"Three Farewells: Music to Hear" by Mark-Anthony Turnage, Nash Ensemble had its release date on January 1, 2001. The duration of This song is about 3 minutes long, at 3:05. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 14 in the song's album "Turnage: Music to Hear". In this album, this song's track order is #12. Based on our statistics, Three Farewells: Music to Hear's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Three Farewells: Music to Hear by Mark-Anthony Turnage, Nash Ensemble having a BPM of 134 with a half-time of 67 BPM and a double-time of 268 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
This song is in the music key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Tandem: I. Con freschezze | Jörgen Dafgård, Carl-Johan Stjernstrom, Benjamin Schmid, Musica Vitae, Joachim Gustafsson | D♭ Minor | 1 | 12A | 116 BPM | ||
| Clarinet Sonata No. 2, Op. 120 No. 2: I. Allegro amabile | Johannes Brahms, Nicola Boud, Anthony Romaniuk | A♭ Major | 1 | 4B | 134 BPM | ||
| Symphony No. 2: III | Arvo Pärt, NFM Wrocław Philharmonic, Tõnu Kaljuste | A Minor | 0 | 8A | 95 BPM | ||
| Sérénité Nocturne | Etoilee | E Major | 3 | 12B | 178 BPM | ||
| Tríptico A(marillo) | Renato Di Prinzio, Renato Pedro Di Prinzio | A Major | 2 | 11B | 94 BPM | ||
| Scaramouche, Op. 165c: II. Modéré | Darius Milhaud, Sohre Rahbari, Brussels Philharmonic, Ali Rahbari | F Major | 2 | 7B | 170 BPM | ||
| Dove: Figures in the Garden: VII. Nocturne. Figaro and Susanna | Jonathan Dove, Antony Pay, Orchestra of the Age of Enlightenment | D♭ Major | 0 | 3B | 81 BPM | ||
| ONYX30: III. Fanfare 2 | Mark-Anthony Turnage, Onyx Brass | D Major | 0 | 10B | 128 BPM | ||
| National Day of Mourning | David Jacques | E Major | 1 | 12B | 70 BPM | ||
| Savory Delights | Estoria | B♭ Major | 3 | 6B | 176 BPM | ||
| Prelude to Dorotea | Martin Fröst | D Minor | 0 | 7A | 77 BPM | ||
| Riessler: Family Affair | Michael Riessler, Sabine Meyer, Trio Di Clarone | C Major | 0 | 8B | 74 BPM | ||
| Duo Concertante (After Cello Concerto No. 2): IV. Acrobatic Lines | Peter Scott Lewis, Christopher Gross, Stephen Gosling | F Minor | 1 | 4A | 67 BPM | ||
| Iride | Angelo Bruzzese, Fortibus Ensemble | A♭ Minor | 1 | 1A | 168 BPM | ||
| Agon, Ballet, K88: IIb. Pas de trois I. Sarabande-Step | Igor Stravinsky, Ilan Volkov, BBC Scottish Symphony Orchestra | F Major | 0 | 7B | 92 BPM | ||
| From Honey to Ashes: VIII. Alba | Stephen Goss, Francisco Correa, Emily Andrews | F Major | 2 | 7B | 170 BPM | ||
| Quatuor pour la fin du Temps: IV. Intermède | Olivier Messiaen, Martin Fröst | F♯ Major | 2 | 2B | 96 BPM | ||
| Improvisation et caprice: I. Improvisation | Eugène Bozza, Jean-Pierre Baraglioli | C Major | 1 | 8B | 127 BPM | ||
| String Quartet No. 8 in C Minor, Op. 110 (Arr. for Wind Ensemble by David Walter): I. Largo | Dmitri Shostakovich, Ensemble Ouranos | F Major | 2 | 7B | 170 BPM | ||
| Cadenza für Violine und Klavier | Sophia Jani, Clarissa Bevilacqua, Martina Consonni | F Major | 2 | 7B | 170 BPM | ||
| Symphonies of Wind Instruments, K. 036 (1920 Version) | Igor Stravinsky, Nash Ensemble, Sir Simon Rattle | D Major | 0 | 10B | 67 BPM | ||
| Sonata Santera: II. Ofrenda | Iván Enrique Rodríguez, Han Chen, Eric Schultz | A Minor | 1 | 8A | 88 BPM | ||
| Riessler: Deceleration | Michael Riessler, Sabine Meyer, Trio Di Clarone | C Major | 0 | 8B | 74 BPM | ||
| Five Pieces for String Quartet, WV 68: No. 3, Alla Czeca | Erwin Schulhoff, Leonkoro Quartet | F Major | 2 | 7B | 170 BPM | ||
| Ephesiaká II | Radoslaw Pallarz, Sebastian Manz | E Minor | 0 | 9A | 73 BPM |