Usha Seturaman's 'Om Sahanavavathu' had a release date set for December 27, 2003. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 3 out of 13 in Bhakthi Manjari Vol 2 by Usha Seturaman. Going off of the ISRC code of this track, we detected that the origin of this track is from India. Based on our statistics, Om Sahanavavathu's popularity is not that popular right now. Although the overall vibe is very danceable, it does project more negative sounds.
The tempo marking of Om Sahanavavathu by Usha Seturaman is Allegro (fast, quick, and bright), since this song has a tempo of 122 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song has a musical key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| gurustotram | Bhanumathi Narasimhan | D Major | 0 | 10B | 124 BPM | ||
| Om Shivaya Namaha | K. J. Yesudas | C Major | 0 | 8B | 100 BPM | ||
| Ganesh Mantra Dhun Chant | Vishal Khera | E♭ Major | 5 | 5B | 146 BPM | ||
| Gurupaduka Stothram | Usha Seturaman | A♭ Minor | 6 | 1A | 138 BPM | ||
| Bhagavad Gita, Pt. 6 - Atmasanyama Yoga | Pt. Ved Prakash Phondani | E♭ Major | 4 | 5B | 83 BPM | ||
| Ashtadik Balahargal | M.Ramani Sastrigal | F♯ Major | 6 | 2B | 120 BPM | ||
| Srivari Padalu | Amma | B♭ Minor | 5 | 3A | 131 BPM | ||
| Dhanvantari Stotra | Tejaswini Ingale | A♭ Major | 3 | 4B | 100 BPM | ||
| Santana Prapaitti Vigneshwara Stotram | Bangalore Sisters, Ajey Warrior, M. S. Pareekshita Rao | F Major | 4 | 7B | 147 BPM | ||
| Etrayo Nalayi | Amma | G Major | 5 | 9B | 84 BPM | ||
| Rahu Mantra | Umesh Joshi, Shantanu Herlekar, Vijay Dhuri, Rucha Soman, Pragati Joshi | G Minor | 3 | 6A | 116 BPM | ||
| Adithya Hrudayam | Ponduri Prasad Sharma | A Major | 5 | 11B | 169 BPM | ||
| śraddhā sūktam | Shantala Sriramaiah | F Major | 0 | 7B | 135 BPM | ||
| Rudri Path- Adhyay 6 | Divya Jyoti Jagrati Sansthan | A♭ Major | 4 | 4B | 127 BPM | ||
| Sri Ganesha Ashtotharam | Shivashankar Bhat, Venkatesha Bhat | F Major | 4 | 7B | 125 BPM | ||
| Sri Batuka Bhairava Kavacham | Bhandhavi | A♭ Major | 3 | 4B | 92 BPM | ||
| Bhagavad Gita Adhyay, Pt. 8 | Shrirang Bhave | E♭ Major | 1 | 5B | 103 BPM | ||
| Hatkeshwar Stuti | Abhay Anjariya, Dhara Mankad, Shailesh Pandya | D♭ Major | 5 | 3B | 100 BPM | ||
| Vishwamitra Nadi Samvad - a Poetic Conversation between the Sage Vishwamitra & Two Rivers | Ved Vrind | C Major | 4 | 8B | 175 BPM | ||
| Devi Kshamapana Stotra | Abhilasha Chellam | G Major | 1 | 9B | 87 BPM | ||
| Chandi Path - Chandi Path Shree Durga Saptshati Adhyay | Shastri Shree Ashokbhai Dave | D♭ Major | 4 | 3B | 92 BPM | ||
| Namanthram | Bangalore Sisters | D♭ Major | 8 | 3B | 150 BPM | ||
| Rudri Path- Adhyay 1 | Divya Jyoti Jagrati Sansthan | A♭ Major | 4 | 4B | 126 BPM | ||
| Krishna | Jyothsna, Radhika | D♭ Major | 4 | 3B | 86 BPM | ||
| Shree Ganesh Chalisa | Shraddha Jain | D Major | 5 | 10B | 90 BPM |