Leonel Power, Pro Cantione Antiqua, Bruno Turner's 'Power: Credo II (From British Library MS 57950 "Old Hall Manuscript")' had a release date set for March 17, 2023. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 8 out of 41 in Ars britannica. Old Hall Manuscript, Madrigals & Lute Songs by Pro Cantione Antiqua, John Dowland, John Dunstable, John Wilbye, Leonel Power, Thomas Morley, Thomas Tomkins, William Byrd. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Power: Credo II (From British Library MS 57950 "Old Hall Manuscript") is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Power: Credo II (From British Library MS 57950 "Old Hall Manuscript") by Leonel Power, Pro Cantione Antiqua, Bruno Turner is Andante (at a walking pace), since this song has a tempo of 77 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| J'ayme trop mieux souffrir la mort | Guillaume Costeley, Claire Lefilliâtre, Bruno Le Levreur, Serge Goubioud, Marc Mauillon, Marco Horvath, Le Poème Harmonique, Vincent Dumestre | C Major | 0 | 8B | 80 BPM | ||
| Vespro della Beata Vergine, SV 206: XIIIh. Magnificat "Esurientes implevit bonis" | Claudio Monteverdi, Philippe Herreweghe, Dorothee Mields, Barbora Kabátková, Collegium Vocale Gent | G Major | 1 | 9B | 115 BPM | ||
| 3 Parts upon a Ground in F Major, Z. 731 | Henry Purcell, La Fenice, Jean Tubéry | E Major | 0 | 12B | 57 BPM | ||
| Credo | Leonel Power, Orlando Consort | B♭ Major | 1 | 6B | 113 BPM | ||
| In exitu Israel de Aegypto, "Psalm 113" | Josquin des Prez, Weser-Renaissance Bremen, Manfred Cordes | G Minor | 2 | 6A | 58 BPM | ||
| Ad Matutinum: Lectio. Itaque convenit | Etienne de Liège, Psallentes, Hendrik Vanden Abeele | D Minor | 2 | 7A | 116 BPM | ||
| Sancta Maria succure miseris | Francisco de Peñalosa, New York Polyphony | A Minor | 3 | 8A | 106 BPM | ||
| Parlamento | Unicorn Ensemble | D Minor | 1 | 7A | 79 BPM | ||
| Spiritual Gregorian Chants Chant Templar Chant Peaceful Monks | Choir Of St. Abuscus, Chants of Eternity | A Minor | 2 | 8A | 112 BPM | ||
| Differencias sobre "Guarda me Las Vacas" | Luis de Narváez, Lutz Kirchhof | B♭ Major | 1 | 6B | 107 BPM | ||
| Canción Francesca (Clemens Non Papa) | Antonio de Cabezón, Veronique Musson-Gonneaud | D Minor | 1 | 7A | 110 BPM | ||
| Alfons V El Magnànim: Adoramus te (4v.) (El Cancionero de Montecassino, Música Religiosa) | La Capella Reial De Catalunya | E Minor | 0 | 9A | 114 BPM | ||
| In I Vesperis: Antiphona. Ex quo omnia | Etienne de Liège, Psallentes, Hendrik Vanden Abeele | D Minor | 2 | 7A | 116 BPM | ||
| Miserere: VIII. Libera me de sanguinibus ; Domine labia mea aperies - Livre des psaumes | Gregorio Allegri, Bai Tomaso, Ensemble Zene, Bruno Kele-Baujard | C Major | 2 | 8B | 81 BPM | ||
| O mors inevitabili | Jheronimus Vinders, Obsidienne Vocal Ensemble, Emmanuel Bonnardot | G Major | 2 | 9B | 91 BPM | ||
| Lachrimae or Seven Tears: I. Lachrimae antiquae | John Dowland, Phantasm, Elizabeth Kenny | E Major | 1 | 12B | 112 BPM | ||
| Propiñan de Melyor | Juan del Encina, ContrArco Consort | F Major | 1 | 7B | 97 BPM | ||
| Latuit | Birgitta von Schweden, Les Flamboyants, Michael Form, Susanne Ansorg, Kelly Landerkin | B♭ Minor | 0 | 3A | 172 BPM | ||
| J’avois juré l’autre jour / Acis et Galatée, Prologue: Rigaudon / Suitte du Rigaudon / Double du Rigaudon fait par Mr Couprain | Bertrand de Bacilly, Jean-Baptiste Lully, Les Musiciens De Saint-Julien, François Lazarevitch | B♭ Major | 2 | 6B | 113 BPM | ||
| Gloria et honore | Francisco Guerrero, A5 Vocal Ensemble | F Major | 1 | 7B | 129 BPM | ||
| Messe Cum Jubilo, Op. 11: I. Kyrie eléison | Maurice Duruflé, Maîtrise de Saint-Christophe de Javel, Yves Castagnet, Henri Chalet | D Minor | 1 | 7A | 120 BPM | ||
| S'io sedo a l'ombra, Amor | Marchetto Cara, Carolyn Sampson, Robert Meunier | C Major | 0 | 8B | 50 BPM | ||
| Ave corpus sanctum | Marchetto Padova, La Reverdie | A Minor | 0 | 8A | 77 BPM | ||
| O mors, ero mors tua | Guillaume Bouzignac, Ensemble les Surprises, Louis-Noël Bestion de Camboulas | E♭ Major | 2 | 5B | 65 BPM | ||
| Oseletto selvaggio | Jacopo da Bologna, La Reverdie | A Minor | 1 | 8A | 173 BPM |