"クーラント(管弦楽組曲 第1番より)" by J.S. バッハ, ラ・クァルティーナ, 藤森亮一(チェロ), 藤村俊介(チェロ), 銅銀久弥(チェロ), 桑田歩(チェロ) had its release date on April 25, 2005. The duration of This song is about two minutes long, specifically at 2:31. This song does not appear to have any foul language. クーラント(管弦楽組曲 第1番より)'s duration is considered a little bit shorter than the average duration of a typical track. There is only one song in シンフォニック・クァルティーナ ~4本のチェロのための作品集 5~, so we believe that "クーラント(管弦楽組曲 第1番より)" is a single. クーラント(管弦楽組曲 第1番より) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of クーラント(管弦楽組曲 第1番より) by J.S. バッハ, ラ・クァルティーナ, 藤森亮一(チェロ), 藤村俊介(チェロ), 銅銀久弥(チェロ), 桑田歩(チェロ) is Adagio (slowly with great expression), since this song has a tempo of 76 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Orfeo ed Euridice, Wq. 30, Act II: Danse des champs-elysées "Mélodie" (Arr. for Piano by Ignaz Friedman) | Christoph Willibald Gluck, Joseph Banowetz | A Major | 0 | 11B | 72 BPM | ||
| Kol Nidrei, Op. 47 | Max Bruch, Jan Vogler, Helmut Branny | D Major | 1 | 10B | 136 BPM | ||
| Bach, JS : Well-Tempered Clavier Book 1 : Prelude No.3 in C sharp major BWV848 | Daniel Barenboim | D♭ Major | 1 | 3B | 84 BPM | ||
| Bach, JS : Well-Tempered Clavier Book 1 : Fugue No.2 in C minor BWV847 | Daniel Barenboim | C Minor | 1 | 5A | 132 BPM | ||
| Consolations, S. 172: No. 3 in D-Flat Major. Lento placido | Franz Liszt, Jean-Yves Thibaudet | D♭ Major | 0 | 3B | 134 BPM | ||
| Sonata in B Minor, K.27: Allegro | Domenico Scarlatti, Daria van den Bercken | D Major | 1 | 10B | 130 BPM | ||
| Bach, JS: Concerto for Three Pianos in C Major, BWV 1064: I. Allegro | Johann Sebastian Bach, Jean-Philippe Collard, Gabriel Tacchino, Michel Béroff, Orchestre de chambre de Paris, Jean-Pierre Wallez | C Major | 2 | 8B | 83 BPM | ||
| Chaconne in D Minor, BWV 1004 (Andante maestoso, ma non troppo lento) | Ferruccio Busoni, Johann Sebastian Bach, Sandro Ivo Bartoli | E Minor | 0 | 9A | 73 BPM | ||
| Orchestral Suite No. 2 in B Minor, BWV 1067: I. Ouverture | Johann Sebastian Bach, Norwegian Baroque Orchestra, Ketil Haugsand | B♭ Minor | 1 | 3A | 101 BPM | ||
| The Art Of Fugue, BWV 1080: [Contrapunctus 14] (Compl. by Daniil Trifonov) | Daniil Trifonov, Johann Sebastian Bach | F Major | 0 | 7B | 112 BPM | ||
| Lied opus 34 no.2, transcription Franz Liszt: Auf Flügeln Des Gesanges | Felix Mendelssohn, Bertrand Chamayou | A♭ Major | 0 | 4B | 71 BPM | ||
| Violin Partita No. 3 in E Major, BWV 1006: II. Loure | Johann Sebastian Bach, Christian Tetzlaff | D♭ Minor | 0 | 12A | 74 BPM | ||
| Piano Concerto No. 23 in A Major, K. 488: I. Allegro (Cadenza by Busoni) | Wolfgang Amadeus Mozart, Vladimir Horowitz, Orchestra Del Teatro Alla Scala, Milano, Carlo Maria Giulini | A Major | 1 | 11B | 140 BPM | ||
| Sicilienne, BWV 1031 | Valentina Lisitsa | D Minor | 2 | 7A | 73 BPM | ||
| Kinderszenen | Robert Schumann, Ivan Moravec | F Major | 0 | 7B | 131 BPM | ||
| Sonata in D Minor, K. 9 | Domenico Scarlatti, Ivo Pogorelich | D Minor | 0 | 7A | 94 BPM | ||
| The Well-Tempered Clavier, Book 1: Prelude & Fugue No. 4 in C-Sharp Minor, BWV 849 | Johann Sebastian Bach, András Schiff | D♭ Minor | 1 | 12A | 123 BPM | ||
| Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: I. Moderato (Cadenza by Britten) | Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields | C Major | 1 | 8B | 68 BPM | ||
| Overture (Suite) No. 2 In B Minor, BWV 1067 : III. Sarabande | Cologne Chamber Orchestra, Johann Sebastian Bach | B Minor | 4 | 10A | 119 BPM | ||
| Wiegenlied, Op. 49, No. 4 | Johannes Brahms, Leonidas Kavakos, Yuja Wang | E♭ Major | 0 | 5B | 74 BPM | ||
| Prelude In C Major, BWV 924 : Praeambulum In C Major, BWV 924 | Janos Sebestyen, Johann Sebastian Bach | C Major | 2 | 8B | 139 BPM | ||
| Sonata in D Minor, K. 32 | Domenico Scarlatti, Lucas Debargue | D Minor | 0 | 7A | 130 BPM | ||
| Handel / Orch. Hale: Keyboard Suite No. 4 in D Minor, HWV 437: III. Sarabande | George Frideric Handel, Alexander Briger, Academy of St. Martin in the Fields | D Minor | 0 | 7A | 116 BPM | ||
| Bleib bei uns, denn es will Abend werden, BWV 6: Chorale. Beweis dein Macht, Herr Jesu Christ (Chorus) | Johann Sebastian Bach, Yukari Nonoshita, Robin Blaze, James Gilchrist, Dominik Worner, Bach Collegium Japan Chorus, Bach Collegium Japan, Masaaki Suzuki | F♯ Minor | 0 | 11A | 102 BPM | ||
| IV. Larghetto | Antonín Dvořák, Peter Breiner | G Major | 0 | 9B | 70 BPM |