 3 Dance Episodes from On the Town: No. 2, Lonely Town | Leonard Bernstein, Bournemouth Symphony Orchestra, Marin Alsop | D Minor | 2 | 7A | 105 BPM | ||
| Symphony No. 8: III. Volante | Mihkel Kerem, Royal Liverpool Philharmonic Orchestra, Andrew Manze | A Minor | 2 | 8A | 132 BPM | ||
| Piano Concerto No. 2 in F Major, Op. 102: II. Andante | Dmitri Shostakovich, Angela Cheng, Jens Lindemann, CBC Radio Orchestra, Mario Bernardi | C Minor | 0 | 5A | 175 BPM | ||
| Romeo and Juliet, Op. 64, Act IV: No. 52, Death of Juliet | Sergei Prokofiev, Los Angeles Philharmonic, Gustavo Dudamel | A Minor | 2 | 8A | 132 BPM | ||
| 4 Orchestral Pieces, Sz. 51: IV. Marcia funebre. Maestoso | Béla Bartók, Chicago Symphony Orchestra, Pierre Boulez | D Major | 1 | 10B | 73 BPM | ||
| Le sacre du printemps / Pt. 1: L'Adoration de la terre: V. Jeux des cités rivales | Igor Stravinsky, Orchestre de Paris, Klaus Mäkelä | C Minor | 3 | 5A | 110 BPM | ||
| Hindemith: Symphony in B flat I. Moderately fast, with vigor | Paul Hindemith, Royal Norwegian Navy Band, Ingar Bergby, Kongelige Norske Marines Musikkorps | E♭ Minor | 2 | 2A | 133 BPM | ||
| Gaspard de la nuit: I. Ondine (arr. M. Constant for orchestra) | Maurice Ravel, フランス国立リヨン管弦楽団, レナード・スラットキン | D♭ Major | 0 | 3B | 115 BPM | ||
| Movement I | Philip Glass, Dennis Russell Davies, Bruckner Orchester Linz | F Major | 1 | 7B | 120 BPM | ||
| Pictures At An Exhibition: Gnomus | Modest Mussorgsky, Chicago Symphony Orchestra, Carlo Maria Giulini | B Major | 0 | 1B | 99 BPM | ||
| Variations on a theme by Haydn, Op. 56a "St. Anthony Variations": Finale | Johannes Brahms, Pittsburgh Symphony Orchestra, Marek Janowski | C Major | 1 | 8B | 60 BPM | ||
| Dr. Merryheart: IX. The Dance Of Merryheart - Merryhearts Tanz | RTÉ National Symphony Orchestra, Havergal Brian | C Major | 3 | 8B | 104 BPM | ||
| Concerto for 2 Pianos and Orchestra: III. Fuga chromatica - Allegro | Ralph Vaughan Williams, Tal & Groethuysen, Douglas Boyd | D Minor | 3 | 7A | 77 BPM |