"Primavera in val di sole, RZ 220: IV. Nel bosco. Allegretto" by Riccardo Zandonai, Stefano Guarino, Giancarlo Guarino had its release date on July 1, 2014. This song appears to be safe for all ages as it is not explicit. There are a total of 29 in the song's album "Riccardo Zandonai: Musica da camera e per piccola orchestra". In this album, this song's track order is #12. Furthermore, we believe that the track originated from Italy. Based on our statistics, Primavera in val di sole, RZ 220: IV. Nel bosco. Allegretto's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Primavera in val di sole, RZ 220: IV. Nel bosco. Allegretto by Riccardo Zandonai, Stefano Guarino, Giancarlo Guarino having a BPM of 125 with a half-time of 62 BPM and a double-time of 250 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Bellini: I puritani: "Ferma, invan rapir pretendi" (Riccardo, Arturo, Enrichetta, Elvira, Bruno, Giorgio, Valton, Coro) | Vincenzo Bellini, Dresdner Philharmonie, Riccardo Frizza | D Major | 5 | 10B | 136 BPM | ||
| Puccini : Manon Lescaut : Act 1 "In quelle trine morbide" [Manon] | Giacomo Puccini, Karita Mattila, Yutaka Sado, London Philharmonic Orchestra | F♯ Major | 1 | 2B | 89 BPM | ||
| La Gioconda, Op. 9: "Enzo Grimaldo, Principe di Santafior, che pensi?" | Amilcare Ponchielli, Jonas Kaufmann, Ludovic Tezier, Antonio Pappano, Orchestra of the Accademia di Santa Cecilia, Rome | F Minor | 0 | 4A | 167 BPM | ||
| Francesca da Rimini, Act I: O Francesca, anima mia (Live) | Riccardo Zandonai, Orchestra Del Teatro Alla Scala, Milano, Pinuccia Perotti, Magda Olivero, Coro La Scala di Milano, Gianandrea Gavazzeni | G Minor | 10 | 6A | 96 BPM | ||
| Manon Lescaut / Act 2: Che ceffi son costor? ... Sulla vetta tu del monte | Giacomo Puccini, James Levine, Dwayne Croft, Mirella Freni, Cecilia Bartoli, Metropolitan Opera Chorus, Metropolitan Opera Orchestra | B♭ Major | 0 | 6B | 131 BPM | ||
| Strauss, Johann II : Der Zigeunerbaron : Act 1 "So elend und so treu" [Saffi, Barinkay] | Johann Strauss II, Nikolaus Harnoncourt, Wiener Symphoniker | A Major | 0 | 11B | 125 BPM | ||
| Cilea: L'arlesiana, Act 2: "Ah! Vieni con me sui monti" (Baldassarre, Federico) | Francesco Cilea, Charles Rosekrans, Barry Anderson, Péter Kelen, Hungarian State Orchestra | B Major | 0 | 1B | 82 BPM | ||
| Lucia di Lammermoor / Act 3: "Ah! cessate quel contento" | Gaetano Donizetti, Nicolai Ghiaurov, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | G Major | 1 | 9B | 84 BPM | ||
| String Quartet in G Major: IV. Allegro | Riccardo Zandonai, Venice String Quartet | G Major | 1 | 9B | 90 BPM | ||
| Strauss, R: Der Rosenkavalier, Op. 59, Act I: "Di rigori armato il seno" (Singer) | Richard Strauss, Herbert von Karajan, Nicolai Gedda, Philharmonia Orchestra | D♭ Major | 1 | 3B | 71 BPM | ||
| Norma (Ed. Biondi & Minasi), Act I Scene 1: Va, crudele, al Dio spietato | Vincenzo Bellini, John Osborn, Sumi Jo, Orchestra La Scintilla, Giovanni Antonini | A♭ Major | 3 | 4B | 134 BPM | ||
