"Kali Ghata Chhai Prem Rut Aai" by Mohammed Rafi, Laxmikant–Pyarelal had its release date on January 25, 1980. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Laxmikant–Pyarelal's "Kali Ghata" album is number 1 out of 7. On top of that, India appears to be the country where this track was created. In terms of popularity, Kali Ghata Chhai Prem Rut Aai is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Kali Ghata Chhai Prem Rut Aai by Mohammed Rafi, Laxmikant–Pyarelal to be Andante (at a walking pace) because the track has a tempo of 104 BPM, a half-time of 52BPM, and a double-time of 208 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Main Shair To Nahin | Shailendra Singh, Laxmikant–Pyarelal | E Minor | 5 | 9A | 144 BPM | ||
| Dil Pukare Aare Aare With Dialogue | Lata Mangeshkar, Mohammed Rafi, Dev Anand, Vyjayanthimala, S. D. Burman | B♭ Major | 3 | 6B | 98 BPM | ||
| Beete Dinon Kee Yaad | Naushad, Mohammed Rafi | E♭ Major | 4 | 5B | 90 BPM | ||
| Meri Yaad Mein Tum Na Ansoo Bahana | Talat Mahmood | G Minor | 3 | 6A | 142 BPM | ||
| Haseen Ho Tum Khuda Nahin Ho | Mohammed Rafi | D♭ Major | 6 | 3B | 99 BPM | ||
| Tumse O Haseena | Suman Kalyanpur, Mohammed Rafi | B Minor | 6 | 10A | 93 BPM | ||
| Yaad Teri Aayegi | Anu Malik, Shabbir Kumar | B Minor | 6 | 10A | 128 BPM | ||
| Chal Diye Bande Nawaz | Geeta Dutt, Mohammed Rafi | G Major | 4 | 9B | 80 BPM | ||
| Na Jane Kahan Tum The | Manna Dey, Suman Kalyanpur | E♭ Major | 6 | 5B | 136 BPM | ||
| Tujhe Dekha Tujhe Chaha | Suman Kalyanpur, Mohammed Rafi, Hasrat Jaipuri | D Major | 5 | 10B | 142 BPM | ||
| Jis Raat Ke Khwab Aaye - Habba Khaatoon | Naushad, Mohammed Rafi | D Major | 8 | 10B | 162 BPM | ||
| Yeh Dharti Yeh Ambar Jab Se - Pt. 1i | Nalin Dave, Laxmikant–Pyarelal | B Minor | 4 | 10A | 119 BPM | ||
| Majhi Naiya Dhoondhe Kinara | Mukesh, Laxmikant–Pyarelal | F♯ Major | 7 | 2B | 120 BPM | ||
| O Mere Majhi Mere Sajan Hai | S. D. Burman | B Major | 3 | 1B | 134 BPM | ||
| Mitwa Re Mitwa ( Part 1) - Jawaab / Soundtrack Version | Pankaj Udhas | F Minor | 7 | 4A | 108 BPM | ||
| Kitne Saawan Baras Gaye - 2 | Anuradha Paudwal | A Minor | 4 | 8A | 126 BPM | ||
| Tan Man Dhan Sab Hai Tera | Mukesh, Laxmikant–Pyarelal | F♯ Major | 4 | 2B | 142 BPM | ||
| Aawaz Deke Humen Tum Bulao | Lata Mangeshkar, Mohammed Rafi | E Major | 3 | 12B | 159 BPM | ||
| Sharab Cheez Hi Aisi | Pankaj Udhas | B Minor | 5 | 10A | 99 BPM | ||
| Duniya Badal Gayi | Talat Mahmood, Shamshad Begum, Shakeel Badayuni | A♭ Major | 2 | 4B | 71 BPM | ||
| Woh Paas Rahe Ya Door | Suraiya | D♭ Major | 3 | 3B | 122 BPM | ||
| Kai Din Se Mujhe | Hemlata, Shailendra Singh, Ravindra Jain | G Minor | 5 | 6A | 72 BPM | ||
| Jeeye to Jeeye Kaise (From "Saajan") | Pankaj Udhas | C Major | 5 | 8B | 129 BPM | ||
| Teri Ankh Ke Ansoo Pee Jaoon | Talat Mahmood | A Minor | 3 | 8A | 91 BPM | ||
| Bas Ek Chupsi Lagi Hai | Hemant Kumar | F♯ Major | 3 | 2B | 184 BPM |