"Om Namah Shivaaya" by Ravindra Sathe had its release date on May 5, 2023. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Vivek Prakash, Ravindra Sathe's "Jap" album is number 6 out of 10. On top of that, India appears to be the country where this track was created. Om Namah Shivaaya is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Om Namah Shivaaya by Ravindra Sathe to be Adagio (slowly with great expression) because the track has a tempo of 74 BPM, a half-time of 37BPM, and a double-time of 148 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 5/4.
This song has a musical key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Om Jai Jagdish Swami | Pramod Medhi, Anjali Jain | E♭ Major | 3 | 5B | 127 BPM | ||
| Ehi Murare | Ehi Murare-Lipsika | D Major | 3 | 10B | 128 BPM | ||
| Krishnaya Vasudevaya | Vajrang Aphale | A Major | 4 | 11B | 92 BPM | ||
| Durge Durgat Bhari Aarti | Priya Shankar | F♯ Major | 2 | 2B | 129 BPM | ||
| Shlokas And Music For Calm And Peaceful Sleep | Sanjeev Abhyankar, Ravindra Sathe | A♭ Major | 0 | 4B | 75 BPM | ||
| Jai Hanuman Gyan | Shankar Sahney | D♭ Major | 7 | 3B | 95 BPM | ||
| Kakad Aarti | Ravindra Sathe | G Major | 4 | 9B | 94 BPM | ||
| Main Balak Tu Mata | Jubin Nautiyal, Manan Bhardwaj, Manoj Muntashir | B♭ Major | 7 | 6B | 170 BPM | ||
| Akalkoticha Swami Tu | Mahendra Warekar, Ravindra Sathe | C Major | 6 | 8B | 100 BPM | ||
| Majhe Maher Pandhari (Recreated) | Shameema Akhter feat.Shlok, Plaksha Wadekar | A Major | 7 | 11B | 103 BPM | ||
| Shivoham Shivoham | Sanjeev Abhyankar | F♯ Minor | 3 | 11A | 104 BPM | ||
| Pranamya Shirasa Devam | S. P. Balasubrahmanyam | B Major | 2 | 1B | 95 BPM | ||
| Ashtalakshmi Stotra | Gautham Baradwaj, G. Gayathri Devi, Saindhavi, Priya, R. Shruti | D Major | 2 | 10B | 95 BPM | ||
| Adya Stotram | Debasish Chakraborty | F♯ Major | 6 | 2B | 88 BPM | ||
| Karpur Gauram Karunavtaram | Nirmalya Roy | B♭ Minor | 7 | 3A | 78 BPM | ||
| Shiv Tandav | Bharat Balvalli | A Major | 5 | 11B | 106 BPM | ||
| Hanuman Chalisa - Hari Om Sharan | Hari Om Sharan | E♭ Major | 5 | 5B | 102 BPM | ||
| Shendur Laal Chadhayo (Aarti) | Ravindra Sathe | C Major | 7 | 8B | 126 BPM | ||
| Shiva Suvarnamala Stuti | Minakshi Majumdar | D♭ Major | 5 | 3B | 77 BPM | ||
| Kaal Bhairav Ashtakam | Avinash Gupta | B♭ Major | 7 | 6B | 115 BPM | ||
| Mangal Bhawan Amangal Haari | chronically online | G Major | 5 | 9B | 79 BPM | ||
| Mano Toh Main Ganga Maa Hoon | Tripti Shakya | F♯ Major | 4 | 2B | 110 BPM | ||
| Aali Aali Samarthachi Feri | Mahendra Warekar, Ravindra Sathe | F♯ Minor | 8 | 11A | 170 BPM | ||
| Gajanana Baa Dayasagra | Sachidanand Appa | E Major | 9 | 12B | 134 BPM | ||
| Mahishasuramardini Stotra | Participants Of South India Female Choir | F♯ Major | 2 | 2B | 132 BPM |