| Carmen / Act 1: Votre mère avec moi sortait de la chapelle | Georges Bizet, Katia Ricciarelli, José Carreras, Berliner Philharmoniker, Herbert von Karajan | B♭ Major | 0 | 6B | 129 BPM | ||
| L'elisir d'amore: Prendi per me sei libero | Gaetano Donizetti, Olga Peretyatko, Miguel Gomez-Martinez | F Major | 4 | 7B | 143 BPM | ||
| La bohème, Act III: O mia vita! – Donde lieta uscì | Giacomo Puccini, Mirella Freni, Luciano Pavarotti, Rolando Panerai, Berliner Philharmoniker, Herbert von Karajan | A Major | 0 | 11B | 90 BPM | ||
| Bellini: I puritani: "Cavalier! – Se t’è d’uopo di consiglio" (Enrichetta, Arturo) | Vincenzo Bellini, Dresdner Philharmonie, Riccardo Frizza | D Major | 5 | 10B | 136 BPM | ||
| Lucrezia Borgia: Prologue: Com'e bello! quale incanto (Lucrezia, Don Alfonso, Rustighello) | Gaetano Donizetti, Dimitra Theodossiou, Roberto De Biasio, Enrico Giuseppe Iori, Nidia Palacios, Luigi Albani, Giuseppe Di Paola, Mauro Corna, Livio Scarpellini, Giovanni Manfrin, Luca Dall'Amico, Dario Giorgele, Bergamo Musica Festival Chorus, Bergamo Mu | E♭ Major | 0 | 5B | 88 BPM | ||
| Manon Lescaut / Act 2: Minuetto | Giacomo Puccini, Anthony Laciura, Giuseppe Taddei, Mirella Freni, Metropolitan Opera Chorus, Metropolitan Opera Orchestra, James Levine | D Major | 0 | 10B | 146 BPM | ||
| Suor Angelica: O sorelle in pio lavoro | Giacomo Puccini, Isobel Buchanan, Dame Joan Sutherland, Elizabeth Connell, Miriam Bowen, National Philharmonic Orchestra, Richard Bonynge | D♭ Major | 1 | 3B | 91 BPM | ||
| Francesca da Rimini, Act III: E Galeotto dice, "Dama, abbiatene pietà" (Live) | Riccardo Zandonai, Orchestra del Teatro Lirico Giuseppe Verdi di Trieste, Renato Cioni, Coro del Teatro Lirico Giuseppe Verdi di Trieste, Leyla Gencer, Franco Capuana | G Minor | 0 | 6A | 139 BPM | ||
| The Rake's Progress / Act 2 / Scene 3: "As I was saying, both brothers.." | Igor Stravinsky, Sarah Walker, Philip Langridge, London Sinfonietta, Riccardo Chailly | D Minor | 2 | 7A | 141 BPM | ||
| Cavalleria rusticana: Tu qui, Santuzza? – Fior la giaggolo | Pietro Mascagni, Fiorenza Cossotto, Carlo Bergonzi, Orchestra Del Teatro Alla Scala, Milano, Herbert von Karajan | D♭ Major | 1 | 3B | 164 BPM | ||
| I Puritani / Act 1: I rito augusto si compia senza me | Vincenzo Bellini, Gian Carlo Luccardi, Anita Caminada, Nicolai Ghiaurov, Luciano Pavarotti, London Symphony Orchestra, Richard Bonynge | C Major | 2 | 8B | 62 BPM | ||
| Carmen / Act 3: Introduction: "Ecoute, compagnon, écoute!" | Georges Bizet, Christine Barbaux, Jane Berbié, Agnes Baltsa, José Carreras, Gino Quilico, Heinz Zednik, Berliner Philharmoniker, Herbert von Karajan, Choeur de l'Opéra de Paris, Jean Laforge | C Minor | 0 | 5A | 99 BPM | ||
| Salome, Op. 54 / Scene 3: "Wird dir nicht bange, Tochter der Herodias?" | Richard Strauss, Cheryl Studer, Bryn Terfel, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli | G Major | 2 | 9B | 95 BPM | ||
| Francesca da Rimini, Act III: O Smaragdi, non torna? (Live) | Riccardo Zandonai, Orchestra Del Teatro Alla Scala, Milano, Magda Olivero, Gabriella Carturan, Gianandrea Gavazzeni | A Minor | 1 | 8A | 69 BPM |