"Tye, Christopher / Arr Higginbottom : While Shepherds Watched Their Flocks by Night" by Christopher Tye, Edward Higginbottom had its release date on October 3, 1997. With this song being around four minutes long, at 3:39, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 23 in the song's album "Nativitas". In this album, this song's track order is #16. In terms of popularity, Tye, Christopher / Arr Higginbottom : While Shepherds Watched Their Flocks by Night is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Tye, Christopher / Arr Higginbottom : While Shepherds Watched Their Flocks by Night by Christopher Tye, Edward Higginbottom having a BPM of 99 with a half-time of 50 BPM and a double-time of 198 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Laudate Nomen Domini | Christopher Tye, Trad, Sølvguttene, Fredrik Otterstad | B♭ Major | 1 | 6B | 95 BPM | ||
| Pièces de viole, Book 2, Suite in E Minor: No. 96, Prélude | Marin Marais, La Rêveuse, Florence Bolton, Emily Audouin, Carsten Lohff, Benjamin Perrot | E♭ Minor | 0 | 2A | 137 BPM | ||
| Omnes gentes plaudite manibus | Christopher Tye, The Choir of Magdalen College, Oxford, Bill Ives | C Major | 2 | 8B | 85 BPM | ||
| Nigra sum sed formosa II | Jean L'héritier, The Choir of King's College London, Gareth Wilson | G Major | 1 | 9B | 92 BPM | ||
| Antiphona O, spectabiles viri | Hildegard von Bingen, Tiburtina Ensemble, Barbora Kabátková, Hana Blaziková, Margit Übellacker | A Minor | 0 | 8A | 81 BPM | ||
| Requiem in memoriam Josquin Desprez: VII. Communio - Lux aeterna | Jean Richafort, Huelgas Ensemble, Paul Van Nevel | C Major | 1 | 8B | 86 BPM | ||
| In nomine: Rachell’s Weepinge | Christopher Tye, The Spirit of Gambo, Freek Borstlap | D♭ Minor | 0 | 12A | 81 BPM | ||
| Palestrina: Missa Papae Marcelli - 4a. Sanctus | The Tallis Scholars, Peter Phillips | F♯ Major | 1 | 2B | 86 BPM | ||
| Maria stabat ad momentum (Concerti, 1587) | Andrea Gabrieli, Gabrieli, Paul McCreesh, Timothy Roberts | F Major | 1 | 7B | 70 BPM | ||
| O Rex gloriae, a 8 | Sebastián de Vivanco, Capilla Flamenca, Oltremontano, Dirk Snellings | E Minor | 2 | 9A | 93 BPM | ||
| Suite En Si Mineur: Prelude, II.83 (Marais) | Jordi Savall, Rolf Lislevand, Xavier Diaz-Latorre, Philippe Pierlot, Pierre Hantaï | B♭ Minor | 1 | 3A | 130 BPM | ||
| In nomine: Crye | Christopher Tye, The Spirit of Gambo, Freek Borstlap | D♭ Minor | 2 | 12A | 76 BPM | ||
| The Lessons for Solo Lyra Viol (1609): Pauin (no.15) | Alfonso Ferrabosco the Younger, Paolo Pandolfo | A♭ Major | 1 | 4B | 166 BPM | ||
| The Little Consort, Suite No. 10 in D Minor and D Major: I. Pavan | Matthew Locke, Phantasm, Elizabeth Kenny | E Major | 0 | 12B | 87 BPM | ||
| Facultad organica: No. 23, Tiento sobre la primera parte de la "Batalla de Morales", FO 23 - Version for Consort of 4 Viols | Francisco Correa de Arauxo, Philippe Pierlot, Myriam Rignol, Anna Lachegyi, Lucile Boulanger | E Major | 1 | 12B | 113 BPM | ||
| Dioclesian, Z. 627 "The Prophetess": Chaconne "Two in One upon a Ground" | Henry Purcell, Chelys Consort of Viols | D♭ Minor | 1 | 12A | 62 BPM | ||
| Nun hab ich überwunden | Johann Michael Bach, Vox Luminis, Lionel Meunier | G Major | 1 | 9B | 170 BPM | ||
| Harp Consort No. 9 in D Major: Pavin on a them by Cormacke | William Lawes, Robin Pharo, Ensemble Près de votre oreille | A♭ Minor | 2 | 1A | 135 BPM | ||
| [Suite en sol majeur]: VI. Sarabande grave (99) | Marin Marais, François Joubert-Caillet, L'Achéron | A♭ Minor | 2 | 1A | 85 BPM | ||
| Vespro della Beata Vergine, SV 206: XIIIe. Magnificat "Et misericordia eius" | Claudio Monteverdi, Philippe Herreweghe, Dorothee Mields, Barbora Kabátková, Benedict Hymas, Samuel Boden, Peter Kooij, Wolf Matthias Friedrich, Collegium Vocale Gent | B♭ Major | 3 | 6B | 83 BPM | ||
| Concert pour 4 parties de violes, H. 545: IV. Gigue angloise | Marc-Antoine Charpentier, Chelys Consort of Viols, James Akers | A♭ Minor | 2 | 1A | 75 BPM | ||
| Concerto: Audi cœlum | Claudio Monteverdi, Jordi Savall, La Capella Reial, Coro Del Centro Musica Antica Di Padova | F Major | 2 | 7B | 85 BPM | ||
| Palestrina: Missa Papae Marcelli - 4d. Benedictus | The Tallis Scholars, Peter Phillips | B Major | 0 | 1B | 71 BPM | ||
| Entrée des laquais | Antoine Boësset, Le Poème Harmonique, Vincent Dumestre | E♭ Major | 1 | 5B | 87 BPM | ||
| I will exalt Thee | The Choir of Magdalen College, Oxford, John Harper, Christopher Tye | A Minor | 0 | 8A | 93 BPM |