- BPM
- 125
- Key
- F♯ Major
- Camelot
- 2B
Feels Like - Original Mix by Matthias Hoffmann Song Details
Matthias Hoffmann's 'Feels Like - Original Mix' had a release date set for November 17, 2014. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Matthias Hoffmann's "Move Up" album is number 2 out of 2. Based on our statistics, Feels Like - Original Mix's popularity is unknown right now. Although the overall vibe is very danceable, it does project more negative sounds.
BPM and Tempo
We consider the tempo marking of Feels Like - Original Mix by Matthias Hoffmann to be Allegro (fast, quick, and bright) because the track has a tempo of 125 BPM, a half-time of 62BPM, and a double-time of 250 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
Music Key
This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 0%
- Loudness
- -8.423 dB
- Acousticness
- 0%
- Danceability
- 79%
- Energy
- 85%
- Instrumentalness
- 84%
- Liveness
- 11%
- Loudness
- 86%
- Speechiness
- 6%
- Valence
- 29%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Wagner: Lohengrin, Act 1: "Nun sei bedankt, mein lieber Schwan" (Lohengrin, Henry, Chorus) | Richard Wagner, Daniel Barenboim, Chor der Deutschen Staatsoper Berlin, Peter Seiffert, René Pape, Staatskapelle Berlin | B♭ Major | 2 | 6B | 130 BPM | |
 | Fauré: Requiem, Op. 48: II. Offertoire | Gabriel Fauré, Daniel Barenboim, Orchestre de Paris, Dietrich Fischer-Dieskau, Edinburgh Festival Chorus | E♭ Major | 0 | 5B | 70 BPM | |
 | La traviata / Act 2: "Alfredo?" "Per Parigi or or partiva" | Giuseppe Verdi, Anna Netrebko, Diane Pilcher, Dritan Luca, Thomas Hampson, Wiener Philharmoniker, Carlo Rizzi | F Minor | 0 | 4A | 83 BPM | |
 | Die Fledermaus, Act I: Terzett. Nein, mit solchen Advokaten (Rosalinde, Eisenstein, Blind) | Johann Strauss II, Friedrich Haider, Aga Mikolaj, Paul Armin Edelmann, Jürgen Sacher, WDR Rundfunkorchester Köln | D Major | 1 | 10B | 92 BPM | |
 | Weber: 6 Lieder, Op. 15: No. 6, Er an Sie, J. 57, "Ein Echo kenn' ich" (Andantino) | Carl Maria von Weber, Hermann Prey, Leonard Hokanson | C Major | 0 | 8B | 134 BPM | |
 | Bellini: I puritani: "All’erta!" (Bruno, Coro) | Vincenzo Bellini, Dresdner Philharmonie, Riccardo Frizza | D Major | 5 | 10B | 136 BPM | |
 | Petite messe solennelle: Credo | Gioachino Rossini, Orchestre de chambre de Paris, Accentus, Ottavio Dantone, Julia Lezhneva, Delphine Galou, Michael Spyres, Alexander Vinogradov | B Major | 1 | 1B | 135 BPM | |
 | Des Knaben Wunderhorn: Rheinlegendchen | Gustav Mahler, Anna Lucia Richter, Gürzenich Orchester Köln, Jordan de Souza | G Major | 1 | 9B | 65 BPM | |
 | Petite messe solennelle, Credo: XII. Et resurrexit | Gioachino Rossini, Krassimira Stoyanova, Birgit Remmert, Steve Davislim, Hanno Müller-Brachmann, RIAS Kammerchor, Philip Mayers, Philip Moll, Ryoko Morooka, Marcus Creed | E Major | 1 | 12B | 130 BPM | |
| Bellini: I puritani: "Sai com’arde in petto mio" (Elvira, Giorgio) | Vincenzo Bellini, Dresdner Philharmonie, Riccardo Frizza | D Major | 5 | 10B | 136 BPM | |
 | Kyrie | Juergen Budday | A♭ Major | 1 | 4B | 101 BPM | |
