- BPM
- 80
- Key
- A♭ Major
- Camelot
- 4B
Prozession für großes Ensemble: V. Takt 288 ff by Enno Poppe, Ensemble Musikfabrik Song Details
"Prozession für großes Ensemble: V. Takt 288 ff" by Enno Poppe, Ensemble Musikfabrik had its release date on May 19, 2023. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 8 out of 12 in Enno Poppe: Prozession by Enno Poppe, Ensemble Musikfabrik. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Prozession für großes Ensemble: V. Takt 288 ff is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
The tempo marking of Prozession für großes Ensemble: V. Takt 288 ff by Enno Poppe, Ensemble Musikfabrik is Andante (at a walking pace), since this song has a tempo of 80 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
Music Key
A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 2%
- Loudness
- -19.171 dB
- Acousticness
- 94%
- Danceability
- 27%
- Energy
- 39%
- Instrumentalness
- 86%
- Liveness
- 15%
- Loudness
- 68%
- Speechiness
- 7%
- Valence
- 12%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Composition 1960 No. 7 | La Monte Young, Jeroen van Veen | B Minor | 0 | 10A | 58 BPM | |
 | Pulsars, Pt. 2: Episode 3 | Tomasz Trzcinski | E Major | 2 | 12B | 118 BPM | |
 | Dances: No. 4, Sarabande | Tõnu Kõrvits, Ksenija Sidorova, Estonian Festival Orchestra, Paavo Järvi | A Major | 1 | 11B | 103 BPM | |
 | Bartók: String Quartet No. 4 in C Major, Sz. 91: IV. Allegretto pizzicato | Béla Bartók, Belcea Quartet | F♯ Major | 1 | 2B | 89 BPM | |
 | Zwölf | Enno Poppe, Quatuor Diotima | E Minor | 1 | 9A | 106 BPM | |
 | Solstice Ritual, Homage to Varèse and Ravel for 14 virtuosi: III. Bell Prayers | Augusta Read Thomas, Grossman Ensemble, Jeffrey Milarsky | D♭ Major | 0 | 3B | 64 BPM | |
 | Lica Persefone / The Faces of Persephone: II. Na Zemlji: Leto / On the Earth: Summer | Misha Cvijović, Rundfunk-Sinfonieorchester Berlin, Enno Poppe | A Major | 1 | 11B | 103 BPM | |
 | 3 Latin Prayers for Solo Voice: Ave Maria for Cello Solo | Giacinto Scelsi, Frances-Marie Uitti | E Minor | 0 | 9A | 80 BPM | |
| Freizeit | Enno Poppe, Quatuor Diotima | D♭ Major | 2 | 3B | 78 BPM | |
| Buch: No. 1, Marcato | Enno Poppe, Quatuor Diotima | F Major | 2 | 7B | 84 BPM | |
 | Poem for String Quartet | Rebecca Clarke, Barbican Quartet | A Major | 1 | 11B | 103 BPM | |
 | Serenade: II. Larghetto | Krzysztof Penderecki, Warsaw Philharmonic Chamber Orchestra, Antoni Wit | C Minor | 1 | 5A | 72 BPM | |
 | La Fontaine D' Arethuse from Mythes, Op. 30 | Karol Szymanowski, Keiko Tokunaga | D♭ Minor | 2 | 12A | 71 BPM | |
 | Troglodyte Angels Clank By (2015) for amplified Ensemble | Clara Iannotta, Klangforum Wien, Enno Poppe | B♭ Minor | 0 | 3A | 103 BPM | |
 | Quatuor pour la fin du Temps: VIII. Louange à l'immortalité de Jésus | Olivier Messiaen, Lucas Debargue | E Major | 0 | 12B | 76 BPM | |
 | String Quartet No. 4, 2nd Movement, Percussive Dimensions | Béla Bartók, vision string quartet, Bernhard Schimpelsberger | A Major | 1 | 11B | 103 BPM | |
 | String Quartet No. 3 in D Major, Op. 34: III. Sostenuto. Like a Folk Tune | Erich Wolfgang Korngold, Calidore String Quartet | A Major | 1 | 11B | 103 BPM | |
 | Autogamie Version 4 für Fagott, live-Elektronik und elektronische Zuspielung | Sascha Janko Dragicevic, Enno Poppe, Pierluigi Billone, Franck Bedrossian, Johannes Schwarz, Ensemble Modern | A Major | 4 | 11B | 174 BPM | |
 | Prozession für großes Ensemble: II. Takt 56 ff | Enno Poppe, Ensemble Musikfabrik | G Major | 0 | 9B | 166 BPM | |
 | Imaginary Landscape No. 1 | The Manhattan Percussion Ensemble, Xenia Cage, Doris Dennison, Margaret Jansen, John Cage | C Major | 3 | 8B | 142 BPM | |
| String Quartet No. 1 in D Major, Op. 25: I. Andante Sostenuto - Allegro Vivo | Benjamin Britten, Barbican Quartet | A Major | 1 | 11B | 103 BPM | |
 | The Brightest Form of Absence: XI. Song for Sunsets | Hans Thomalla, Sarah Sun, SWR Experimentalstudio, Ensemble Musikfabrik, Enno Poppe | C Minor | 0 | 5A | 78 BPM | |
 | Wie stille brannte das Licht: 3. | Georg Friedrich Haas, Ensemble Musikfabrik, Sarah Wegener, Enno Poppe | F♯ Major | 2 | 2B | 97 BPM | |
 | 8 Fish Eyes | The Chitinous Ensemble | F Major | 3 | 7B | 137 BPM | |
 | Thema mit 840 Variationen | Enno Poppe, Anna D'Errico | D♭ Major | 1 | 3B | 64 BPM |
- ISRC
- DEC442211149
- Label
- L-M Records/RCA Records