 | Requiem, Op. 89, B. 165: Introitus | Antonín Dvořák, Czech Philharmonic | B♭ Minor | 1 | 3A | 85 BPM | |
 | Spanisches Liederspiel, Op. 74: No. 5, Es ist verraten | Robert Schumann, Anna Palimina, Marion Eckstein, Simon Bode, Matthias Hoffmann, Ulrich Eisenlohr | B♭ Major | 2 | 6B | 90 BPM | |
 | Te Deum: Tu rex gloriae, Christe | Georges Bizet, Katarina Jovanovic, Philippe Do, Pas-de-Calais North Regional Choir, Orchestre National de Lille, Jean-Claude Casadesus | F Major | 2 | 7B | 109 BPM | |
| Requiem, Op. 89, B. 165: Tuba mirum | Antonín Dvořák, Czech Philharmonic Orchestra | F♯ Major | 1 | 2B | 88 BPM | |
 | Misatango, Misa a Buenos Aires: VIII. Crucifixus | MartÍn Palmeri, Chœur régional Vittoria d'Ile de France, Orchestre Pasdeloup, Michel Piquemal, Sophie Hanne, Gilberto Pereyra | C Minor | 2 | 5A | 92 BPM | |
 | Die verkaufte Braut (2007 Remaster), Akt 2: Wie schäumst du in den Gläsern (Chor: Hans - Kezal - Chor) | Bedřich Smetana, Pilar Lorengar/Fritz Wunderlich/Gottlob Frick/Bamberger Symphoniker/Rudolf Kempe, Rudolf Kempe, Bamberg Symphony | G Major | 5 | 9B | 112 BPM | |
| Spanische Liebeslieder, Op. 138: No. 10, Dunkler Lichtglanz, blinder Blick | Robert Schumann, Anna Palimina, Marion Eckstein, Simon Bode, Matthias Hoffmann, Stefan Irmer, Ulrich Eisenlohr | F Minor | 2 | 4A | 113 BPM | |
 | Paulus, Op.36, MWV A14 / Part 1: No.11 Chor: "Siehe! Wir preisen selig" | Felix Mendelssohn, MDR Leipzig Radio Chorus, GewandhausKinderchor, Gewandhausorchester, Kurt Masur | E Major | 1 | 12B | 101 BPM | |
 | La Giaconda, Act 2, The Rosary: Sailors' Song "Ho! He! Ho! He!" (Sailors, Boys, Barnaba, Pilot) - "Recitative and Barcarolle "Pescator, affonda l'esca" [Barnaba, Pilot, Sailors, Boys] | Amilcare Ponchielli, Angelo Nardinocchi, Massimiliano Travagliati, Coro di Voci Bianche del Teatro “Giuseppe Verdi” di Salerno, Silvana Noschese, Coro del Teatro dell'Opera di Salerno, Luigi Petrozziello, Orchestra Filarmonica Salernitana “Giuseppe Verdi”, Yishai Steckler | F Major | 2 | 7B | 99 BPM | |
 | Schubert: Trinklied vor der Schlacht, D. 169 | Franz Schubert, Arnold Schoenberg Chor, Andreas Staier, Erwin Ortner | G Major | 1 | 9B | 95 BPM | |
 | Carmen, Act IV: Qu'avez-vous fait de la Carmencita? – March & Chorus. Les voici! les voici! | Georges Bizet, Jean-Noel Sissia, Isabelle Karajan, David Clair, Claudine Coster, Berliner Philharmoniker, Herbert von Karajan, Schöneberger Sängerknaben, Choeur de l'Opéra de Paris, Walter Hagen-Groll | F Minor | 1 | 4A | 95 BPM | |
 | Nabucco / Act 4: Oh, dischiuso è il firmamento! | Giuseppe Verdi, Lucia Valentini Terrani, Lucia Popp, Plácido Domingo, Yevgeny Nesterenko, Kurt Rydl, Piero Cappuccilli, Volker Horn, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli, Chor der Deutschen Oper Berlin | F Major | 1 | 7B | 108 BPM | |
 | Schicksalslied, Op. 54: Orchestral Postlude with Choir (Alternate Version) | Johannes Brahms, Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling | A Minor | 1 | 8A | 92 BPM | |
 | Trinke, Liebchen (Glücklich ist, wer vergisst) | Fritz Wunderlich | G Major | 4 | 9B | 78 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records